Apotheosis

SKU: TM.07156SET

Contains Pas de Deux to the end of Ballet, including Apotheosis. Transposed: Cl 1,2+bass, Bsn 1+2, Tpt 1+2, Tbn 1+2. Horns originally in F.

SKU: TM.07156SC

Contains Pas de Deux to the end of Ballet, including Apotheosis. Transposed: Cl 1,2+bass, Bsn 1+2, Tpt 1+2, Tbn 1+2. Horns originally in F.

SKU: GI.G-CD-871

SKU: HH.HH005-FSC

ISBN 9790708024101.

Sparingly scored, these miniatures are full of surprise and delight. The work consists of nine short sections played continuously. In Mixture 1 Incantation, linear counterpoint for high woodwind and low strings is interspersed by distinctive brass figures and percussion motives. A brief Solo for double bass leads into Interlude 1 where harmonic writing is broken by short woodwind fragments before Duet where a simple rhythmic cell is developed by the brass instruments. Mixture 2 Exultation alternate block chords with active rhythmic activity. The Trio for flute, clarinet and percussion is followed by Interlude 2 where woodwind and string counterpoint is interrupted by static chords. After a short Quartet for trumpet and strings, Mixture 3 Apotheosis combines the techniques of the earlier movements. An original and rewarding work.

SKU: HH.HH005-MIN

ISBN 9790708024095.

Sparingly scored, these miniatures are full of surprise and delight. The work consists of nine short sections played continuously. In Mixture 1 Incantation, linear counterpoint for high woodwind and low strings is interspersed by distinctive brass figures and percussion motives. A brief Solo for double bass leads into Interlude 1 where harmonic writing is broken by short woodwind fragments before Duet where a simple rhythmic cell is developed by the brass instruments. Mixture 2 Exultation alternate block chords with active rhythmic activity. The Trio for flute, clarinet and percussion is followed by Interlude 2 where woodwind and string counterpoint is interrupted by static chords. After a short Quartet for trumpet and strings, Mixture 3 Apotheosis combines the techniques of the earlier movements. An original and rewarding work.

SKU: HL.48186418

UPC: 888680831202. 9x12 inches.

“Born in 1970, Éric Ledeuil is a versatile musician, working as a flautist, composer, conductor and teacher. All his expertise has combined to create the sublime Flute Quartet, Sombre Shores. Suitable for grade 6 and 7 standard flautists, Sombre Shores is made up of five sections; The Approach of a Vessel, Ghost Choreography, Short Lull, Darkening, and Diabolical Dance and Apotheosis. Sombre Shores is an exciting and varied addition to the Flute Quartet repertoire. Ledeuil's Sombre Shores is essential to intermediate to advanced flautists seeking to improve and expand their ensemble repertoire.&rdquo.

SKU: HH.HH005-IPT

ISBN 9790708024705.

Sparingly scored, these miniatures are full of surprise and delight. The work consists of nine short sections played continuously. In Mixture 1 Incantation, linear counterpoint for high woodwind and low strings is interspersed by distinctive brass figures and percussion motives. A brief Solo for double bass leads into Interlude 1 where harmonic writing is broken by short woodwind fragments before Duet where a simple rhythmic cell is developed by the brass instruments. Mixture 2 Exultation alternate block chords with active rhythmic activity. The Trio for flute, clarinet and percussion is followed by Interlude 2 where woodwind and string counterpoint is interrupted by static chords. After a short Quartet for trumpet and strings, Mixture 3 Apotheosis combines the techniques of the earlier movements. An original and rewarding work.

SKU: TM.02752VS

See #14206 for orig hp & str version in F. (Orchestration by Luck). 2008 typeset edition. Available in keys of Eb, D, *F (original): Score and parts contain all three keys. Includes recit: Frondi tenere.

SKU: BT.PWM381

Danse vive was written in 1939 and had its first performance, as did most works of this time, as mentioned by the composer, in the famous occupation Art Salon at Ulica Nowy wiat 27 in Warsaw, led by Boles aw Woytowicz. Lech Miklaszewski made the first archival recording of the piece for Polish Radio in September 1946. After a long period of obscurity, Danse Vive appeared unexpectedly during the inaugural concert of the VII International Festival of Contemporary Music, Warsaw Autumn, on 21st September 1963. W adys aw K dra, after performing Tadeusz Szeligowskis Piano Concerto with the Symphony Orchestra of Polish Radio conducted by Jan Krenz, played Kisielewskis piece as an encore. Mieczys aw Tomaszewski in conversation with Joanna Pruszy ska defines Danse Vive as Toccata 41. Indeed - the free, almost improvised form, the figurative texture and at the same time the uniform lines inlaid with sforzandi syncopated rhythms (although changing time signatures several times) give the composition such a nature. But at the same time Danse Vive can be described as an apotheosis of a Krakowiak, a lively, Galician dance, whose full theme at 44 is shown only once in the piece, after a thickening, figurative outset, not at all reminiscent of folk melodies. [M. G siorowska, Kisielewski, PWM 2011].

SKU: BT.DHP-1002307-010

This three-movement symphony musically depicts the history of Hungary. Key historical figures, wars and other important events from this country inspired all three movements. The first movement depicts Atilla, the King of the Huns, and is characterised by fear, threat and aggression. The second movement focuses on Árpád, the founder of the Hungarian State and the final movement is named after István, the King who introduced Christianity into Hungary. The beautiful theme of the national hymn appears throughout the symphony, however it is often partially hidden. It is used as a â??thread,â? hardly recognizable at the beginning, becoming more and more obvious near the end and itconcludes the symphony as the â??final apotheosis,â? making the band sound like a majestic living organ.