Angelika

SKU: BA.BE02646

ISBN 9783764926465. 29.7 x 21 cm inches. Language: German. Preface: Jekic, Angelika / Henrich, Inge.

SKU: BR.OB-14619-30

ISBN 9790004344828. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

SKU: BR.OB-14619-23

ISBN 9790004344804. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

SKU: UT.APS-9

ISBN 9788881095001. 6.5 x 9.5 inches.

Saggi di Robert Abels, Fabian Brinkmann, Bernd Edelmann, Thomas Emmerig, Vincent Grau, Hartmuth Kinzler, Michael Klaper, Beate Angelika Kraus, Heinz von Loesch, Albrecht von Massow, Gerhard Poppe, Michael Raab, Wilhelm Seidel, Bernhold Schmid, Christian Speck, Glenn Stanley, Andreas Traub, Reinhard Wiesend


Musical composition is always related to the work's realisation in sound. A written form is required in order to give shape to the compositional intention. Consequently it is text, the musical text, which mediates between the act of composition and the performance. The object of the musical edition is to prepare the text so that the will of the composer is presented to the musicians in a way that allows the composition to become realised musically. The edition thus inevitably establishes a conflict between divergent orientations, such as between science and practice, preservation and actualization, as well as textual criticism and hermeneutics. Because his editorial decisions are fundamentally interpretive the editor must know and understand the historical and hermeneutical problems of his subject, especially when it comes to determining what stage of the work is to be presented. The editing of music is not always restricted to mediation; it may also represent a translation.
The present collection of essays -- all but one, in German -- is a Festschrift for Petra Weber's 60th birthday. It combines contributions on music and music editing by Robert Abels, Fabian Brinkmann, Bernd Edelmann, Thomas Emmerig, Vincent Grau, Hartmuth Kinzler, Michael Klaper, Beate Angelika Kraus, Heinz von Loesch, Albrecht von Massow, Gerhard Poppe, Michael Raab, Bernhold Schmid, Wilhelm Seidel, Glenn Stanley, Andreas Traub, and Reinhard Wiesend. Among the composers treated, Ludwig van Beethoven will occupy a prominent place. Special consideration will also given to Didier Lupi, Francesco Cavalli, Johann Sebastian Bach, Johann Adolf Hasse, Franz Schubert, Giovanni Simone Mayr, Ferruccio Busoni, Carl Orff, and Sandor Veress.

SKU: BR.OB-14619-16

ISBN 9790004344781. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

SKU: BR.OB-14619-19

ISBN 9790004344798. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

SKU: BR.OB-14619-27

ISBN 9790004344811. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

SKU: BR.CHB-14677

ISBN 9790004413067. 7.5 x 10.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

SKU: M7.DOHR-16300

ISBN 9790202033005.

Die Panis Angelicus-Vertonung von César Franck ist so bekannt geworden, dass man in der Regel sein Stück meint, wenn man von dem Panis Angelicus spricht. Das Werk gehört(e) zum Standardrepertoire vieler bedeutender Tenöre. Es wird auch bei Hochzeiten gern aufgeführt. Das Werk liegt hier in einer Bearbeitung für tiefe Stimme und Streichquartett vor. Für die Bearbeitung wurde das Stück von A-Dur nach F-Dur transponiert.

SKU: BT.AMP-009-020

Although Cesar Franck won many prizes during his student days his music was generally unrecognised by his contemporaries. His pieces were written in the romantic style whilst retaining a classical structure and his later compositions were referred to as 'cathedrals of sound'. Panis Angelicus is poetic and almost serene and this arrangement by Philip Sparke retains all of the beauty of the original.

Obwohl César Franck schon während seiner Studienzeit einen Preis nach dem anderen gewann, bekam er doch erst zu späteren Lebzeiten die Anerkennung, die er eigentlich verdiente. Von seinen Zeitgenossen kaum wahrgenommen, genießt César Franck und seine religiös gefärbte, poetische, fast düstere Musik heute große Bewunderung. Panis Angelicus, das Philip Sparke arrangierte, ist zweifellos die beliebteste Komposition von Franck.

SKU: BT.AMP-009-140

Although Cesar Franck won many prizes during his student days his music was generally unrecognised by his contemporaries. His pieces were written in the romantic style whilst retaining a classical structure and his later compositions were referred to as 'cathedrals of sound'. Panis Angelicus is poetic and almost serene and this arrangement by Philip Sparke retains all of the beauty of the original.

Obwohl César Franck schon während seiner Studienzeit einen Preis nach dem anderen gewann, bekam er doch erst zu späteren Lebzeiten die Anerkennung, die er eigentlich verdiente. Von seinen Zeitgenossen kaum wahrgenommen, genießt César Franck und seine religiös gefärbte, poetische, fast düstere Musik heute große Bewunderung. Panis Angelicus, das Philip Sparke arrangierte, ist zweifellos die beliebteste Komposition von Franck.