Format : Score and Parts
SKU: BR.EB-32083
With supplementary violoncello part marked by Maria Kliegel
ISBN 9790004186299. 9 x 12 inches.
There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.With supplementary violoncello part marked by Maria Kliegel.
SKU: HL.49015170
ISBN 9783795716868. German. Wilfried Blecher.
Die bekanntesten Weihnachtslieder in leichten Satzen fur Unterricht und Hausmusik, mit Illustrationen von Wilfried Blecher. In der Kombination mit parallel erschienenen Heften ergeben sich vielfaltige Besetzungs- und Auffuhrungsmoglichkeiten. Zusatzliche Harmonie-Symbole ermoglichen auch eine Begleitung mit Gitarre (ad lib.). Folgende Besetzungsmoglichkeiten sind moglich: 1. Stimme (Melodie): Querflote I, Sopranblockflote I, Violine I, Viola I, Violoncello I, Gesang - 2. Stimme: Querflote II, Sopranblockflote II, Violine II, Viola II, Violoncello II - dazu: Klavier, Gitarre ad lib.
SKU: BT.EMBZ14768
Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume. Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Ãrpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.
SKU: HL.49045338
ISBN 9790001159661. UPC: 841886030640. 9.0x12.0x0.07 inches.
The original version for violin dates from 1981, thus being one of the early works by the Israeli composer who teaches at Harvard University. About 35 years later, Chaya Czernowin wrote the arrangement for viola which was first performed by Maria Ritzenthaler at the University of Minnesota in Minneapolis in 2015. In the same year, she composed another version for violoncello solo.
SKU: CA.4060313
ISBN 9790007219369. Key: E flat major. Language: Latin.
Haydn's so-called Great Organ Solo Mass in E flat major is among those works by Joseph Haydn which early in its history enjoyed widespread dissemination. The E flat major Mass, with an unusual scoring including two English horns in the orchestra, was composed around 1770 during the first years of Haydn's tenure as Music Director for the Court of Esterhazy. Despite the readily playable, effective part for organ, employed prominently as a solo instrument in the piece, the Missa in honorem Beatissimae Virginis Mariae, which was composed for a Feast to the Blessed Virgin Mary, is seldom performed today. The new critical edition hopes to stimulate new interest in this work. Score and part available separately - see item CA.4060300.
SKU: CA.4068213
ISBN 9790007220259. Key: C major. Language: Latin.
Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.
SKU: VD.ED24136
ISBN 9790202011362. 11.69 x 8.27 inches.
SKU: CA.338760
ISBN 9790007303273. Latin/English.
In 1856, Bruckner composed the motet Ave Maria for choir, organ and violoncello for his old place of work, St. Florian. The work is quasi basso continuo in the style of late baroque Austrian sacred music. The intricate, polyphonically relaxed movement contains a short section for solo soprano and solo alto. The centrepiece is an expressive threefold Jesus a capella invocation. Score available separately - see item CA.338700.
SKU: BR.OB-4922-23
ISBN 9790004325100. 10 x 12.5 inches.
SKU: BR.OB-4923-23
ISBN 9790004325162. 10 x 12.5 inches.
SKU: BA.BA04646-82
ISBN 9790006520558. 32.5 x 25.5 cm inches. Key: E-flat major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.