Format : Textbook
SKU: GI.G-9524
This remarkable book contains twelve short musical excerpts of great instrumental works—“mini scores†designed to accompany any instrumental conducting texts and intended to be performed in any instrumental conducting class. Each excerpt presents specific challenges for developing conductors to explore as they acquire knowledge, gain experience, and develop conducting techniques. The orchestration of each excerpt is designed to be flexible while at the same time providing high-quality music for use in any instrumental conducting class. The full score and parts of each excerpt, all in one spiral-bound book, are designed to help any conducting student mark and memorize a score, learn to conduct using the limited instrumentation in a typical conducting class, and experience working with a wide range of repertoire. Even if players are not able to cover all the parts for an excerpt, there are still numerous possibilities for using this music in a classroom setting. States author John M. Laverty: “I hope this resource will give you the materials to enhance your level of conducting skill, and as a result give you confidence to step in front of live musicians playing real instruments and make music.†Excerpts from: Brahms: Symphony No. 1, op. 68: Mvt. IV, Adagio FuÄiÌk: The Florentiner March, op. 214 JanaÌÄek: Lachian Dances, op. 2: “Pilkyâ€Â and “StarodaÌlvný†Mahler: Symphony No. 3: Mvt. VI, Langsam Maurer: 12 Kleine Stück: “du Style†Mozart: Requiem, K. 626: Mvt. 1 (“Requiemâ€) Mussorgsky: Pictures at an Exhibition: “The Great Gate of Kiev†and “The Hut of Baba-Yaga†Schumann: Zigeunerleben (“Gypsy Lifeâ€), op. 29, No. 3 Tchaikovsky: Symphony No. 4: Mvt. 1, Andante sostenuto, Symphony No. 6: Mvt. 2, Allegro con grazia.
SKU: HL.237719
ISBN 9781495097911. UPC: 888680698522. 9x12 inches.
Learn the essential practices of contemporary conducting. This book will teach you to use the motions, cues, patterns and practices used to lead ensembles, whether for orchestra, band, musical theater, opera, film orchestra, or other type of ensemble. You will learn techniques for keeping time, signaling musicians, and crafting your unique interpretation of the score, as well as how to command the stage presence necessary to lead a large ensemble – whether for concert performances or synching live performers to other media, such as film, recordings, musical theater and dance.Video demonstrations and annotated scores of orchestral excerpts from Beethoven, Mozart, Tchaikovsky, and others illustrate and let you practice various conducting challenges, such as cadenzas, rubato and quickly changing time signatures. Also included are interviews with some of the most accomplished conductors of your time, such as John Wiliams, Lalo Schifrin, JoAnn Falletta, John Morris Russell and others, providing perspective from the concert hall podium to the Broadway pit to the Hollywood sound stage.
SKU: GI.G-6577
“There is no doubt in my mind about the pedagogical potency of the use of the Swiss Ball for conducting study. This simple device transfers responsibility for teaching from heretoforeused verbal explanations to a new world of instruction that uses body awareness as the primary vehicle.†— James Jordan, Learn Conducting Technique with the Swiss Exercise Ball  Traditional conducting methods rely on how conductors look––not how they feel. James Jordan’s groundbreaking Learn Conducting Technique with the Swiss Exercise Ball takes the study of conducting beyond the mechanics to a higher plane. Using the Swiss Exercise Ball, everyone from the most experienced conductor to the beginner can tie into a state of awarenessthat opens the door to increased musical expression and kinesthetic awareness. With the aid of a Swiss Exercise Ball and the Body Mapping techniques described in this book, conductors can reach a new level of artistic expression and mastery. The Swiss Exercise Ball is available in four sizes from GIA Publications, and each comes with a pump. Choose the ball size based on the height of the conductor: • 45 cm ball, under 5’ tall (G-6575) • 55 cm ball, 5’ to 5’8†tall (G-6576) • 65 cm ball, 5’9†to 6’3†tall (G-6577) • 75 cm ball, 6’3†and taller (G-6578).
SKU: GI.G-6575
SKU: GI.G-6576
SKU: GI.G-6578
SKU: CF.BF128
ISBN 9781491153413. UPC: 680160910915.
Wohlfahrt’s Foundation Studies have long been successful tools forviolinists and violists in mastering the technical difficulties of theirinstruments. Originally conceived for a complete comprehension offirst position on the violin and viola, Richard Hughey presents thisnew edition for cello students. Transcribing these etudes for the cellopresents new challenges for the performer. Particular passages, forexample, require the student to make use of the second and eventhird positions. The fingerings chosen for these passages reflectthese shifting positions in a coherent and logical way. Trainedcomprehensively in both cello and conducting, Hughey shares hiswealth of experience and knowledge in Wohlfahrt’s FoundationStudies for the Violoncello.The violin etudes and exercises of Franz Wohlfahrt havebeen and continue to be used by violin and recently violateachers the world over. Franz was the son of HeinrichWohlfahrt (1797, Kößnitz–1883, Leipzig), a noted pianoteacher who also published many studies for piano thatwere very successful with younger students. Heinrichdeveloped a keen sense for the pedagogical development ofchildren and composed excellent studies accordingly. Withthe education of his sons Robert (1826, Weimar–deathdate unknown) and Franz (1833, Frauenpriesnitz–1884,Leipzig), he passed these pedagogical abilities to the nextgeneration.In the preface to his Violin Studies Opus 45, FranzWohlfahrt wrote:The study of the violin presents certain difficultiesfor beginners which are frequently the cause of a suddendecrease in the pupil’s zeal and ambition, even before he hasmastered the first fundamentals.The blame for this is commonly laid on the teacher,who is called incapable or negligent; losing sight of thefact that the pupil began his studies without the slightestnotion, not merely of the difficulties to be encountered,but also of the regular and diligent effort indispensable forovercoming them.It is important, therefore, to smooth these first severitiesby showing their usefulness and making them agreeable; tothis end my Violin Method was published and the presentexercises have been written, which latter may be consideredas forming a supplement to the former.If practiced carefully and intelligently, they will serve asa solid foundation for the technique of any player ambitiousto become an artist.These studies have been successful tools for violinistsand violists to begin to master the technical difficulties oftheir instruments. Clearly conceived for a more completecomprehension of the use of the first position on the violinand similarly for the viola, presenting these etudes forthe cello presents a new challenge. As ongoing violinistsand violists can use the fourth finger to play the note ofthe next higher open string, this is not possible on thecello. To perform these exercises on the cello, particularlyreaching the “E†on the A-string, requires the studentto make use of the second and even third positions. Thefingerings chosen for these passages reflect the necessityof shifting to these positions. This is of great advantage,as a new set of studies now can be used by the studentto practice shifting to and from those positions and thusincreases technical proficiency in the second and thirdpositions of the cello.
SKU: GI.G-10155
ISBN 9781622774401.
Written in both Mandarin and English...this book is the first of its kind! In this landmark book drawn from James Jordan’s 5 books on the subject of vocal technique and music learning, teachers will learn pedagogy for teaching vocal technique and musical skills to singers at all levels of development. The author of 60 textbooks on all aspects of conducting and choral singing, Grammy-nominated James Jordan is the most published author/musician in the world. As both a choral artist and music psychologist, the writings of James Jordan and the WE-music online course which partners with this book will change the way you teach and your students learn. In this volume: Teaching Techniques for Healthy Singing Tools for Teaching and Understanding Music Skill Measuring the Hearing Potential of Your Choir Specific Suggestion of Teaching in a Logical Order that Maximizes Student Learning Building Blocks of Vocal Technique through Correct Vowel Pedagogy Understanding how to create Different Vocal Colors in Your Choirs 在这本里程碑å¼çš„教科书ä¸ï¼Œè©¹å§†æ–¯Â·ä¹”丹将他五本著作ä¸å…³äºŽå£°ä¹æŠ€æœ¯å’ŒéŸ³ä¹å¦ä¹ 的内容æ炼出æ¥ï¼Œä¸ºæ•™å¸ˆæ供适用于个水平å¦ç”ŸåŠæŒè€…çš„æ•™å¦æ–¹æ³•ã€‚詹姆斯·乔丹拥有å…å本原创åˆå”±æŒ‡æŒ¥åŠå£°ä¹æŠ€å·§æ•™ç§‘书,是全世界出版书ç±æœ€å¤šçš„音ä¹å®¶ï¼Œå¹¶ä¸”èŽ·å¾—æ ¼èŽ±ç¾Žå¥–é¡¹çš„æå。 作为åˆå”±è‰ºæœ¯å®¶å’ŒéŸ³ä¹å¿ƒç†å¦å®¶ï¼Œè©¹å§†æ–¯ä¹”丹的æ¤éƒ¨ä½œå“与其é…套的WE-music在线课程将改å˜ä½ çš„æ•™å¦åŠå¦ç”Ÿçš„å¦ä¹ æ–¹å¼ã€‚ 通过本书,å¦ä¹ : å¥åº·æŒå”±çš„æ•™å¦æŠ€å·§ ç†è§£éŸ³ä¹æ•™å¦ä¸ŽæŠ€å·§çš„实用工具 如何测试åˆå”±å›¢çš„å¬åŠ›æ½œèƒ½ 使å¦ç”Ÿå¦ä¹ 能力最大化的逻辑规则教å¦æ–¹å¼ 如何通过æ£ç¡®çš„元音教å¦æ³•æ‰“é€ å£°ä¹æŠ€å·§ å¦‚ä½•ä½¿ä½ çš„åˆå”±å›¢å”±å‡ºä¸åŒçš„声ä¹è‰²å½©.
SKU: FJ.SB302VN3
UPC: 674398215591. English.
FJH is pleased to introduce Lessons in Performance for Beginning and Developing Strings, Book 1: Journey Through North America. Featuring 15 pieces with full score analyses, techniques for conducting and teaching, background information and supplemental exercises, Lessons in Performance bridges the gap between rehearsal and concert halls. Also ideal for cross-curricular teaching, all supplemental materials incorporate the National Standards. In addition, this publication provides a perfect theme for summer string camps. You are sure to find multiple uses for this outstanding educational publication!
SKU: GI.G-10601
ISBN 9781622776122.
This advanced orchestral conducting resource features concise discussions of advanced technical and interpretive issues for 44 major orchestral works that all conductors will perform during their careers. The brief discussions that precede each score cover the full range of issues encountered in real conducting situations, and the accompanying online videos show Maestro Itkin demonstrating the techniques for each excerpt. All music examples have been faithfully reproduced from original scores, and Maestro Itkin has also arranged each excerpt for string quintet, ideal for the conducting class setting. With nearly a thousand performances to his credit, acclaimed conductor David Itkin shares the knowledge he has acquired over his decades in the profession. The Conductor’s Craft is for both up-and-coming conductors and seasoned professionals alike, equally beneficial for personal study or for use in a classroom or ensemble setting. Click HERE watch video examples of Maestro Itkin conducting the music excerpts in this book.  This volume is a real breakthrough aid for anyone studying or teaching conducting at any level. Written by David Itkin, a most distinguished and experienced conductor and teacher, it concentrates on all the vital techniques in the teaching of the craft. The accompanying video recordings also make this volume unique. This addition to the material for teaching conducting is truly revolutionary, and the selection of examples gets successfully to the point of each subject discussed. —Samuel Adler   Composer, conductor, author   Professor Emeritus, The Juilliard School, Eastman School of Music The Conductor’s Craft outlines a detailed plan and method for executing conductor training in advanced conducting studios. Itkin’s book is also an excellent reference for any teacher who instructs advanced students in a collegiate orchestral conducting program, as well as for up-and-coming professionals who are studying for a career in the field. Perhaps most important, an individual conductor can manage their own self-study with Maestro Itkin’s clear statements and explanations of the technical issues presented with each excerpt. This book gives individual conductor’s freedom to explore choices and alternatives to fix tricky passages in the provided musical examples. I love the book and will be using it in my studio. —Julius P. Williams   Artistic director and conductor, Berklee Contemporary Symphony Orchestra   President of the International Conductors Guild How refreshing to review a conducting book that deals with specificity of gesture as it relates to the music rather than mere concepts. Bravo to Maestro David Itkin for holding the aspiring conductor to task on issues of score study, execution, and style! —Mark Gibson   Director of Orchestral Studies, College-Conservatory of Music, University of Cincinnati   Author of The Beat Stops Here.
SKU: GI.G-10604
ISBN 9781622776153.
This advanced orchestral conducting resource features concise discussions of advanced technical and interpretive issues for 44 major orchestral works that all conductors will perform during their careers. The brief discussions that precede each score cover the full range of issues encountered in real conducting situations, and the accompanying online videos show Maestro Itkin demonstrating the techniques for each excerpt. All music examples have been faithfully reproduced from original scores, and Maestro Itkin has also arranged each excerpt for string quintet, ideal for the conducting class setting. With nearly a thousand performances to his credit, acclaimed conductor David Itkin shares the knowledge he has acquired over his decades in the profession. The Conductor’s Craft is for both up-and-coming conductors and seasoned professionals alike, equally beneficial for personal study or for use in a classroom or ensemble setting.  This volume is a real breakthrough aid for anyone studying or teaching conducting at any level. Written by David Itkin, a most distinguished and experienced conductor and teacher, it concentrates on all the vital techniques in the teaching of the craft. The accompanying video recordings also make this volume unique. This addition to the material for teaching conducting is truly revolutionary, and the selection of examples gets successfully to the point of each subject discussed. —Samuel Adler   Composer, conductor, author   Professor Emeritus, The Juilliard School, Eastman School of Music The Conductor’s Craft outlines a detailed plan and method for executing conductor training in advanced conducting studios. Itkin’s book is also an excellent reference for any teacher who instructs advanced students in a collegiate orchestral conducting program, as well as for up-and-coming professionals who are studying for a career in the field. Perhaps most important, an individual conductor can manage their own self-study with Maestro Itkin’s clear statements and explanations of the technical issues presented with each excerpt. This book gives individual conductor’s freedom to explore choices and alternatives to fix tricky passages in the provided musical examples. I love the book and will be using it in my studio. —Julius P. Williams   Artistic director and conductor, Berklee Contemporary Symphony Orchestra   President of the International Conductors Guild How refreshing to review a conducting book that deals with specificity of gesture as it relates to the music rather than mere concepts. Bravo to Maestro David Itkin for holding the aspiring conductor to task on issues of score study, execution, and style! —Mark Gibson   Director of Orchestral Studies, College-Conservatory of Music, University of Cincinnati   Author of The Beat Stops Here.
SKU: GI.G-10607
ISBN 9781622776184.
SKU: GI.G-10603
ISBN 9781622776146.
SKU: GI.G-10605
ISBN 9781622776160.
This advanced orchestral conducting resource features concise discussions of advanced technical and interpretive issues for 44 major orchestral works that all conductors will perform during their careers. The brief discussions that precede each score cover the full range of issues encountered in real conducting situations, and the accompanying online videos show Maestro Itkin demonstrating the techniques for each excerpt. All music examples have been faithfully reproduced from original scores, and Maestro Itkin has also arranged each excerpt for string quintet, ideal for the conducting class setting. With nearly a thousand performances to his credit, acclaimed conductor David Itkin shares the knowledge he has acquired over his decades in the profession. The Conductorââ¬â¢s Craft is for both up-and-coming conductors and seasoned professionals alike, equally beneficial for personal study or for use in a classroom or ensemble setting. àThis volume is a real breakthrough aid for anyone studying or teaching conducting at any level. Written by David Itkin, a most distinguished and experienced conductor and teacher, it concentrates on all the vital techniques in the teaching of the craft. The accompanying video recordings also make this volume unique. This addition to the material for teaching conducting is truly revolutionary, and the selection of examples gets successfully to the point of each subject discussed. ââ¬âSamuel Adler ààComposer, conductor, author ààProfessor Emeritus, The Juilliard School, Eastman School of Music The Conductorââ¬â¢s Craft outlines a detailed plan and method for executing conductor training in advanced conducting studios. Itkinââ¬â¢s book is also an excellent reference for any teacher who instructs advanced students in a collegiate orchestral conducting program, as well as for up-and-coming professionals who are studying for a career in the field. Perhaps most important, an individual conductor can manage their own self-study with Maestro Itkinââ¬â¢s clear statements and explanations of the technical issues presented with each excerpt. This book gives individual conductorââ¬â¢s freedom to explore choices and alternatives to fix tricky passages in the provided musical examples. I love the book and will be using it in my studio. ââ¬âJulius P. Williams ààArtistic director and conductor, Berklee Contemporary Symphony Orchestra ààPresident of the International Conductors Guild How refreshing to review a conducting book that deals with specificity of gesture as it relates to the music rather than mere concepts. Bravo to Maestro David Itkin for holding the aspiring conductor to task on issues of score study, execution, and style! ââ¬âMark Gibson ààDirector of Orchestral Studies, College-Conservatory of Music, University of Cincinnati ààAuthor of The Beat Stops Here.
SKU: GI.G-10602
ISBN 9781622776139.
This advanced orchestral conducting resource features concise discussions of advanced technical and interpretive issues for 44 major orchestral works that all conductors will perform during their careers. The brief discussions that precede each score cover the full range of issues encountered in real conducting situations, and the accompanying online videos show Maestro Itkin demonstrating the techniques for each excerpt. All music examples have been faithfully reproduced from original scores, and Maestro Itkin has also arranged each excerpt for string quintet, ideal for the conducting class setting. With nearly a thousand performances to his credit, acclaimed conductor David Itkin shares the knowledge he has acquired over his decades in the profession. The Conductor’s Craft is for both up-and-coming conductors and seasoned professionals alike, equally beneficial for personal study or for use in a classroom or ensemble setting. This volume is a real breakthrough aid for anyone studying or teaching conducting at any level. Written by David Itkin, a most distinguished and experienced conductor and teacher, it concentrates on all the vital techniques in the teaching of the craft. The accompanying video recordings also make this volume unique. This addition to the material for teaching conducting is truly revolutionary, and the selection of examples gets successfully to the point of each subject discussed. —Samuel Adler   Composer, conductor, author   Professor Emeritus, The Juilliard School, Eastman School of Music The Conductor’s Craft outlines a detailed plan and method for executing conductor training in advanced conducting studios. Itkin’s book is also an excellent reference for any teacher who instructs advanced students in a collegiate orchestral conducting program, as well as for up-and-coming professionals who are studying for a career in the field. Perhaps most important, an individual conductor can manage their own self-study with Maestro Itkin’s clear statements and explanations of the technical issues presented with each excerpt. This book gives individual conductor’s freedom to explore choices and alternatives to fix tricky passages in the provided musical examples. I love the book and will be using it in my studio. —Julius P. Williams   Artistic director and conductor, Berklee Contemporary Symphony Orchestra   President of the International Conductors Guild How refreshing to review a conducting book that deals with specificity of gesture as it relates to the music rather than mere concepts. Bravo to Maestro David Itkin for holding the aspiring conductor to task on issues of score study, execution, and style! —Mark Gibson   Director of Orchestral Studies, College-Conservatory of Music, University of Cincinnati   Author of The Beat Stops Here.