All those born of God

SKU: LP.765762152823

UPC: 765762152823. Orchestrated by Russell Mauldin.

Noel & Alleluia! Jesus Is Born, created by Tom Fettke and orchestrated by Russell Mauldin, is the ideal Christmas offering for church choirs of all sizes. With music by some of the Christian music world's most popular artists; such as Michael W. Smith, Keith & Kristyn Getty, Lowell Alexander, and Tom Fettke; this narrated music will resonate with congregations that lean toward a more traditional style of worship, as well as those with a more contemporary bent.

Highlights include a new version of Carol of the Bells by Tom Fettke, Michael W. Smith's Christmas Angels, the beautiful and moving Jesus, Joy of Highest Heaven from contemporary hymn writers Keith and Kristyn Getty, and the fun Hallelujah Jesus Is Born! All of these songs are intertwined and held together by the masterful narrative writings of Claire Cloninger.

For SATB choirs of any size, with minimal solo opportunities, your choir and congregation will be singing Noel & Alleluia! Jesus Is Born all year long.

SKU: LP.765762153028

UPC: 765762153028. Orchestrated by Russell Mauldin.

Noel & Alleluia! Jesus Is Born, created by Tom Fettke and orchestrated by Russell Mauldin, is the ideal Christmas offering for church choirs of all sizes. With music by some of the Christian music world's most popular artists; such as Michael W. Smith, Keith & Kristyn Getty, Lowell Alexander, and Tom Fettke; this narrated music will resonate with congregations that lean toward a more traditional style of worship, as well as those with a more contemporary bent.

Highlights include a new version of Carol of the Bells by Tom Fettke, Michael W. Smith's Christmas Angels, the beautiful and moving Jesus, Joy of Highest Heaven from contemporary hymn writers Keith and Kristyn Getty, and the fun Hallelujah Jesus Is Born! All of these songs are intertwined and held together by the masterful narrative writings of Claire Cloninger.

For SATB choirs of any size, with minimal solo opportunities, your choir and congregation will be singing Noel & Alleluia! Jesus Is Born all year long.

SKU: LP.765762153226

UPC: 765762153226. Orchestrated by Russell Mauldin.

Noel & Alleluia! Jesus Is Born, created by Tom Fettke and orchestrated by Russell Mauldin, is the ideal Christmas offering for church choirs of all sizes. With music by some of the Christian music world's most popular artists; such as Michael W. Smith, Keith & Kristyn Getty, Lowell Alexander, and Tom Fettke; this narrated music will resonate with congregations that lean toward a more traditional style of worship, as well as those with a more contemporary bent.

Highlights include a new version of Carol of the Bells by Tom Fettke, Michael W. Smith's Christmas Angels, the beautiful and moving Jesus, Joy of Highest Heaven from contemporary hymn writers Keith and Kristyn Getty, and the fun Hallelujah Jesus Is Born! All of these songs are intertwined and held together by the masterful narrative writings of Claire Cloninger.

For SATB choirs of any size, with minimal solo opportunities, your choir and congregation will be singing Noel & Alleluia! Jesus Is Born all year long.

SKU: CA.3140105

ISBN 9790007295059. German/English. Text: Franck, Salomon.

Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, represents the final stage of a multi-layered version history, beginning with the cantata Alles, was von Gott geboren BWV 80a, probably composed for Oculi Sunday (the third Sunday in Lent) 1716. As no cantatas were performed during Passiontide in Leipzig, if Bach wanted to re-use the cantata he had to rewrite it for another Sunday or feast day. Reformation Day suggests itself, as Bach had also incorporated the hymn Ein feste Burg ist unser Gott into the Oculi cantata (as an instrumental cantus firmus in the opening movement and in the final chorale). The first version of the Reformation cantata Ein feste Burg ist unser Gott BWV 80b (Carus 31.080/50) was simply expanded by the addition of chorale movements, then the movements of the Oculi cantata, slightly altered, were included in the cantata in the form known today as BWV 80.Only the text of the Oculi cantata Alles, was von Gott geboren BWV 80a survives today. However, the early version of the cantata can easily be extrapolated from the two later versions. This first published reconstruction to date, by the renowned Bach scholar Klaus Hofmann, represents a welcome addition to the small repertoire of Bach cantatas for Passion Sundays.

SKU: CA.3140114

ISBN 9790007298197. German/English. Text: Franck, Salomon.

Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, represents the final stage of a multi-layered version history, beginning with the cantata Alles, was von Gott geboren BWV 80a, probably composed for Oculi Sunday (the third Sunday in Lent) 1716. As no cantatas were performed during Passiontide in Leipzig, if Bach wanted to re-use the cantata he had to rewrite it for another Sunday or feast day. Reformation Day suggests itself, as Bach had also incorporated the hymn Ein feste Burg ist unser Gott into the Oculi cantata (as an instrumental cantus firmus in the opening movement and in the final chorale). The first version of the Reformation cantata Ein feste Burg ist unser Gott BWV 80b (Carus 31.080/50) was simply expanded by the addition of chorale movements, then the movements of the Oculi cantata, slightly altered, were included in the cantata in the form known today as BWV 80.Only the text of the Oculi cantata Alles, was von Gott geboren BWV 80a survives today. However, the early version of the cantata can easily be extrapolated from the two later versions. This first published reconstruction to date, by the renowned Bach scholar Klaus Hofmann, represents a welcome addition to the small repertoire of Bach cantatas for Passion Sundays.

SKU: CA.3140113

ISBN 9790007298180. German/English. Text: Franck, Salomon.

Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, represents the final stage of a multi-layered version history, beginning with the cantata Alles, was von Gott geboren BWV 80a, probably composed for Oculi Sunday (the third Sunday in Lent) 1716. As no cantatas were performed during Passiontide in Leipzig, if Bach wanted to re-use the cantata he had to rewrite it for another Sunday or feast day. Reformation Day suggests itself, as Bach had also incorporated the hymn Ein feste Burg ist unser Gott into the Oculi cantata (as an instrumental cantus firmus in the opening movement and in the final chorale). The first version of the Reformation cantata Ein feste Burg ist unser Gott BWV 80b (Carus 31.080/50) was simply expanded by the addition of chorale movements, then the movements of the Oculi cantata, slightly altered, were included in the cantata in the form known today as BWV 80.Only the text of the Oculi cantata Alles, was von Gott geboren BWV 80a survives today. However, the early version of the cantata can easily be extrapolated from the two later versions. This first published reconstruction to date, by the renowned Bach scholar Klaus Hofmann, represents a welcome addition to the small repertoire of Bach cantatas for Passion Sundays.

SKU: CA.3140119

ISBN 9790007296889. German/English. Text: Franck, Salomon.

Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, represents the final stage of a multi-layered version history, beginning with the cantata Alles, was von Gott geboren BWV 80a, probably composed for Oculi Sunday (the third Sunday in Lent) 1716. As no cantatas were performed during Passiontide in Leipzig, if Bach wanted to re-use the cantata he had to rewrite it for another Sunday or feast day. Reformation Day suggests itself, as Bach had also incorporated the hymn Ein feste Burg ist unser Gott into the Oculi cantata (as an instrumental cantus firmus in the opening movement and in the final chorale). The first version of the Reformation cantata Ein feste Burg ist unser Gott BWV 80b (Carus 31.080/50) was simply expanded by the addition of chorale movements, then the movements of the Oculi cantata, slightly altered, were included in the cantata in the form known today as BWV 80.Only the text of the Oculi cantata Alles, was von Gott geboren BWV 80a survives today. However, the early version of the cantata can easily be extrapolated from the two later versions. This first published reconstruction to date, by the renowned Bach scholar Klaus Hofmann, represents a welcome addition to the small repertoire of Bach cantatas for Passion Sundays.