Alternate Time

As indicated by the title, 'Alternate Time' is an exciting and energetic way to explore constantly changing time signatures. Based on a bouncy theme, this composition also features chromatic passages, running scalar lines, and effective percussion scoring. A wonderful teaching piece, it is also great fun for the audience! (2:00) / Concert Band

It's time to take center stage to deliver all the pyrotechnics usually associated with six-string guitar shredders! Shredding Bass Guitar takes you there through in-depth lessons on building technique, dexterity, and speed. It shows you how to shred using chords, arpeggios, and scales, and covers heavy metal and funk techniques like tapping, string skipping, and slap and pop. Lessons and examples are in the styles of bass masters Billy Sheehan, Les Claypool, Steve Harris, Victor Wooten, Stanley Clarke, and others. Shredding Bass Guitar provides a fresh perspective on the four-string electric bass and is a must-have for any bassist looking to take their playing to a new level. The accompanying CD features all the examples from the book. Features * In-depth lessons for developing technique, dexterity, and speed * For pick-style and fingerstyle players * Covers techniques like string skipping, tapping, two-handed tapping, wide-interval skipping, slap and pop, double thumbing, double popping, and more About the Author David Overthrow is an author, educator, and virtuoso bassist. After attending Berklee College of Music, he began performing with a wide variety of artists throughout the U.S. and Europe, playing rock, funk, jazz, and R and B. David is Director of Music at the Canterbury School in New Milford, Connecticut. He has written for Bass Guitar magazine, authored numerous electric bass methods, and taught three instructional videos for Alfred Music. David has performed with such luminaries as Pat Metheny, Stanley Clarke, Mike Stern, Trey Anastasio, Paul Gilbert, Zakk Wylde, and Sonny Landreth. / Guitare Basse

Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

A Light Hour 2008-Set of parts for Per Nørgård's En Lys Time / A Light Hour (2008-09) for a variable Percussion Ensemble (min. 10 players). In A Light Hour everything - rhythms and motifs – is based on Nørgård´s special infinity series. Score: WH30964 Programme note A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open as long as percussion is used within the three types specified in the score: skin metal and wood. Each musicianuses two sound sources with two different sounds one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone xylophone marimba gamelan glockenspiel steel drums crotales and the like. The work integrates and combines a number of rhythms that Nørgård has used in percussion works since the 1970s for example in Early Spring Dance (for choir and percussion) and percussion works like I Ching Easy Beats Whirls Zigzag Nemo Dynamo and Echo Zone I-II-III. Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable melodic feature of the work.: the first minute end with a short tone-feast (and a rest) the first four minutes end with a tone-feast lasting a minute (and a rest) the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest when the work is over ...). The first 15 minutes have a bright light character throughout and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percussion-based Afro-Cuban whereas the third quarter of A Light Hour moves in the

The Viola Time Student Pack is a great starter bundle for all young Viola players. Each pack provides a book of lively tunes and well-known pieces everything you need to make learning scales and arpeggios fun a notebook with alternate plain and manuscript pages for lesson notes and a pack of entertaining cartoon stickers.

The Fiddle Time Student Pack is a great starter bundle for all young Violin players. Each pack provides a book of lively tunes and well-known pieces everything you need to make learning scales and arpeggios fun a notebook with alternate plain and manuscript pages for lesson notes and a pack of entertaining cartoon stickers.

My blue violin draws both musicians and listeners into the world of swing and jazz. Fast cheerful pieces alternate with pensive ones. Titles like My Cat and Me or Die Radtour [The Bicycle Ride] make the poetry of small things resound. Like a musical diary, they make us notice the beautiful things in everyday life. The pieces are of easy to intermediate difficulty and suitable for performances as well as music lessons. / Violon Et Piano

with General and Advent Texts-Uses: General Call to Worship Christ the King AdventScripture: Psalm 46; Psalm 68:3; Habakkuk 3:17-19Here are two anthems in one! Pepper Choplin has written a text for Christ the King or generalservices and alternate words for Advent. The bright Baroque sound creates an air of excitement that will fill the sanctuary with joy!

Pop Trios for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required, the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. / Trompette

Pop Trios for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required, the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family and friends, recitals, auditions, and festivals. - See more at: http://www.fabermusicstore.com/Pop-Trios-For-AllTen-Sax-Rev-30701.aspx#sthash.7y6g79cJ.dpuf / Saxophone Tenor

Singspiel for narrator actors (ad lib.) children's choir and concert band-Full Score and Study Score of this work are available for sale.A set of individual parts are for rental only not for sale.Prices and conditions are available on request.Please contact: Hal Leonard Europe Distribution BV - RentaldepartmentE-Mail: rental@halleonardeurope.nl In this musical drama composed in honour of the 150th anniversary of the death of Jacob Grimm in 2013 song and spoken word continually alternatewith one another. The orchestra also plays an important role giving the entire work great variety in terms of content but also in terms of sound. Es war einmal… (Once Upon a Time) can be performed in concert and also creates an opportunityfor a partially staged production.

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

For the development of technical skills and improved intonation this A Scale In Time - Cello edition features a full collection of scales chorales etudes and an expanded alternative styles section all in one book!A Scale In Time features:One and two octave scale patterns Major natural minor and melodic minor Improvisation loops studies and tunes for training in alternative styles Blues mixolydian and lydian scales Etudes Chorales Rhythm Studies