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Aria 'se L'Aura Spira'
35.50 EUR
- See more - Buy online
Format : Sheet music
Instrumentation :
Brass Quintet: 2 trumpets, horn, trombone, tuba
Publisher :
Editions Marc Reift (Swiss import)
Level :
Seller, price & stock
LMI-Partitions
(french language only)
:
7-9 days
Aria 'se L'Aura Spira'
35.50 EUR
- Shipped from France
/ 2 Trompettes, Cor, Trombone Et Tuba / niveau : 6 / Partition
Content :
Frescobaldi Girolamo
SIMILAR ARTICLES
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Details
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The Ultimate Soprano Aria Album (Version 2.0)
Soprano voice
[CD Sheet Music]
Subito Music
For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 1300 pages. Pu...
(+)
For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 1300 pages. Published by Subito Music.
(4)
$19.95 - See more - Buy online
Pre-shipment lead time:
3 to 5 business days
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Aria Se l'aura spira
Brass ensemble
[Score and Parts]
-
Intermediate/advanced
Editions Marc Reift (Swiss import)
By Girolamo Frescobaldi (1583-1643). Brass Ensemble. For brass quintet: 2 trumpe...
(+)
By Girolamo Frescobaldi (1583-1643). Brass Ensemble. For brass quintet: 2 trumpets, horn, trombone and tuba. Swiss import. Grade 4. Score and parts
$27.95 - See more - Buy online
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Just Jazz Real Book B Flat Fakebook
Bb Instruments
[Fake Book]
Alfred Publishing
Just Jazz Real Book - Bb Edition. (B-Flat Edition). For Bb instrument and voice....
(+)
Just Jazz Real Book - Bb Edition. (B-Flat Edition). For Bb instrument and voice. This edition: B-Flat Edition. Fake Book. Just Real Books Series. Jazz. Difficulty: easy-medium to medium. Fakebook (spiral bound). Introductory text, vocal melody, lyrics, chord names, discography and black and white photos. 400 pages. Published by Alfred Music Publishing
$39.95 - See more - Buy online
Pre-shipment lead time:
4 to 6 business days
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Just Jazz Real Book - Eb Edition
Fake Book
[Fake Book]
Alfred Publishing
Fakebook (spiral bound) for Eb instrument. With introductory text, vocal melody,...
(+)
Fakebook (spiral bound) for Eb instrument. With introductory text, vocal melody, lyrics, chord names, discography and black & white photos. 400 pages. Published by Alfred Publishing.
(2)
$39.95 - See more - Buy online
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Vassilieva Elena - Vocalises Minute - Mezzo Ou Alto and Piano
Français
Alto voice, Piano
Lemoine, Henry
Présentation Ces vocalises sont faites pour trouver la virtuosité de sa voix,...
(+)
Présentation Ces vocalises sont faites pour trouver la virtuosité de sa voix, et sa fluidité dans une écriture d'aujourd'hui. Vous y trouverez quelques fondamentaux comme les grands intervalles, la longue tessiture, pour toutes les voix, le chromatisme, le tempo rapide vocalisé, les slanci ou glissati, les quarts de tons, les nuances ainsi que les tenuti pianissimi ou encore le decrescendo finissant sur un fil di voce. La valeur ajoutée sur le plan rythmique habituera le chanteur à combiner les textes sur une pulsation interne permanente malgré l'exécution de la mélodie étudiée. Les tenuti ouvriront l'imaginaire du chanteur en y plaçant le texte, ad libitum. Les respirations inaudibles pour certains textes - proches de la mélodie ou du récitatif - côtoieront quelques inspirations et expirations audibles, ou sons-bruits fantômes. J'accorde beaucoup d'importance à l'articulation du texte en bouche, et à la place des lèvres dans l'acoustique du son. En effet, le chanteur transporte son propre théâtre à l'italienne partout et son palais devient alors le fin connaisseur de la place des aigus et sur-aigus. Le chanteur est un gourmet de sa bouche et de tout son appareil phonatoire et respiratoire. Le sprechgesang aura une large part dans ces vocalises. Quelques nouvelles idées d'écritures apparaissent comme celles des agrégats ou arpèges, les pleurs, les rires, la main devant la bouche, le rauco, les sons soufflés, le bruit des lèvres, la langue sortie roulée sur la lèvre supérieure, les claquements de langue, le vibrato glottique. La présence du chanteur sera indispensable pour donner du sens aux textes empruntés au répertoire des opéras classiques choisis. Ces Airs connus par coeur par chaque chanteur, que ce soit Carmen, Adolar, Méphistophélès, Mab, Pédrillo, Marina, Anna Bolena, Lucrezia, Philippe II, Urbain, La Reine de la nuit, Vulcain, Sarastro ou Erda, pour n'en citer que quelques-uns, glisseront peu à peu dans des traitements - stylistiques et vocaux - déformés par tout ce que j'ai cité plus haut : à savoir que la virtuosité prend le pas sur la texture du texte et de la voix : des phonèmes en lien avec la compréhension du texte, ou non, agrémenteront la réactivité du chanteur, vers une attitude ludique, inventive et drôle, bien que précise et technique. La sûreté des attaques sera appréciée, comme l'apprentissage des différents effets vocaux (une vingtaine, en tout) et de leurs cryptogrammes respectifs. Si cette collection s'adresse à des chanteurs expérimentés et sûrs de leur technique globale, elle provoquera certainement des prises de conscience sur le couple voix et répertoire, peu évident à mettre en place chez de jeunes artistes, appelés à mûrir, à expérimenter, donc à évoluer dans leur répertoire, et leur confort d'émission. La beauté de l'instrument est indispensable pour défendre le cadre scénique de chaque vocalise : j'invite les jeunes chanteurs à croiser la voix, sa technique avec le jeu, l'amusement et sa virtuosité. La soif et le bonheur de chanter se mesureront à la discipline de l'apprentissage. Jeunes artistes doués et patients, devenez ces êtres-bouches à la fois chanteurs-conteurs-hypnotiseurs et connaisseurs alchimiques du pouvoir colossal de la voix humaine. Ouvrez vos cerveaux et vos bouches : le monde vous réclame ! J'ai écrit 10 textes de vocalises avec humour pour désacraliser le mot virtuosité et style contemporain d'écriture ou effets vocaux. En effet, beaucoup de chanteurs sont craintifs devant la liberté demandée à leurs voix, pour réaliser théatralement ou dramaturgiquement un texte au service de la fluidité vocale sûre. Je me suis appuyée sur les arcanes de type de rôles chez les Mezzos. Ainsi, 4 catégories ont été privilégiées : a) mezzo lyrique (2 vocalises) : Arianna, La sentimentale b) mezzo colorature (2 vocalises : C'est à Séville, Il paggio) c) mezzo dramatique (2 vocalises : Lucrézia, Marina) d) contralto (4 vocalises : Fata Morgana, Le temps des lilas, Torture-moi, Elena-Lila) J'espère que les chanteuses s'amuseront en déchiffrant ces 10 vocalises, reprenant une technique classique avec, en plus, quelques effets dits contemporains. Aujourd'hui, ces manières d'écrire sont habituelles chez de nombreux compositeurs qui servent la voix et ne la desservent pas, comme on l'entend souvent dire, à propos de techniques vocales contemporaines. Un dernier point : toutes mes vocalises sont sur du texte en plus des voyelles classiques et indispensables à mettre en place dans la bouche du chanteur. Le texte sert de fil rouge à l'histoire racontée, souvent farfelue et se doublant d'auto-dérision (même si certains textes choisis sont sortis de rôles phares de Mezzos). En effet, les mots permettent une utilisation plurielle de l'appareil phonatoire et permettent de passer plus aisément des vocalises à texte aux oeuvres écrites par les compositeurs d'aujourd'hui. Contenu I. Arianna (mezzo lyrique) - II. La sentimentale (mezzo lyrique) - III. C'est à Séville (mezzo colorature) - IV. Il paggio (mezzo colorature) - V. Lucrezia (mezzo dramatique) - VI. Marina (mezzo dramatique) - VII. Fata Morgana (contralto) - VIII. Le temps des lilas (contralto) - IX. Torture-moi (contralto) - X. Elena-Lila (contralto)
23.00 EUR - Sold by Woodbrass
Pre-shipment lead time:
On order
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Canzoniere Rosso
Chanson
[Sheet music]
Carisch
/ Recueil / Chanson
15.20 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Arie Antiche E Liriche Moderne Italiane Band 3
Medium voice, Piano
Zen-on
/ Voix Moyenne(s) Et Piano
34.35 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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