Amplified, parts

SKU: LO.30-3729L

UPC: 000308154481.

Rhythm Score and Parts for 10/5240L Based on scripture from Matthew 7:24–27, this anthem from Pepper Choplin has a fun, swing-style quality that’s amplified with the optional rhythm accompaniment. Your choir won’t want to stop singing this catchy tune, and your congregation will want to hear it again and again. Reiterate the powerful words of Christ with this spirit-filled anthem!

SKU: HL.14005395

SKU: HH.HH449-FSP

ISBN 9790708146506.

The work has an exciting international future then, one which will be further established by the launch, at the Royal Greenwich International Festival in November 2017, of Fontanella’s third album The Nightingale’s Response which features a new studio recording of Wild Wood alongside the music of Purcell, Saint-Saëns and others. We hope the publication of the work, alongside this new recording, will allow many more ensembles to enjoy the work on their own IKEA Paetzold recorders.

SKU: KN.8276

UPC: 822795082760.

We welcome Timothy Isham to the Kendor family of writers with this grade 1+ original that combines an infectious rock groove in the cello and bass lines with sassy fiddle figures from violas and violins. The result is a funky mixolydian mashup that's a surefire crowd-pleaser! Each set includes three copies of the 3rd Violin/Viola T.C. part and optional parts for piano, amplified bass and drum set. Duration 3:15.

SKU: DZ.DZ-4311

ISBN 9782898522284.

Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title.
Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!
These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.

Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.
Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !
Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés.

SKU: HL.14028553

UPC: 884088692810. 10.5x14.0x0.138 inches.

Commissioned by the French Government and Musica Strasbourg. As the title suggests, Trois rivières is divided into three separate sections. The first part introduces all the instrumental colours used in the piece. The rhythmic aspect is here nearly eliminated, giving room for the timbral scales, colours, resonances, attacks and textures to come to the fore. The instruments come from all members of the percussion family, but unpitched instruments are given a primary role. The second part adds a rhythmic aspect to the nuances of colour and texture, as an ostinato is developed in markedly varying directions. The last part is an epilogue, recalling components of the two preceding parts. Here, earlier aspects of the material are reorganised and placed in different relationships to each other. The voices of the percussionists act together as an extension of the instruments, being used to create either rhythmically free textures or strictly notated rhythms. They are treated instrumentally, combining to create rhythms and timbres. The poem 'La nuit de lune sur le fleuve' (Moonlit night on the river) by the Chinese poet Li Po (701-762) constitutes the material for the voices, which are amplified and further enhanced throughout.