Bach - Flute Sonatas Vol 2

BWV 1033 1031 1020 überliefert als Werke Johann Sebastian Bachs-Three SonatasBWV 1033 in C major for Flute and Basso Continuo.BWV 1031 in E-flat major and BWV 1020 in G minor for Flute and obbligato Harpsichord.Handed down as works by Johann Sebastian BachBach?s preferred instrument for chamber music after the Violin was the traverse Flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive.Our edition includes a preface (Ger-Eng) by Bach scholar Alfred Dürr and a ctitical report (Ger-Eng) listing the sourecs with source analysis.

La formule «Sonates attribuées à Bach» figurant dans le titre de cette édition Urtext peut à présent être complétée du mot autrefois. En effet malgré la subsistance de quelques doutes on part aujourd?hui du principe que les trois sonates ne sont pas du père Bach mais plutôt de son fils Carl Philipp Emanuel. La faveur extraordinaire dont jouissent notamment les sonates en Mi bémol majeur et en sol mineur aux mouvements lents d?une beauté toute particulière n?en pâtit absolument pas. Ces ?uvres font partie du pain quotidien des flûtistes.

The Flute sonata in G minor BWV 1020 one of the gems of 18th century Flute literature has been passed down to us over the years as a work of Johann Sebastian Bach but its authenticity is disputed. Recent research suggests that the composition most probably came from the pen of Bach’s oldest son Carl Philipp Emanuel. This new edition is an extract from the Bärenreiter edition BA 5220 which also includes the two Flute sonatas BWV 1033 in C major and BWV 1031 in E-flat major which are of similarly doubtful authenticity. The sonata in G minor has been edited by the renowned Bachscholar Alfred Dürr using the editorial guidelines of the New Bach Edition as a basis and it appears now for the first time as a separate performing edition.

Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo and; BWV 1030 and 1032 for Flute and obbligato Harpsichord.Bach’s preferred instrument for chamber music after the violin was the traverse flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive. The elegance and fluency of the flute writing reflects Bach’s understanding and love of the instrument.This Urtext edition provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions as editedby Hans-Peter Schmitz and more recently revised by Ulrich Leisinger. The solo flute and cello/viola (continuo) parts are also included on separate inserts.

Bach's flute sonatas and the Partita for flute edited by renowned flutist and educator Louis Moyse are available for the first time in one value-priced and convenient publication. Book includes piano part with separate flute part booklet.

All seven sonatas-We've gathered together J. S. Bach's seven Flute sonatas under one cover in Paul Edmund-Davies' fine edition but without the CDs.

About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026) By Johann Sebastian Bach (1685-1750) arranged by Meniker Zvi edited by Andrew Manze Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import). (BA.BA5167) ISBN M006466214. Baroque. 9x12 inches. First critical edition of a work firmly attributed to Bach: the G minor Fugue BWV 1026 Figured bass realization by Zvi Meniker Two violin parts: an Urtext part and a part marked with fingering and bowing suggestions by Andrew Manze Continuo part with bass figures This new edition supersedes the earlier performance edition ofsonatas BWV 1021 and 1023 published in the New Bach Edition. Like other volumes recently issued in revised editions - Sonatas and Partitas for Violin (BA 5116) Partita for Flute (BA 5187) and Six Sonatas for Violin and Obbligato Harpsichord in one volume (BA 5240) and in two volumes (BA 5118-19) - these two sonatas have been re-evaluated on the basis of newly unearthed sources. The Fugue BWV 1026 long considered spurious appears here for the first time in a scholarly-critical edition that places Bach's authorship above reproach

Louis Drouet (1792-1873) much admired virtuoso Flautist composer musical director and opera director was 'a Flautist of truly European standing and sphere of influence'. His method still forms part of today's standard teaching repertoire. The 'Little Sonatas' published here for the first time as a separate new edition constitute the final part of Part 3 of his method. In accordance with the remarks of Drouet who had two different performance versions in mind the sonatas are available in two instrumentations: for two Flutes and for Flute and Piano. The Piano accompaniment with its figured bass realized by GottfriedBach has been turned into a harmonic accompaniment.

Volume 2 of Bach's Sonatas for Flute. This book contains the sonatas in G Minor E Major C major and E Minor. They are edited with a realisation of the figured bass by Louis Moyse.

Seventeen arrangements of movements from the sonatas partitas and suites of J.S. Bach are intended for private study rather than public performance. Although they were not originally written as Flute music. It should be remembered that Bach's instrumental writing was of a universal nature and he himself considered his music transferable to any instrument.

Although these two sonatas composed by the young Carl Philipp Emanuel Bach clearly reflect the influence of his famous father they also herald the unconventional and strikingly expressive preclassical composer. Besides ?character? variations Bach also wrote variations with large intervallic leaps in his minuets thus offering flutists a chance to enjoy a delightfully iridescent play of tone colours.Sonate G-DurSonate e-Moll

Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord-These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755 while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version the right hand of the harpsichordist takes over one of the concertante parts. Only when this part rests does the harpsichord fulfill the function of a thoroughbass. This edition was based an the autograph and an copies by Westphal a friend of the composer. The score reproduces the Urtext thus maintaining the characteristic features of C. P. E. Bach's writing. The articulation suggestions added by the editor in the flutepart haue been distinguished by broken lines.