Arias

Par DAHL GARY. Ce livre contient de nombreux arias, ainsi que des favoris traditionnels qui n'ont jamais été pris pour accordéon, en utilisant toutes ses capacités orchestrales superbes. Certains des plus grands compositeurs et chanteurs du monde ont se sont exprimés dans ce langage musical sublime. Le contenu comprendre des airs comme Nessun Dorma, Quando hommes vo et o mio babbino caro, pour n'en nommer que quelques-uns. / Niveau : Intermédiaire / Italian - Solos / Recueil / Accordéon ou Clavier

Franz Beyer's new edition of Mozart's complete concert arias had a noticeable gap up to now: there were no arias for the bass voice! Four books had been issued by 2006 the Mozart year: three with soprano arias (EB 8671-73) and one with tenor arias (EB 8778). They were made with the collaboration of two outstanding experts Juliane Banse (soprano) and Christophe Prégardien (tenor) who provided suggestions for the execution of cadenzas 'Eingänge' and embellishments. Now Beyer presents the 'complete edition' for the lowest voice in collaboration with bass singer Robert Holl. The nine surviving bass arias are chiefly works from Mozart's last creative phase in which the composer offered little tidbits to the opera singers he was friends with. Deserving special attention are the arias 'Per questa bella mano' K. 612 (with obbligato double bass) and 'Männer suchen stets zu naschen' K. 433. While editing this aria Beyer completed the orchestral accompaniment that Mozart had only sketched which means that this piece is now available for the first time with an orchestral accompaniment in an authentic Mozartian style.

21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Low Voice volume. Art song contents for both High and Medium/Low Voice: Dirge in Woods ? Old Poel ? Pastorale ? Poet\'s Song ? Vocalise ? Four Early Songs; Night ? A Summer Vacation ? My Heart Is in the East ? Alone ? Twelve Poems of Emily Dickinson (complete; original keys retained for both High and Medium/Low). Arias in the High Voice edition: Laurie\'s Song (The Tender Land) ? Martin\'s Song (The Tender Land) ? The sun is coming up (The Tender Land) ? Queenie\'s Song (The Second Hurricane) ? Arias in the Medium/Low edition: Ma\'s Song (The Tender Land) ? Fat\'s Song (The Second Hurricane) ? Gyp\'s Song (The Second Hurricane).
A Summer Vacation
Alone
Dear March, come in!
Dirge in Woods
Going to Heaven!
Heart, we will forget him
I felt a funeral in my brain
I\'ve heard an organ talk sometimes
Laurie\'s Song from The Tender Land
Martin\'s Song from The Tender Land
My Heart Is in the East
Nature, the gentlest mother
Night
Old Poem
Pastorale
Poet\'s Song
Queenie\'s Song from The Second Hurricane
Sleep is supposed to be
The Chariot
The sun is coming up from The Tender Land
The world feels dusty
There came a wind like a bugle
Vocalise
When they come back
Why do they shut me out of Heaven?
/ Partitions classique / Vocale - chorale / Voix solo - piano / BOOSEY

Based on the Bärenreiter vocal scores the three volumes in this series contain some of Handel's best-known arias for mezzo-soprano/contralto tenor and bass together with some less well-known numbers of equally high musical quality. The arias in these volumes contain works from Handel's thirty-year period as an opera composer in London and give an impression of the variety of this extensive repertoire. The arias placed in the chronological order of the operas display various distinctive technical features and are mostly presented with the pre-ceding recitative or in a few cases in the context of an entire scene. The forewords by DonaldBurrows contain detailed notes on Handel's singers and on the context of the arias of the operas. Mio cor (Goffredo Rinaldo)Sorge nel petto (Goffredo Rinaldo)Pena tiranna io sento al core (Dardano Amadigi)Quando mai spietata sorte (Zenobia Radamisto)Già che morir non posso (Zenobia Radamisto)Fatemi o Cieli almen (Zenobia Radamisto)Deggio dunque oh Dio lasciarti(Zenobia Radamisto)Che colpa è la mia (Teodata Flavio Re de’ Longobardi)Priva son d’ogni conforto (Cornelia Giulio Cesare in Egitto)Par che mi nasca in seno (Irene Tamerlano)No che sei tanto costante (Irene Tamerlano)Crudel più non son io (Irene Tamerlano)Quanto più fiera tempesta freme (Eduige Rodelinda Regina de’ Longobardi)Orgogliosetto va l’augelletto (Matilde Lotario)Arma lo sguardo (Matilde Lotario)S’è delitto trar da’ lacci (Idelberto Lotario)Per tutto il timore (Valentiniano Ezio)Verdi allori (Medoro Orlando)Vorrei poterti amar (Medoro Orlando)Se l’inganno sortisce felice (Polinesso Ariodante)Dover giustizia amor (Polinesso Ariodante)Or che siete speranze tradite (Amastre Serse)Anima infida tradita io sono (Amastre Serse)Cagion son io del mio dolore (Amastre Serse)Meglio in voi col mio partire (Arsamene Serse)Non so se sia la speme (Arsamene Serse)Quella che tutta fé (Arsamene Serse)Sì la voglio e la

Many students only need a few opera arias in their vocal study. Selected Opera Arias extracts 10 arias useful to the typical voice student from the G. Schirmer Opera Anthology with plot notes translations andIPA and combines them with the diction lessons recorded by top coaches in New York and accompaniments recorded by coaches on staff at Lyric Opera of Chicago. The voice student gets a value priced complete package for the verybest instruction.

Opern-Arien-An essential new edition for every singer and voice studio! This is the most comprehensive multi-volume collection of Mozart opera arias ever published with editions for Soprano Mezzo-Soprano Tenor and Bass/Baritone with 31 to 41 arias per volume. Includes historical and plot notes about each opera and aria and English translations for study.The most familiar arias of course are found in the collections along with many masterful vocally gratifying but less familiar selections.Operas represented: Apollo et Hyacinthus; Ascanio in Alba; Bastien und Bastienne; La Clemenza di Tito; Così fan tutte; Don Giovanni; Die Entführung aus dem Serail; Lafinta giardiniera; La finta semplice; Idomeneo; Lucio Silla; Mitridate rè di Ponto; Le nozze di Figaro; L'oca del cairo; Il rè pastore; Der Schauspieldirektor; Il sogno di Scipione Zaide Die Zauberflöte.

Sacred Bass And Baritone Arias is a wonderful collection of arias from famous sacred works from Handel's Messiah to Verdi's Requiem. Bram Wiggins has written exciting practical piano accompaniments to thesebeautiful arias for baritone and bass voice.

A Master Class with Evelyn Lear-This unique package presents a recorded master class with Metropolitan Opera star Evelyn Lear coaching young sopranos in 9 favorite arias. The book includes interpretive essays translations for study and the standardVocal/Piano versions of the arias with extensive coaching comments in the score. Besides the masterclass with Miss Lear the CD includes a Piano accompaniment for practice. Arias are from La bohème Don Giovanni Fidelio Lenozze di Figaro Roméo et Juliette Samson and Die Zauberflöte.