Format : Set of Parts
SKU: BT.DHP-0991507-030
Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (From the New World), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo†novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes.
SKU: BT.DHP-0991507-020
Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo†novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes.d.
SKU: BT.DHP-0991507-010
Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo†novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes.
SKU: FH.FLE01
ISBN 978-1-55440-300-4.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Slavonic Dances, op. 46, no. 1 Antonin Dvorak Symphony No. 100 in G Major (Military): II Franz Joseph Haydn Le carnaval des animaux: Aquarium Camille Saint-Saens HMS Pinafore: I'm Called Little Buttercup Arthur Sullivan La forza del destino: Overture Giuseppe Verdi Serse (Xerxes), HWV 40: Va godendo vezzoso e bello George Frideric Handel Symphony No. 100 in G Major (Military): III Franz Joseph Haydn Ma Vlast: II Bedrich Smetana HMS Pinafore: When I Was a Lad Arthur Sullivan Nutcracker Suite: Overture Pyotr Il'yich Tchaikovsky Symphony No. 6 (Pastoral): III Ludwig van Beethoven Symphony No. 9 in E Minor, op. 95 (New World): I Antonin Dvorak Faust: Soldier's Chorus Charles Gounod Peer Gynt Suite No. 1, op. 46: I Edvard Grieg Symphony No. 102 in B flat Major: I Franz Joseph Haydn Brandenburg Concerto No. 4, BWV 1049: III Johann Sebastian Bach Carmen: La garde montante Georges Bizet Petite suite: Ballet IV Claude Debussy Symphony No. 100 in G Major (Military): IV Franz Joseph Haydn Symphony No. 40 in G Minor, K 550: III Wolfgang Amadeus Mozart Symphony No. 5: IV Ludwig van Beethoven Carmen: Act 1, Prelude Georges Bizet Faust Ballet Music: Danse antique Charles Gounod Symphony No. 102 in B flat Major: IV Franz Joseph Haydn Scheherazade, op. 35: IV Nicolai Rimsky-Korsakov Symphony No. 6 (Pastoral): I, II Ludwig van Beethoven Symphonie fantastique: V Hector Berlioz Die Zauberfloete: Wie stark ist nicht dein Zauberton Wolfgang Amadeus Mozart Bolero Maurice Ravel Scheherazade, op. 35: I Nicolai Rimsky-Korsakov Brandenburg Concerto No. 4, BWV 1049: I Johann Sebastian Bach Symphonie fantastique: I Hector Berlioz Carmen: Entr'acte (Prelude) Georges Bizet Symphony No. 1 in C Minor: IV Johannes Brahms Die Zauberfloete: Overture Wolfgang Amadeus Mozart Symphony No. 8 in G Major: IV Antonin Dvorak Leonore Overture No. 3, op. 72a Ludwig van BeethovenSymphony No. 4 in E Minor: IV Johannes BrahmsLa mer: I, II, III Claude DebussySymphony No. 4 (Italian): IV Felix Mendelssohn Symphony No. 1 (Classical): II Sergei Prokofiev Symphony No. 3 in E flat Major (Eroica): IV Ludwig van Beethoven Prelude a l'apres-midi d'un faune Claude Debussy Sinfonie Mathis der Maler: I, II Paul Hindemith Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo Felix Mendelssohn Petroushka (1947 revision): Part 1 Igor Stravinsky Symphony No. 4 in F Minor: III Pyotr Il'yich Tchaikovsky Capriccio espagnol, op. 34: IV Nicolai Rimsky-KorsakovSymphony No. 1 (Classical): IV Sergei Prokofiev Concerto for Orchestra: I, II, III, IV, V Bela Bartok Symphonic Metamorphosis after Themes by Carl Maria von Weber: II, III Paul Hindemith Das Lied von der Erde: VI Gustav Mahler Peter and the Wolf, op. 67 Sergei Prokofiev Le carnaval des animaux: 10. Voliere Camille Saint-Saens Daphnis et Chloe: Troisieme partie Maurice Ravel Guillaume Tell: Overture Gioachino Rossini Till Eulenspiegel's Merry Pranks Richard Strauss Firebird Suite (1919 version) Igor Stravinsky Symphony No. 9: IV Ludwig van Beethoven Concerto for Orchestra: III Bela Bartok Scheherezade, op. 35: IV Nicolai Rimsky-Korsakov Semiramide: Overture Gioachino Rossini Symphony No. 5, op. 47: I, II Dmitri Shostakovich.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
SKU: BA.TP00618
ISBN 9790006567409. 22.5 x 16.5 cm inches. Key: G major. Preface: David R. Beveridge.
With its Bohemian echoes and thematic diversity, Symphony No. 8 enjoys a special status among lovers of Antonin Dvorak's music.For a long time, the performance material for this work has been notorious for its myriad mistakes. For his edition of Dvorak's 8th Symphony, editor Jonathan Del Mar was therefore faced with the task of making comprehensive corrections. He has taken into account the engraver's copy, which was actually discovered in a trash bin at Novello's in 1964. Its title page bears the wordsCopied from my original manuscriptin Dvorak's hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist's pen.This study score edition is complemented by the full score and orchestral parts (BA10418).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.OB-5291-27
Oh the tempi, how terrible! Dvorak often complained bitterly about tempi, and with good reason, as the respected Dvorak expert Klaus Doge discovered while preparing his edition of the Eighth.
ISBN 9790004337547. 10 x 12.5 inches.
Oh the tempi, how terrible! Dvorak often complained bitterly about tempi, and with good reason, as the respected Dvorak expert Klaus Doge discovered while preparing his edition of the Eighth.The composer's conducting score, which also served as the engraver's copy, has resurfaced again and offers sensational findings for performers. The copy contains an entire series of added tempo entries that were not all incorporated into the first edition. Doge's edition now sheds light into the previously misleading tempo markings. Breitkopf's new edition is also the first performing material to this key work of late-romantic orchestral literature that can be purchased in its entirety as sales material. Following the New World Symphony, the Slavonic Dances op. 46 and the Violoncello Concerto, Dvorak's fourth major orchestral work is now available in Breitkopf's customary high quality.Oh the tempi, how terrible! Dvorak often complained bitterly about tempi, and with good reason, as the respected Dvorak expert Klaus Doge discovered while preparing his edition of the Eighth.
SKU: BR.OB-5291-30
ISBN 9790004337554. 10 x 12.5 inches.
SKU: CF.WF232
ISBN 9781491153772. UPC: 680160911271.
Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new†works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new†works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World†—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.PrefaceConceived originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New Worldâ€, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new†works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.
SKU: M7.BRP-1505
This piece was originally written for Violin and Piano, and if the 'New World' Symphony and the 'American' String Quartet are the best-known products of AntonÃn Dvorak's years in the United States, the little Sonatina in G major (sometimes called the 'Indian Lament' Sonatina) may well be the most obscure; yet it is a charming work that deserves better than its relegation to the learning books of young violinists. The Sonatina is in four movements: Allegro risoluto , Larghetto , Scherzo (molto vivace) , and Allegro .
SKU: BA.BA10418
ISBN 9790006564644. 32.5 x 25.5 cm inches. Key: G major. Preface: Jonathan Del Mar.
The performance material available up till now for Dvorákâ??s sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraverâ??s copy, which was actually discovered in a trash bin at Novelloâ??s in 1964. Its title page bears the words â??Copied from my original manuscriptâ? in Dvorákâ??s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyistâ??s pen.This new edition with score and orchestral parts in an enlarged format is accompanied by a detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.
