I Believe That I Shall See

Par . This one-of-a-kind collection features accessible, must-know Gospel songs presented in a combination of standard notation, chords, and lyrics. Perfect for beginning guitarists anxious to build up their repertoire! Songs include: Because He Lives · Church in the Wildwood · Give Me That Old Time Religion · He's Got the Whole World in His Hands · His Eye Is on the Sparrow · His Name Is Wonderful · How Great Thou Art · I Saw the Light · In the Garden · Just a Closer Walk with Thee · Mansion over the Hilltop · The Old Rugged Cross · Precious Lord, Take My Hand (Take My Hand, Precious Lord) · Shall We Gather at the River? · Soon and Very Soon · Sweet by and By · Swing Low, Sweet Chariot · There's Something About That Name · Turn Your Radio On · When the Saints Go Marching In · Wings of a Dove · and more! / Date parution : 2023-03-11/ Recueil / Guitare

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Toutes les chansons de ce spectacle passionnant. Présentation de couleur, avec des photographies de l'action du film. Comprend ' What I Did For Love ', 'Je peux faire que' et 'la musique et le miroir'. / Chant Et Guitare / 128 pages / Partition

Une collection d'agitation de 100 chansons rares de l'Holocauste. Rédigé en 16 langues différentes, avec des traductions en anglais pour chacun / Divers / niveau : Intermédiaire / Partition + Cd

This expansive song collection will provide many years of enjoyment for anyone who loves folk music. Nowhere else will you find such a rich array of work songs, traditional ballads, love songs, fun songs, sea shanties, blues, cowboy songs, battle hymns, carols, spirituals and anthems. Just mention a beloved folk melody and, chances are, you will find it in this volume.