SKU: FL.FX071878
Instruments: Piccolo (1 part) Flutes 1&2 (4 parts) Oboe (2 parts) Bassoon (2 parts) Eb Clarinet (1 part) Bb Clarinet 1 (3 parts) Bb Clarinet 2&3 (4 parts) Bass Clarinet (1 part) Alto Saxophones 1&2 (2 parts) Tenor Saxophones 1&2 (2 parts) Baritone Saxophone (1 part) Bb Trumpet 1 (1 part) Bb Trumpets 2&3 (2 parts) F Horns 1&2&3&4 (4 parts) Trombones 1&2 (2 parts) Bass Trombone (1 part) C Euphonium B.C. 1&2 (2 parts) Bb Contrabass (1 part) Timpani (1 part) Cymbals and Triangle (1 part) Glockenspiel and Marimba(1 part) Tubular Bells (1 part) Drums (1 part) Bass Drum (1 part)Additional Parts: Eb Horns 1&2&3&4& (2 parts) Bb Baritone / Euphonium T.C. 1&2 (1 part) C Baritone / Euphonium T.C. 1&2 (1 part) Bb Euphonium T.C. 1&2 (1 part) C Tuba (1 part) Bb Tuba (1 part); Difficuly Level: Grade 4.
SKU: HL.14017908
ISBN 9780853605850. 7.75x11.0x0.71 inches.
King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera; the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama, but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural beings and thier worshippers, or servants, shepherds and similar characters, the main action mostly occurs in the spoken sections, and even the two singing characters, Philidel and Grimbald speak more than they sing.
SKU: HL.286834
UPC: 888680899059. 5.0x5.0x0.148 inches.
Whichever side of the aisle you may fall on, there is no denying the rightful place of MacArthur Park in pop songwriting's history! The Jimmy Webb-penned masterpiece of impressionism was the solo artist debut of Richard Harris in 1968 and became a number one hit a decade later with the Donna Summer disco-infused single, arranged here for full choir, rhythm section and horns.
SKU: HL.44001514
UPC: 073999075281. 6.75x10.5 inches.
King Arthur is a five-movement suite based on the famous Arthur ledged. It forms part of the 'Easy Band 4' series in which all pieces have ten-part instrumentation (+ percussion) so can be performed by bands who do not have a full compliment of players. Bring a little Arthurian magic to your concert with this easy and exciting suite. Een vijfdelige suite rond de legendarische figuur koning Arthur. Een pavane beschrijft de sfeer in het slot waar de ridders van de ronde tafel samenkomen. De volgende drie delen gaan over Lancelot, Guinevere en de tovenaar Merlijn.Het laatste deel heeft Excalibur als onderwerp: het zwaard dat alleen koning Arthur uit zijn rots kan trekken. Met deze creatieve suite brengt uw orkest een muzikale versie van de legende van koning Arthur.Eine funfteilige Suite rund um den sagenumwobenen Konig Arthur. Eine Pavane beschreibt die Atmosphare im Schloss, wo die Tafelrunde der Ritter zusammenkommt. Lancelot, Guinevere und der Zauberer Merlin sind die Helden der folgenden drei Satze. Der letzte Teil handelt vom Schwert Excalibur, das nur der auserwahlte Konig - Arthur - aus dem Felsen ziehen konnte. Mit dieser einfachen, aber phantasievollen Suite konnen Ihre Musiker die Sage um Konig Arthur musikalisch nacherzahlen.Tout le monde connait ne serait-ce que de nom ce roi mythique accompagne de ses fameux chevaliers de la Table Ronde. La legende du Roi Arthur a evolue au fil du temps, devenant le sujet favori des conteurs du Moyen Age qui traitaient avec passion de l'epee Excalibur, de Merlin l'enchanteur, de Camelot, ou de l'amour entre Lancelot et Guenievre. Aujourd'hui, cette legende fait partie de l'imaginaire de chacun. Une legende qui renvoie a un ideal chevaleresque, a l'image romantique de courageux chevaliers a la quete du Graal.
SKU: BT.DHP-0900154-015
King Arthur is a five-movement suite based on the famous Arthur ledged. It forms part of the ‘Easy Band 4’ series in which all pieces have ten-part instrumentation (+ percussion) so can be performed by bands who do not have a full compliment of players. Bring a little Arthurian magic to your concert with this easy and exciting suite. Een vijfdelige suite rond de legendarische figuur koning Arthur. Een pavane beschrijft de sfeer in het slot waar de ridders van de ronde tafel samenkomen. De volgende drie delen gaan over Lancelot, Guinevere en de tovenaar Merlijn.Het laatste deel heeft Excalibur als onderwerp: het zwaard dat alleen koning Arthur uit zijn rots kan trekken. Met deze creatieve suite brengt uw orkest een muzikale versie van de legende van koning Arthur.Eine fünfteilige Suite rund um den sagenumwobenen König Arthur. Eine Pavane beschreibt die Atmosphäre im Schloss, wo die Tafelrunde der Ritter zusammenkommt. Lancelot, Guinevere und der Zauberer Merlin sind die Helden der folgenden drei Sätze. Der letzte Teil handelt vom Schwert Excalibur, das nur der auserwählte König - Arthur - aus dem Felsen ziehen konnte. Mit dieser einfachen, aber phantasievollen Suite können Ihre Musiker die Sage um König Arthur musikalisch nacherzählen.Tout le monde connaît ne serait-ce que de nom ce roi mythique accompagné de ses fameux chevaliers de la Table Ronde. La légende du Roi Arthur a évolué au fil du temps, devenant le sujet favori des conteurs du Moyen ge qui traitaient avec passion de l'épée Excalibur, de Merlin l'enchanteur, de Camelot, ou de l'amour entre Lancelot et Guenièvre. Aujourd’hui, cette légende fait partie de l'imaginaire de chacun. Une légende qui renvoie un idéal chevaleresque, l'image romantique de courageux chevaliers la quête du Graal.
SKU: BT.DHP-0900154-030
SKU: BT.DHP-0900154-170
SKU: BT.DOW-07502-400
9x12 inches. International.
Wolfgang Amadeus Mozart (1756-1791): AllegrettoLudwig van Beethoven (1770-1827): AndantinoJean-Baptiste Lully (1632-1687): ModeratoTraditional: VivoJoseph Haydn (1732-1809): ModeratoTraditional: Down in the ValleyJohann Strauss (1825-1899): Theme from Roses from the SouthHenry Purcell (1659-1695): From the Opera King ArthurWolfgang Amadeus Mozart (1756-1791): AllegrettoWolfgang Amadeus Mozart (1756-1791): AndantinoRobert Schumann (1810-1856): MelodieSpiritual: When the Saints Go Marching in.
SKU: HL.14004587
ISBN 9780853608592. 8.25x11.75x0.165 inches.
Arthur Bliss's first orchestral compositions, his studies for Full Orchestra, are believed to have been composed in 1920. The first performance in 1921 was conducted by Arthur Bliss. Orchestration: 2 Flutes, Oboe, Cor Anglais, 2 Clarinets in Bflat, Bass Clarinet in Bflat, 2 Bassoons, Contrabassoon, 4 Horns in F, 2 Trumpets in C, 3 Trombones, Tuba, Timpani, Percussion, Harp, Celesta, Strings. Full score and orchestral parts are available on hire from the publishers. Duration: c. 12 minutes.
SKU: AP.12-0571572081
ISBN 9780571572083. English.
King Arthur was the first of 28 scores Benjamin Britten composed for radio between 1937 and 1947. It was an ambitious dramatization of King Arthur's life and times; part pageant, part play, part cantata; written by D.G. Bridson. This colorful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis. King Arthur (scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite, which Paul Hindmarsh devised from the same source in 1995.
SKU: HL.14007473
8.25x11.75x0.419 inches.
Arthur Bliss' Concerto For Violoncello. Reduction for Cello and Piano.
This work was first performed at the Aldeburgh Festival on 24th June 1970 by Mstislav Rostropovich and the English Chamber Orchestra, conducted by Benjamin Britten.
SKU: HL.14004585
ISBN 9780853609964.
Selected works by Arthur Bliss for solo piano. Suitable for advanced pianists.
SKU: HL.49019255
ISBN 9790001179645. UPC: 888680010683. 9.25x12.0x0.28 inches.
Although the organ clearly represents the centre of the musical action in Jean Guillou's Concerto No. 5 'Le Roi Arthur', the accompanying brass quintet has an important role. Like the noble knights at the legendary Round Table of King Arthur, horn, trumpet, fluegelhorn, trombone and tuba group themselves musically around the 'King of the Instruments'. In the brass sound, both soft and dynamic, they lay the harmonic foundation, with the music written for them developing into fanfare-like figures. They always make a caesura when the organ is about to play its imaginative and virtuoso sound passages.Precision and technical assurance are required to orchestrate this picturesque sound puzzle effectively from a seemingly mythical time.
SKU: HL.14015351
ISBN 9788759854068. 8.25x11.75x0.042 inches. English.
Prelude A 2 Voix is the first part of Arthur Honegger's Trois Contrepoints for Oboe and Cello.
SKU: BT.AMP-142-020
9x12 inches.
Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn’t We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris’ seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellentarrangement for fanfare band, which is sure to become a regular feature on your concert programme. MacArthur Park van Jimmy Webb, een nummer dat uitkwam in 1968, was niet te vergelijken met alles wat daarvoor was gemaakt. Met een duur van meer dan zeven minuten is deze song twee of drie keer zo lang als de meeste popsongs,ook het orkestraal tussenspel is bijzonder. Richard Harris’ originele opname stond bovenaan in de hitparades van Europa en op nummer 2 in de Verenigde Staten. Philip Sparke schreef een fantastisch arrangement dat zowel uw muzikantenals uw publiek zal aanspreken.Jimmy Webbs Musik kennt jeder: sei es als Musik zur Fernsehserie Emergency Room oder als einen der Hits von großen Stars wie Frank Sinatra, Johnny Cash, Linda Ronstadt und vielen anderen. Mit dem Popsong MacArthur Park gelang Webb ein Riesenhit im Jahr 1968. Das Lied über eine verlorene Liebe ist ungewöhnlich lang für einen Popsong und enthält ein ausgearbeitetes Orchester-Zwischenspiel. Grund genug für Philip Sparke, diesen Hit für Blasorchester zu bearbeiten.Pendant plus de quarante ans, Jimmy Webb (1946) a composé des chansons succès pour divers artistes tels que Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash et Linda Ronstadt. En 1968, il écrit MacArthur Park, une chanson complètement novatrice. D’une durée de plus de sept minutes, elle est deux trois fois plus longue que la plupart des succès pop et contient un grand interlude orchestral. La version d’anthologie de MacArthur Park, interprétée et enregistrée par Richard Harris, s’est classée en tête des hit-parades européens et numéro 2 aux États-Unis.Per oltre quarant’anni, Jimmy Webb (1946) ha composto canzoni di successo per artisti come Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash e Linda Ronstadt. Nel 1968, scrive MacArthur Park, una canzone totalmente innovativa. Di una durata di oltre sette minuti, è da due a tre volte più lunga della gran parte dei successi pop e contiene un interludio orchestrale. La versione d’antologia di MacArthur Park, interpretata e incisa da Richard Harris è stata in testa alle hit-parades europee e n. 2 negli Stati Uniti.
SKU: BT.AMP-142-130
Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn’t We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris’ seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellentarrangement for brass band, which is sure to become a regular feature on your concert programme. MacArthur Park van Jimmy Webb, een nummer dat uitkwam in 1968, was niet te vergelijken met alles wat daarvoor was gemaakt. Met een duur van meer dan zeven minuten is deze song twee of drie keer zo lang als de meeste popsongs,ook het orkestraal tussenspel is bijzonder. Richard Harris’ originele opname stond bovenaan in de hitparades van Europa en op nummer 2 in de Verenigde Staten. Philip Sparke schreef een fantastisch arrangement dat zowel uw muzikantenals uw publiek zal aanspreken.Jimmy Webbs Musik kennt jeder: sei es als Musik zur Fernsehserie Emergency Room oder als einen der Hits von großen Stars wie Frank Sinatra, Johnny Cash, Linda Ronstadt und vielen anderen. Mit dem Popsong MacArthur Park gelang dem stets kontroversen, aber äußerst erfolgreichen Sänger und Komponisten ein Riesenhit im Jahr 1968. Das Lied über eine verlorene Liebe ist ungewöhnlich lang für einen Popsong und es enthält ein ausgearbeitetes Orchester-Zwischenspiel. Grund genug für Philip Sparke, diesen besonderen, unvergessenen Hit für Brass Band zu bearbeiten.Pendant plus de quarante ans, Jimmy Webb (1946) a composé des chansons succès pour divers artistes tels que Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash et Linda Ronstadt. En 1968, il écrit MacArthur Park, une chanson complètement novatrice. D’une durée de plus de sept minutes, elle est deux trois fois plus longue que la plupart des succès pop et contient un grand interlude orchestral. La version d’anthologie de MacArthur Park, interprétée et enregistrée par Richard Harris, s’est classée en tête des hit-parades européens et numéro 2 aux États-Unis.Per oltre quarant’anni, Jimmy Webb (1946) ha composto canzoni di successo per artisti come Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash e Linda Ronstadt. Nel 1968, scrive MacArthur Park, una canzone totalmente innovativa. Di una durata di oltre sette minuti, è da due a tre volte più lunga della gran parte dei successi pop e contiene un interludio orchestrale. La versione d’antologia di MacArthur Park, interpretata e incisa da Richard Harris è stata in testa alle hit-parades europee e n. 2 negli Stati Uniti.
SKU: BT.AMP-142-120
Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn’t We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris’ seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellentarrangement for fanfare band, which is sure to become a regular feature on your concert programme. MacArthur Park van Jimmy Webb, een nummer dat uitkwam in 1968, was niet te vergelijken met alles wat daarvoor was gemaakt. Met een duur van meer dan zeven minuten is deze song twee of drie keer zo lang als de meeste popsongs,ook het orkestraal tussenspel is bijzonder. Richard Harris’ originele opname stond bovenaan in de hitparades van Europa en op nummer 2 in de Verenigde Staten. Philip Sparke schreef een fantastisch arrangement dat zowel uw muzikantenals uw publiek zal aanspreken.Jimmy Webbs Musik kennt jeder: sei es als Musik zur Fernsehserie Emergency Room oder als einen der Hits von großen Stars wie Frank Sinatra, Johnny Cash, Linda Ronstadt und vielen anderen. Mit dem Popsong MacArthur Park gelang Webb ein Riesenhit im Jahr 1968. Das Lied über eine verlorene Liebe ist ungewöhnlich lang für einen Popsong und enthält ein ausgearbeitetes Orchester-Zwischenspiel. Grund genug für Philip Sparke, diesen Hit für Blasorchester zu bearbeiten.Pendant plus de quarante ans, Jimmy Webb (1946) a composé des chansons succès pour divers artistes tels que Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash et Linda Ronstadt. En 1968, il écrit MacArthur Park, une chanson complètement novatrice. D’une durée de plus de sept minutes, elle est deux trois fois plus longue que la plupart des succès pop et contient un grand interlude orchestral. La version d’anthologie de MacArthur Park, interprétée et enregistrée par Richard Harris, s’est classée en tête des hit-parades européens et numéro 2 aux États-Unis.Per oltre quarant’ anni, Jimmy Webb (1946) ha composto canzoni di successo per artisti come Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash e Linda Ronstadt. Nel 1968, scrive MacArthur Park, una canzone totalmente innovativa. Di una durata di oltre sette minuti, è da due a tre volte più lunga della maggior parte dei successi pop e contiene un interludio orchestrale. La versione d’antologia di MacArthur Park, interpretata ed incisa da Richard Harris, è stata in testa alle hit-parade europee e seconda negli Stati Uniti.
SKU: BT.AMP-142-030
SKU: BT.AMP-142-140
Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn’t We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris’ seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellentarrangement for concert band, which is sure to become a regular feature on your concert programme. MacArthur Park van Jimmy Webb, een nummer dat uitkwam in 1968, was niet te vergelijken met alles wat daarvoor was gemaakt. Met een duur van meer dan zeven minuten is deze song twee of drie keer zo lang als de meeste popsongs,ook het orkestraal tussenspel is bijzonder. Richard Harris’ originele opname stond bovenaan in de hitparades van Europa en op nummer 2 in de Verenigde Staten. Philip Sparke schreef een fantastisch arrangement dat zowel uw muzikantenals uw publiek zal aanspreken.Jimmy Webbs Musik kennt jeder: sei es als Musik zur Fernsehserie Emergency Room oder als einen der Hits von großen Stars wie Frank Sinatra, Johnny Cash, Linda Ronstadt und vielen anderen. Mit dem Popsong MacArthur Park gelang Webb ein Riesenhit im Jahr 1968. Das Lied über eine verlorene Liebe ist ungewöhnlich lang für einen Popsong und enthält ein ausgearbeitetes Orchester-Zwischenspiel. Grund genug für Philip Sparke, diesen Hit für Blasorchester zu bearbeiten.Pendant plus de quarante ans, Jimmy Webb (1946) a composé des chansons succès pour divers artistes tels que Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash et Linda Ronstadt. En 1968, il écrit MacArthur Park, une chanson complètement novatrice. D’une durée de plus de sept minutes, elle est deux trois fois plus longue que la plupart des succès pop et contient un grand interlude orchestral. La version d’anthologie de MacArthur Park, interprétée et enregistrée par Richard Harris, s’est classée en tête des hit-parades européens et numéro 2 aux États-Unis.Per oltre quarant’ anni, Jimmy Webb (1946) ha composto canzoni di successo per artisti come Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash e Linda Ronstadt. Nel 1968, scrive MacArthur Park, una canzone totalmente innovativa. Di una durata di oltre sette minuti, è da due a tre volte più lunga della maggior parte dei successi pop e contiene un interludio orchestrale. La versione d’antologia di MacArthur Park, interpretata ed incisa da Richard Harris, è stata in testa alle hit-parade europee e seconda negli Stati Uniti.
SKU: HL.48183151
UPC: 888680876401. 9.0x12.0x0.3 inches.
Maillard Au Dela Des Notes No 4 Symphonies D'arthur Honegger Book.
SKU: HL.14026259
SKU: HL.14036824
8.25x11.75x0.062 inches.
This work was written in America in 1925. It shows a masterly understanding of the piano's resources, particularly in the pedalled notes and sonorities of the first Interlude.
