We Are America - Orchestration

SKU: HL.274814

ISBN 9781540025715. UPC: 888680740863. 9.0x12.0x0.034 inches.

The music of Leonard Bernstein's West Side Story is timeliness and remains as popular as ever. In this arrangement of America, Johnnie Vinson has skillfully preserved the mixed meter rhythmic flavor of the original but in a very playable version for younger bands.

SKU: HL.14041243

French.

SKU: HL.14041120

French.

SKU: HL.14040910

French.

SKU: WD.080689063084

UPC: 080689063084.

From the pages of Scripture to the words of our Founding Fathers, our nation has always been urged to pray for guidance and strength. Prayer for America answers this call in an inspiring 20-minute musical that features four accessible choral arrangements of traditional and contemporary patriotic songs, enhanced by quotations from the Bible, the Declaration of Independence, and beloved American heroes. Veteran arranger Marty Parks has arranged this easy-sing musical for choirs of all sizes, making Prayer for America a perfect addition to any Independence Day, Memorial Day, President's Day or National Day of Prayer service.

SKU: WD.080689594670

UPC: 080689594670.

Orchestral score and parts on a CD-ROM.

SKU: LP.OR-9270

UPC: 765762097209.

SKU: WD.080689343476

UPC: 080689343476.

SKU: CL.011-4884-00

Songs Of America contains arrangements of six patriotic classics, perfect for performances honoring veterans, Memorial Day, Independence Day, or any occasion requiring patriotic music. Included are America (My Country, ‘Tis Of Thee), America, The Beautiful, The Stars And Stripes Forever (trio), The Army Goes Rolling Along, Anchors Aweigh, and The Marines Hymn. Each arrangement includes an optional brief introduction, and may be used individually or collectively. Very straightforward in presentation, these easy-to-prepare patriotic songs will be perfect for many performance situations. Honor America by including these Songs Of America!.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: CL.023-4811-00

Trans-America March, composed in classic style, is inspired by the westward development of the United States of America. Beginning with a quote from the opening phrase of The Star Spangled Banner, we are taken on a journey westward across the great divide. The first strain ascends melodically to the peak in center of the phrase. The melody then descends to the other side of the great divide representing the journey across the country from sea to shining sea. The trio is based on America, My Country Tis Of Thee, leading to a rousing conclusion. Perfect for patriotic programming or in any concert/festival setting, Trans-America March is a wonderful choice for your next performance.

SKU: CF.CPS252F

ISBN 9781491159705. UPC: 680160918294.

America is intended for any intermediate to professional concert band looking to honor the United States of America and/or members of the Armed Forces. It is therefore ideal for performance on or around any patriotic holiday. It is not a typical setting of the tune, in that many liberties are taken to showcase each instrument of the ensemble, with the melodic focus constantly shifting. The conductor and performers should seek out these moments, and bring them to life whenever possible. The introduction, mm. 1-12, should be approached in the style of a fanfare, with an emphasis on syncopation and exaggerated nuance in regards to articulation style. Here, hidden beneath woodwind flourishes and triumphant bugle calls, the low voices play quotes of familiar American tunes such as The Star-Spangled Banner (m. 1, beat 3) and Simple Gifts (m. 3, beat 4). In mm. 15-22 the melody is carefully hidden among counter lines. This should be carefully balanced to highlight the melody, while still shaping the counter melodies appropriately. A brief return to the fanfare style occurs in mm. 33-35 before melding back into the chorale style. In regards to dynamics, performers should be reminded that within any single dynamic exists a range of expressive shades. No two notes should be played at the same volume, ensuring direction in even the simplest of phrases. Generally speaking, the fortissimo dynamic should be approached thoughtfully, with the bulk of the sound coming from the lowest voices, and the least from the highest voices.
America is intended for any intermediate to professional concert band looking to honor the United States of America and/or members of the Armed Forces. It is therefore ideal for performance on or around any patriotic holiday. It is not a typical setting of the tune, in that many liberties are taken to showcase each instrument of the ensemble, with the melodic focus constantly shifting. The conductor and performers should seek out these moments, and bring them to life whenever possible.The introduction, mm. 1–12, should be approached in the style of a fanfare, with an emphasis on syncopation and exaggerated nuance in regards to articulation style. Here, hidden beneath woodwind flourishes and triumphant bugle calls, the low voices play quotes of familiar American tunes such as The Star-Spangled Banner (m. 1, beat 3) and Simple Gifts (m. 3, beat 4). In mm. 15–22 the melody is carefully hidden among counter lines. This should be carefully balanced to highlight the melody, while still shaping the counter melodies appropriately.A brief return to the fanfare style occurs in mm. 33–35 before melding back into the chorale style.In regards to dynamics, performers should be reminded that within any single dynamic exists a range of expressive shades. No two notes should be played at the same volume, ensuring direction in even the simplest of phrases.Generally speaking, the fortissimo dynamic should be approached thoughtfully, with the bulk of the sound coming from the lowest voices, and the least from the highest voices.