All That Jazz

Complete – Full Score-Epitaph written for a 31-piece ensemble was the masterwork of composer/bassist Charles Mingus. The extended suite is comprised of multiple movements reflecting a wealth of compositional styles (not just jazz) thatdemonstrate Mingus' invaluable contribution to 20th-century American music. Since its last performance 15 years ago additional movements have been discovered that were originally intended to be a part of the work. This unique500-page score includes these “missing movements” along with historical and program notes. Prepared and edited under the guidance of Gunther Schuller and Sue Mingus it provides a monumental resource for study andanalysis. The first jazz composition of such magnitude ever to be published it is presented in this edition as he left it: a summary work a portrait for all time of his life in music. “I wrote it for my tombstone.”- Charles Mingus

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford this swing chart opens with the two tenors followed by all the saxes and finally the entire ensemble. Whether you play this at a medium tempo or as ablazing burner the result is the same – a unique-sounding chart that swings like crazy.

Par HAMPTON ANDY. Une grande collection de jazz tunes pour l'intermédiaire (grades 3-4) joueur de saxophone ténor offrant une saveur de styles de swing, trad, blues, bebop et ballade. Comprend ' Mes favoris choses ', ' Et All That Jazz ' et ' Green oignons ' aux côtés de quelques morceaux originaux. Jouer leur ' straight ', puis utilisez les guides d'isolation utiles pour créer des solos de jazz authentiques sur les dossiers de CD cool. Préparation idéale pour les examens de jazz, comme une introduction à l'improvisation, ou simplement pour le plaisir. Accompnaiments piano sont également inclus sur le CD amélioré. / Jazz / Recueil / Saxophone Ténor

Epitaph written for a 31-piece ensemble was the masterwork of composer/bassist Charles Mingus. The extended suite is comprised of multiple movements reflecting a wealth of compositional styles (not just jazz) thatdemonstrate Mingus' invaluable contribution to 20th-century American music. Since its last performance 15 years ago additional movements have been discovered that were originally intended to be a part of the work. This unique500-page score includes these “missing movements” along with historical and program notes. Prepared and edited under the guidance of Gunther Schuller and Sue Mingus it provides a monumental resource for study andanalysis. The first jazz composition of such magnitude ever to be published it is presented in this edition as he left it: a summary work a portrait for all time of his life in music. “I wrote it for my tombstone.”- Charles Mingus

Par HAMPTON ANDY. HAMPTON ANDY JAZZWORKS FOR FLUTE BOOK/CD / Jazz / Recueil / Flûte Traversière

This familiar tune from the 1930s has become a favorite with jazzers over the years. Here's a wonderfully crafted arrangement in the six-horn format that starts out as a relaxed jazz samba then moves seamlessly into a medium swing groove.

Check out Victor López 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. 'That's All!' (2:37) / Ensemble De Jazz

This jazz gem from the pen of Tadd Dameron features an easy flowing swing style and adapts wonderfully for full jazz ensemble. Mark's arrangement includes a small group (alto tenor bari. trumpet trombone guitar and vibes) offthe top that contrasts nicely with the full ensemble figures. Also included is a swingin' sax soli solos for trombone and alto and a tutti full band chorus that starts out soft minus drums then builds to a peak.