SKU: HL.50563284
SKU: UT.ACC-11
ISBN 9790215302532. 9 x 12 inches.
El sofà ; A Bettina; Donne, lâ??amore; La necessità ; Nineta; Ho già penato; Compagni, amor lasciate; La stracavata; La mia Bettina; Sì, xe verissimo; El consegio; La domanda; El lauro; Sentì, mie care donne; Mi co te vedo sento
SKU: BA.BA05953-01
ISBN 9790006497652. 27.7 x 19.6 cm inches. Language: German. Preface: Varwig, Bettina.
In volume 1 of the New Schutz Edition Friedrich Schoneich presented the Historia der Geburt Jesu Christi. He had to accept that one source was considered lost. The volume was published in 1955 and, of course, Schoneich edited it within the framework of the musicological standards of his time.For her new edition, Bettina Varwig has now been able to take all known sources into account including the first print, copies of parts of the work which have come down to us in the Duben Collection, as well as the score copy from the music archive of the Berlin Sing-Akademie, which had been known only from fragmentary copies until it had been returned from Kiew. This enables a fresh view of the Historia on how it presumably was performed. The edition maintains the original note values and generally follows the editorial principles of the New Edition of the Complete Works.The Introduction centrally deals with the question how the Historia was performed at Christmas 1660 in the Dresden Schlosskirche and how it can be realised today. Also the scoring for singers and instruments (Evangelist movements versus concertante movements) is being appropriately discussed. Three appendices enable a greater understanding of the source traditions of the work which are documented in detail in the Critical Commentary and whose readings are critically examined there.Replaces BA1709.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.SON-388
Bei Subskription des Gesamtwerkes 20% Preisnachlass; bei Subskription der Abteilung Orchestermusik 10% Preisnachlass.
ISBN 9790004802724. 10 x 12.5 inches.
Ed. on behalf of Staatliches Institut fuer Deutsche Musikforschung (the series will be continued).
SKU: BA.BA10946
ISBN 9790006569748. 31 x 24.3 cm inches. Key: G minor. Preface: Schwemer, Bettina.
Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.The Concerto RV 531 is the only double concerto in Vivaldi’s uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.The edition is based on the careful evaluation of Vivaldi’s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists.
SKU: BR.SON-385
ISBN 9790004802540. 10 x 12.5 inches.
SKU: BA.BA07567-90
ISBN 9790006544103. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
SKU: BA.BA07567
ISBN 9790006544097. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza†were first mentioned as a collection of “Concerti a 4†in the 1711 Foreword of “L’Estro Armonico†op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, “La Stravaganza†is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of “La Stravaganza†bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of “La Stravaganza†is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh & Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
SKU: BR.SON-386
ISBN 9790004802618. 10 x 12.5 inches.
SKU: BA.BA07566
ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
SKU: BR.SON-387
ISBN 9790004802625. 10 x 12.5 inches.
SKU: BR.CHB-5336-00
ISBN 9790004412664. 7.5 x 10.5 inches. Arabic / Turkish / Hebrew / German.
Understanding and Communication Can Jews, Christians, and Muslims share their sacred music? The interreligious songbook Trimum, edited by Bettina Strubel, choir leader of the same-named society TRIMUM, says yes! Launching it as a collaborative project in 2012, an interdisciplinary team went out to search for a Music for a Trialogue that could be used in everyday interreligious encounters: in kindergarten and school, for intercultural initiatives, or in refugee relief. Trimum includes unison songs as well as also multi-part choral pieces. Chord symbols for instrumental accompaniment, together with multi-lingual song texts, are also useful, practical musical aids.Also visit www.trimum.deSong Texts in Arabic, Turkish, Hebrew, and German, Information texts in German and EnglishAwarded the German Music Edition Prize 2018.
SKU: HL.49015439
ISBN 9783795712211. 9.25x12.0x0.335 inches. German. Uschi Kosa.
9 Pluspunkte fur diese Oboenschule:- Geeignet fur alle Altersstufen ab ca. 10 Jahern- Aufgelockert durch Illustrationen und Fotos- Viele bekannte Melodien und Lieder- Uberschaubare Lernschritte- Allmahlich aufbauend von der leichteren Mittellage bis zum Umfang von zwei Oktaven (im 1. Band)- Anregungen zum freien Musizieren, Improvisieren und Komponieren- Elementare Spieltechniken, die im 2. Band bis zu einem hohen technischen und musikalischen Niveau fortgefuhrt werden- Begleitende Spielbucher mit Duetten, Trios und Stucken mit Klavierbegleitung- Gesonderte Lehrerkommentare (ED 8165-01, ED 8165-02) mit methodischen Anmerkungen und zusatzlichen Ubungen.
SKU: BR.EB-8908
ISBN 9790004185742. 9 x 12 inches.
Nocturno Virtuoso Adolf Busch was not only a phenomenal violinist from the first half of the 20th century, but he also wrote musical pieces in a tremendous variety of genres for concert performances as well as home use. Busch's brother Hermann was a cellist and member of the acclaimed Busch Quartet; his first wife Frieda played the clarinet. It was to her that Busch dedicated the larger part of the four pieces gathered here under opus 53 and composed between 1927-1943 for clarinet and various string scorings. One exception is the profusely rich and charming Serenade op. 53b, which Busch dedicated to his friend Hans Ritz in Basel. The scoring and compositional techniques of the work hint at Reger, Mozart and even beyond, whereby it is undeniable that Busch is firmly rooted in the musical tradition. Moreover, virtuosity and melodic lines in the Nocturno are influenced by Busch's prolific experience as an instrumental soloist. Adolf Busch wrote 70 works with opus numbers and about as many without, which were intended for home use. Rediscovered and increasingly performed, Busch's music is now conquering the place it deserves in concert programs. The present edition is part of Breitkopf's series of chamber music by Adolf Busch.
SKU: BR.KM-2310
World premiere: Leipzig, March 19, 2016
ISBN 9790004503461. 9 x 12 inches.
Home music-making in polyphonic harmonyAdolf Busch did not write his Five Canons in Harmony for concert use, but for home music-making in the true meaning of the word, since he dedicated them to his dear Hedwig at Christmas 1949. Busch's second wife played the flute, and it was thus perfectly plausible that she gave the world premiere of the canon in a family circle. The instrumental scoring is rich in variants and is thus kept open; just as our scoring can be shaped with great flexibility and a profusion of variants, so does ours allow a random combination of C and B-flat instruments..
SKU: BR.EB-8822
ISBN 9790004183878. 9 x 12 inches.
Wache Finger, wache Ohren conveys the elements of piano technique in the form of exercises and short, musically diverse etudes and shorter works. At the center are the systematic development of the fundamental forms of playing the piano and the elaboration of these forms performance technique. In addition, the author also strives for an interpretation with nuanced sound and attack techniques, as well as a method of practicing that is rich in variants and demands an intensive sense of perception.Schwedhelm has made a name for herself as the author of 'Klavierspielen mit der Maus.' The teacher's commentary of her latest work contains a DVD, on which the elementary playing motions and types of attack are illustrated in short videos.
SKU: HL.49015441
ISBN 9790001083676. German. Uschi Kosa.
SKU: PD.PIL0645
ISBN 979-0-3505-0001-5.
SKU: BA.BA07567-75
ISBN 9790006558476. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: PR.ZM00022
ISBN 9783921729670.
SKU: BA.BA10946-82
ISBN 9790006569793. 32.5 x 25.5 cm inches. Key: G minor.
SKU: BA.BA07566-74
ISBN 9790006558421. 32.5 x 25.5 cm inches.
