Drei ungarische Volkslieder-3 Hungarian Folk Tunes from the legendary Bela Bartok. Arranged for Piano Solo.
SKU: BT.EMBZ8318
English-German-Hungarian.
An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók's favorite works, which the composer himself was fond of playing at recitals. As he explained in an American interview, it was ''an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing.'' Bartók also orchestrated the piece in 1931 as no. 1 of Hungarian Sketches. In 2015 we are launching aseries entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respect the strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music. Das 1908 als Nr. 5 der Zehn leichten Klavierstücke komponierte Klavierwerk Ein Abend am Lande ist ein echter Bartók-Schlager, der auch vom Komponisten selbst mit Vorliebe im Rahmen seiner Konzerte vorgetragen wurde. In einem amerikanischen Interview äußerte er sich dazu, ''… es handelt sich um eine Originalkomposition, das heißt, ihre Themen stammen von mir, wobei diese Themen jedoch den Stil der siebenbürgisch-ungarischen Volkslieder aufgreifen. Von seinen zwei Themen hat das erste Parlando-Rubato-Charakter, das zweite ist eher von einem Tanzrhythmus geprägt … und ist mehr oder weniger die Imitation eines bäuerlichen Blockflötenspiels.'' Im Jahr 1931 instrumentierte Bartókdas Stück als Nr. 1 der Bilder aus Ungarn auch für Orchester.
SKU: HL.50605353
ISBN 9781705180310. UPC: 196288106210.
Dániel Dobos (* 1994) studied with Gyula Fekete and Máté Bella at the Department of Composition of the Liszt Ferenc Academy of Music. In his violin concerto Sylvanus, he uses the technical repertoire of Transylvanian folk violinists. His piano piece, Drumul dracului, which won the first prize in 2018 at the Béla Bartók World Competition, also focuses on a new interpretation of Transylvanian folk music roots. In Callis stellarum, Dobos set one of the apocalyptic visions by the prophet Isaiah: “For the stars of heaven and the constellations thereof shall not give their light: the sun shall be darkened in his going forth, and the moon shall not cause her light to shine.†At the end of the composition, the Hungarian folk song “Csillagok, csillagok†(Stars and Stars) is heard as a kind of hopeful association. Commissioned by the municipality of Debrecen, this piece won the first prize in the youth mixed choir category of the HangKELTO Youth Composition Competition held in 2021.
SKU: HL.50488397
ISBN 9790080059197. B/5 (17x24) inches. Hungarian, German. Imre Ormay; Istvan Samorinszky Nemeth.
Contents 1. Bartók Béla: Fehér liliomszál 2. Bartók Béla: Ha felmegyek a budai nagy hegyre 3. Bartók Béla: Házasodik a tücsök 4. Bartók Béla: Nem loptam én életemben 5. Bartók Béla: Nem messze van ide Margitta 6. Bartók Béla: Tiszán innen, Tiszán túl.
SKU: HL.50488431
ISBN 9790080059968. B/5 (17x24) inches. Hungarian, German. Imre Ormay; Istvan Samorinszky Nemeth.
Contents: 1.Bartók Béla: Elvesztettem páromat 2.Bartók Béla: Elvesztettem zsebkendomet 3.Bartók Béla: Ha bemegyek, ha bemegyek 4.Bartók Béla: Kis kece lányom 5.Bartók Béla: Nagyváradi kikötobe.
SKU: AP.36-60710010
ISBN 9798888521663. UPC: 676737709938. English.
Hungarian composer, pianist and ethnomusicologist Béla Bartók (1881-1945) originally completed the cycle of 85 short piano pieces FOR CHILDREN in 1909. Each piece was based on a folk tune, with the first 42 being Hungarian, and the remaining 43 being Slovakian. Famed Hungarian violinist Joseph Szigeti (1892-1973) took six of the Hungarian folk tunes and transcribed them for violin and piano. As Bartók later removed and revised some of the songs in the collection, the following numbers included are the original numbers from the 1909 collection: No. 28 - Parlando, No. 18 - Andante con moto, No. 42 - Allegro vivace, No. 33 - Andante sostenuto, No. 6 - Allegro, No. 13 - Andante, No. 38 - Poco vivace. In addition to the original, more difficult violin part he transcribed originally, Szigeti also wrote a simplified version where only the first to fourth positions are used. Both violin versions are included in this edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: BT.EMBZ20084
English-Hungarian.
Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a classical piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from Imitation and Inversion, Ostinato, and Free Variations, concerning compositional technique, to mood pieces and pieces with programmatic ideas such as Notturno, Boating, From the Diary of a Fly, or the famous Six Dances in Bulgarian Rhythm. Mikrokosmos first appeared in 1940 in six volumes. Based on volume 40 of the Bartók CompleteEdition published in 2020(Z. 15040), the present Urtext edition offers the series gathered in three volumes. This edition includes Bartók's preface, exercises, and notes written for the first edition. Furthermore, it also features a preface and comments by the editor, which not only discuss the genesis and the compositional sources but also provide performers, teachers and pupils alike, with authentic and detailed information about Bartók's notation and the specific performing problems of Mikrokosmos.
SKU: BT.EMBZ2142
From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respectthe strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.
SKU: BT.EMBZ2467
An ABRSM syllabus title 2014-21, Grade 6.From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further,new transcriptions that fulfill in every respect the strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.
SKU: BT.EMBZ1919
SKU: AP.36-60710007
ISBN 9798888521687. UPC: 676737816278. English.
In the years preceding World War I, Hungarian composer, pianist, and ethnomusicologist Béla Bartók (1881-1945) took trips to the Transylvanian region to explore the musical traditions of the Romanian population. Following a two-year depression caused by the war, as well as some professional setbacks, he returned to composition. The Romanian Folk Dances, Sz. 56, emerged in 1915, bearing a strong influence from his experiences as an ethnomusicologist. They comprise 6 dances, all based on folk tunes that Bartók had recorded and transcribed. In 1917, he arranged a version for full orchestra. Hungarian violinist and composer Zoltán Székely (1903-2001) transcribed these six short movements for violin and piano in 1926, which are offered here in this reprint edition. Movements: 1. Joc cu bâta (Stick Dance), 2. Brâul (Sash Dance), 3. Topogó / Pê-loc (In One Spot), 4. Bucsumí tánc / Buciumeana (Dance from Bucsum), 5. Poarga româneasca (Romanian Polka), 6. Aprózó / Maruntel (Fast Dance).
SKU: BT.EMBZ20039
Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. After moving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey & Hawkes, he planned a new edition of For Children, and to this end completely revised the collection. Although Bartók had already completed his revision by the end of 1943, the revised edition was only issued in 1946. The pieces were published without titles in the first edition, but the folksong lyrics were included. These lyrics, deemed unnecessary for the non-Hungarian audiences, were not taken over to the American revised edition however, a significant number of pieces were provided with a title conveying their mood and their background in folk music and folk life. The American edition omitted the folk songs lyrics that seemed unnecessary to the audience there, but the titles of the first edition were replaced with English titles (some with the same meaning and some with modified interpretations) conveying each song's mood and background in folk music and folk life.The present edition - which contains the same scores as those in Volume 37 of the Béla Bartók Complete Critical Edition (Z. 15037) - is based on the revised version that the composer made in 1943 for the new edition, to which he also referred to as ''corrected''. We have added Hungarian translations to the English titles but we have also restored the original collection of folk song texts with parallel English translations. The pieces discarded from the revised version, as well as early versions that are significantly different from the revised version, are included in the Appendix. This publication contains a preface and editorial comments in both Hungarian and English.
SKU: BT.ESZ-01494800
With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art†music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants. Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta†occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.
SKU: BT.EMBZ2128
German-Hungarian.
'The Two Elegies are typified by Romantically exuberant, orchestral and full piano writing. Elegy No.1 was written in February 1908. The ternary reprise form is concealed by the voices in Bartók's varied piano writing that proliferate like luxuriant foliage. In the 'Grave' theme of the first section an important role is given to jumps of open fourths (presumably based on his recent folk music experiences), and these are also to be found in the fugato reprise of the theme. Elegy No.2 was written almost two years later, in December 1909. The entire composition is defined by the five falling notes that Bartók fashioned by inverting the Stefi Geyer motif also found in ElegyNo.1. Paired with this motivic unity is a harmonic world reflecting Debussy's influence, and piano writing reminiscent of the Romantic repertoire.' (HCD 32524 Bartók New Series Vol. 24, István G. Németh).
SKU: HL.50606540
ISBN 9781705191040. UPC: 196288127185.
This publication is based on volume 9 of the Béla Bartók Complete Critical Edition, published jointly by G. Henle Verlag, Munich, and Editio Musica Budapest Zenemukiadó. Contents: 1. A rab 2. A bujdosó 3. Az eladó lány 4. Dal.
SKU: BT.EMBZ20036
Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for male voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix, which also includes the early version of Four Hungarian Folk Songs and the German version of movements 3 to 6 from Székely Folk Songs.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailedinformation on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for children's and female voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.
