Bass Play Along Vol.21 Rockband

Bass Play-Along Volume 21-The Bass Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab listen to the audio to hear how the bass should sound and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing or to simply help you follow along. The audio is available online for download or streaming and it is enhanced so you can adjust the recording to any tempo without changing pitch!Includes the songs Battery ? Creeping Death ? Fade to Black ? For Whom the Bell Tolls ? Master of Puppets ? One ? Seek

Bass Play-Along Volume 47-The Bass Play-Along series will help you play your favourite songs quickly and easily! Just follow the tab listen to the audio to hear how the Bass should sound and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want or sing or to simply help you follow along. The audio is accessed online for download or streaming and includes Playback+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.This volume features ten songs by Dream Theater.

Tapping is a technique that involves playing notes with both hands directly on the neck of the Bass Guitar. It was popularised by virtuosos such as Adam Nitti, Stuart Hamm, Victor Wooten and Billy Sheehan, but has become more and more popular with amateur players for the unique and futuristic sounds it can produce. With Tapping A La Basse, you can learn everything necessary to master this cool technique.In four chapters, this method will help you learn how to make strange and wonderful sounds with two-handed tapping. The first chapter details linear tapping, the second will teach you how to create great riffs and licks with tapped arpeggios, the third lets you combine tapping and chords, while the fourth and final chapter will reveal polyphonic tapping. While some technical exercises are revealed, this method is primarily based on practising, ensuring that you master all the techniques through playing them. The accompanying DVD is a great help in letting you hear and visualise how the tapping should sound and be played. Two different speeds enable you to see how it's done at normal speed, then slowed down so you can play along and gradually get to grips with the style. With technical and musical examples within this method, you will gain all the details needed to grasp Bass Guitar tapping! / Guitare Basse

Jazz Play-Along Volume 174-Jazz Play Along: Volume 174 - Tin Pan Alley allows learners to master the art of improvisation while playing along to some of the best loved jazz tunes of all time.Suitable for use with all B-flat E-flat Bass Clef and C instruments this songbook comes complete with lead sheets melody cues and a CD with split-track choices. Tin Pan Alley features 10 jazz favourites including By The Light Of The Silvery Moon For Me And My Girl and Shine On Harvest Moon.

Jazz Play-Along Volume 87-For use with all Bb Eb C and bass clef instruments the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before. FOR STUDY each tune includes a split track with: • Melody cue with proper style and inflection • Professional rhythm tracks • Choruses for soloing • Removable bass part • Removable piano part. FOR PERFORMANCE each tune also has: • An additional full stereo accompaniment track (no melody) • Additional choruses forsoloing.Includes 10 traditional songs: Alexander's Ragtime Band • Ballin' the Jack • Bill Bailey Won't You Please Come Home • The Darktown Strutters Ball • A Good Man Is Hard to Find • Royal Garden Blues • That's a Plenty • Tiger Rag (Hold That Tiger) • Toot Toot Tootsie! (Good-Bye!) • When the Saints Go Marching In.

The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a 'hands-on' tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality rhythm andtechnical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: o the bass recorder - construction instrument types historical background o technical foundations of bass recorder playing posture fingering sound and articulation o practise and rehearsal techniques intonation in ensemble playing o stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Learning the bass recorder whilst playing in an ensemble continues in this 3rd volume of Workshop Bassblockflöte. Greater emphasis is placed on the techniques of refining sound quality 2 and 3 part arrangements and playing not only the bass voice but also the middle or even the melodic line. The enclosed CD recorded by the editors Irmhild Beutler

Includes eight transcriptions of Chet's improvised solos for B flat and C concert instruments. Chet's solo were spliced out on eight tracks of the CD, so you can 'sit in? and play Chet's solos along with his original accompaniment, or improvise your own ideas. For inspiration the CD contains three complete tracks. Some of the tracks feature an intimate accompaniment of vibes, bass (sometimes an additional guitar and flute), while others are from sessions with Larry Coryell, Buster Williams, and Tony Williams. / Trompette (Sib Ou Ut)