Format : Set of Parts
Voices (8)/ Répertoire / 8 Voix (SATB et SATB)
SKU: HL.49044068
ISBN 9790001195508. 7.5x11.0x0.045 inches. German.
The practising church musician Andreas Pieper knows with heart and soul how to adapt the level of difficulty of his choral compositions to the qualitative possibilities of a committed church choir and create simple, yet tonally beautiful choral settings. This shows in his Zwei deutsche Marienmotetten for mixed a cappella choir (SATB). Both sacred motets pay homage to the Mother of God. The composition Maria ist aufgenommen in den Himmel celebrates in song the 'Feast of the Assumption of Mary', the solemnity of the Roman Catholic Church celebrated on 15 August. Not bound to the church's liturgy, the Marian motet Hymnus von der seligen Jungfrau Maria is based on the text of an unknown poet from the 14th century which invokes the help and protection of Mary.
SKU: CA.964420
ISBN 9790007143497. Text language: Latin.
The aged Simeon takes the new-born Jesus in his arms, recognises his significance and celebrates this moment in a paean of praise as the fulfilment of his life. In Matsushita's motet this song of praise, the nunc dimittis, stands at the centre of the composition. Here, the triad of C-F sharp-G, used for the word hodie - today at the beginning, symbolically combines with a Gregorian-like motif, revolving around the central note of B flat in whole-tone movement, and which is used to represent the Virgin Mary. The work ends with a mystical wash of sound, a whole-tone cluster which emerges from the aleatorically repeated basic motifs of the work, and fades away to nothing.
SKU: HL.49044237
ISBN 9790001195492. Latin.
With Zwei lateinische Marienmotetten for mixed a cappella choir (SATB) and interlude for organ or string quintet, Andreas Pieper has created two gems of Marian devotion which are perfect for being used in church services. The two four-part chants pay homage to the Virgin Mary and refer to two different solemnities of the Roman Catholic Church celebrated in her honour. Whereas Assumpta est Maria is a motet for the Feast of the Assumption of Mary on 15 August, Benedicta es tu, virgo Maria refers to the Feast of the Immaculate Conception celebrated every year on 8 December. Both choral settings can be easily mastered by ambitious church choirs, and the interlude and postlude for organ or string quintet of Assumpta est Maria, the easier one of the two motets, can be easily performed even by amateur musicians.
SKU: C4.9790902260312
ISBN 9790902260312. 8.27 x 11.7 inches.
Michael Leighton Jones has created a brilliant sequence of six Marian works that take their lead from their plainsong counterparts. These wonderfully reflective and carefully-crafted motets take the practice of fauxbourdon in new directions, with free harmonic invention linking old to new in a beautifully warm soundworld. Motets may be performed individually on feast days or within the appropriate liturgical season, or the whole sequence can make an effective frame for a concert programme.
SKU: HL.14032506
Latin.
Tomas Luis de Victoria (1548-1611) was one of the last representatives of the 'prima prattica', the polyphonic style which was dominant in the period music history has labelled the 'renaissance'. Vol. 3 of these 52 motets for mixed voice choirs.
SKU: BT.SLB-00446700
SKU: HL.14010748
Motet for Five Voices (SSATB) A Cappella.
SKU: CA.964200
ISBN 9790007143510. Text language: Latin.
Matsushita's composition draws on elements of the Gregorian antiphon. It begins in unison Gregorian chant, as was typical of Renaissance motets, and the beginning of new lines of text are also derived from Gregorian material. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text nomen Jesu. After ascending D major arpeggios, the central word Jesu radiates into F sharp major, the following repetition in the compass of an octave on C is more tranquil, ending peacefully with an F major chord, ppp.
