Antonín Dvo?ák: Largo from the New World: Concert Band: Score

This hauntingly beautiful melody is probably the mostfamous to come from the pen of Czech composer Antonin Dvorák. Stephen Bulla?s transcription of?Largo? from the ?New World Symphony? will helpyour students focus on expressive playing and bringgreat delight to all with the soothing nostalgicmelody.

This hauntingly beautiful melody is probably the mostfamous to come from the pen of Czech composer Antonin Dvorák. Stephen Bulla?s transcription of?Largo? from the ?New World Symphony? will helpyour students focus on expressive playing and bringgreat delight to all with the soothing nostalgicmelody.

The largo theme from Dvor^ák's New World Symphony is arguably one of the most famous melodies in classical literature. This delightful setting by Chris Sharp is appropriate for bands at any level and is ideal for teaching literature and musicality with the same piece. An outstanding work at the beginning band level that you will want to hear.

Together We Sing Series-Goin' home goin' home. I'm a-goin' home. Quiet-like some still day I'm just goin' home are the poignant lyrics famously set in a song based on the Czech composer Antonin Dvorak's famous Largo theme from his Symphony No. 9 (From the New World) Op. 95. This choral work is simple yet rich with vocal harmonies moving piano accompaniment and optional cello creating an emotional performance selection filled with musical opportunities.

This SSAB is perfect for smaller groups or ensembles with few male singers. Ruth Elaine Schram has incorporated the traditional Latin text and original lyrics with music based on “Largo” from Dvorak's New WorldSymphony. An optional cello part is included within the choral. Constructed as a partner song between the male and female singers this choral is striking in its simple melodic lines and harmonies.

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

12 Beliebte Klassische Stücke Für 3-4 Violinen. Well-known melodies in easy Arrangements are ideally suited for joyful music-making in a group. The arrangements allow students of different performance levels to make music together. Most pieces and parts can be played in first position. The third and fourth parts can also be played with viola or cello. Not only kids will have fun with this booklet! / Niveau : Facile / Recueil / 4 Violons