Format : Audio CD
SKU: HL.49046106
UPC: 841886030329.
Thomas Fellow, author of the successful standard work Fellow Guitar Book and world-leading guitarist (European Guitar Quartet, Friend 'n Fellow, Hands on Strings), adds another original twist to his Guitar Music Collection. This book of 10 CROSSOVER APPETIZERS now addresses interested students as well as ambitious advanced players. The pieces are at an intermediate level and benefit from the additional tablature notation which opens up this repertoire to those who cannot read standard music notation. FINGERFOOD LIGHT includes percussive catchy tunes as well as sonorous ballads, and also contains pieces inspired by Piazzolla and movie soundtracks. Many of the 10 pieces in this book are suitable for classical guitar as well as steel string guitar.
SKU: HL.14027165
Danish.
REVEILLE RETRAITE for solo trumpetA joint commission between Hakan Hardenberger and Danmarks RadioDedicated to Hakan HardenbergerProgramme note:Everybody knows or has at least heard of the time honoured military bugle calls: Reveille Retraite, the awakening at sunrise the turning in at sunset. In a way it's the UR concept of the nature of the trumpet, an instrument capable of glorious panache as well as sublime, inward looking finesse. My piece is, as indicated in the title, a two fold composition in the form of two contrasting tone poems, each mirroring a fragment of original text, what one could call spiritual appetizers. At the end of chapter 8 of his high spirited Memoirs Hector Berlioz laments the murder of a man he admired, Prince Lichnowsky, who was stabbed to death in Frankfurt in September 1848 by German peasants: Oh, I must get out, walk, run, shout under the open sky! Now, there's a juicy bit of high strung romantic Sturm und Drang for you and the perfect motto for any awakening... Then night fall, Retraite, in which I've drawn upon the early, melancholy poem ALONE by Edgar Allan Poe and taken out one single line as 'subtitle' for this very hushed and withdrawn movement: And all I lov'd, I lov'd alone. I guess it won't hurt to quote the poem in its entirety:From childhood's hour I have not beenAs others were I have not seenAs others saw I could not bringMy passions from a common spring.From the same source I have not takenMy sorrow; I could not awakenMy heart to joy at the same tone;And all1 lov'd, I lov'd alone.THEN in my childhood in the dawnOf a most stormy life was drawnFrom ev'ry depth of good and illThe mystery which binds me still:From the torrent, or the fountain,From the red cliff of the mountain,From the sun that 'round me roll`dIn its autumn tint of gold From the lightning in the skyAs it pass'd me flying by From the thunder and the storm,And the cloud that took the form(When the rest of Beaven was blue)Of a demon in my view.Edgar Allan PoeProgramme note by Poul Ruders, January 2004.
SKU: HL.14029708
8.25x11.75x0.183 inches.
The title of this piece is taken from the late astronomer and educator Carl Sagan's book Cosmos (1980). Sagan was a great voice in the pursuit of knowledge and reason, an invaluable force in the struggle against ignorance and superstition. His vast historical knowledge and sensitive ear for the poetic also allowed him to adorn his various texts with short quotations from original folklore through history, quotations which I have used as mental and spiritual appetizers, heading some of the movements in this piece. Serenade also reaches out to other inspirational sources, such as William Shakespeare, Joseph Conrad and British science-writer John Gribbin, another great educator and popularizer. The Darwin quotation heading the second movement was also found in Sagan's book Cosmos (it is originally from Charles Darwin: On The Origin Of Species) and so was the quotation about The Backbone of the Night. The Ku-Fu-quotation can be found in Sagan's last great work THE DEMON-HAUNTED WORLD (1995).
SKU: CL.024-3846-01
Get out the dishes & silverware and set the table for this delicious medley of Christmas favorites! David Shaffer has crafted this clever collection of seasonal music into a delightful arrangement with one special twist; all of the auxiliary percussion instruments are kitchen utensils such as silverware, trash cans and drinking glasses. There are several stylistic changes within the piece, making it a perfect teaching tool. There is no doubt that Christmas Feast will be the appetizing hit of your holiday concert.
SKU: CL.024-3846-00
SKU: HL.49013529
ISBN 9783795757786. UPC: 841886004726. 6.25x9.5x0.246 inches. German - English - French.
A collection of the most beautiful international evening songs and lullabies in atmospheric arrangements for mixed choir (SATB). Apart from classical pieces in German, the present new and modern arrangements comprise Spanish, Swedish, Scottish, French, and Indian tunes, among others. The pieces are suited for concerts, services, celebrations, or as encore pieces. Chill-out for choirs: Both the audience and the performers are going to enjoy these pieces.Plus CD with audio examples as a kind of 'appetizer'.
SKU: HL.51488043
UPC: 196288082378. 5.0x7.0x3.0 inches.
“Time for a break†white printing on Henle blue, 190 x 135 x 70 mm. Bread, snacks, fruit and even sandwiches are kept fresh and appetizing in the spacious Henle Lunchbox. The clip closure is designed in such a way that the lunchbox cannot accidentally open during transport. The rounded shape feels smooth to the touch and ensures that it does not get caught going in and out of your bag or backpack. This product is based on cellulose: 100% pure material, 100% recyclable, extremely long-lasting, food- and dishwasher-safe, and without any harmful substances, Koziol quality.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HG.ECB-6081
ISBN 9790202860816.
Diese Ausgabe verknupft zwei grundlegende Ubemethoden auf dem Weg zur eigenen Improvisation: - Das freie Improvisieren mit begrenztem Tonmaterial - Das Erlernen und Analysieren blues- und jazztypischer Solos anhand von Beispielen erfahrene Musiker Auf der beiliegenden CD zeigen die renommierten Jazz-Pianisten Hubert Nuss und Martin Sasse, wie man mit geringem technischen Aufwand interessante Jazz-Solos spielen kann. Daruber hinaus kann man zur linken Hand des Pianisten selbst improvisieren und sich dabei auf seine eigene rechte Hand und die Gestaltung eines eigenen Solos konzentrieren. Es ist erfreulich, dass es fur dieses einfache Niveau ein so spannendes Heft zum Improvisationstraining gibt. (C. de Simoni, SMZ 2/2006) Ein gelungener Appetizer fur alle Einsteiger! (W. Wierzyk, Uben&Musizieren 3/2006).
