Bluegrass Guitar

Par FLINT TOMMY. A collection of traditional and Southern mountain songs progressively arranged in flatpicking guitar style. Many tunes are shown as both lyric versions with guitar chords and as flatpicking guitar solos. Selections include: This Train - John Henry - Old Smokey - The Midnight Run - Deer Lick Creek - Kentucky Hoe-down - Bill Cheatham - and many more. Written in standard notation and tab. The author also offers lead guitar solo concepts for traditional tunes like: The Galway Piper, Liberty, Billy in the Low Ground, Leather Britches, and others. A short fingerstyle segment on 'How to Play Bluegrass Banjo Style on the Guitar' closes the book. Throughout, the author displays an intuitive awareness of various left and right-hand techniques and their imaginative application. With the enclosed companion CD containing all of the selections and exercises in the book, this outstanding Mel Bay Value Line book offers the beginning to intermediate bluegrass guitarist a significant value. / Niveau : Débutant à Intermédiaire / Bluegrass - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

A Crash Course Into Bluegrass And Flatpicking Guitar Styles. Par CARR JOE. Dans cet ajout à la baie de Mel populaire 'Getting conclude…'series, chroniqueur Flatpicking Guitar Magazine Joe Carr présente un aperçu du style flatpicking passionnant en tablature et en notation musicale. Commençant par les accords de base et les modèles de strum, cette combinaison de livre/CD couvre le style de Carter, violon tunes crosspicking, flottant, improvisation et bien plus encore ! Sections spéciales adresse direction pick, échelles pentatonique, a chuté de réglage d et comment lire la musique standard à la guitare. Sont inclus les 'Top Ten' flatpicking favoris et une section sur l'ornementation irlandaise. / Niveau : Débutant à Intermédiaire / Bluegrass - Methods / Tablatures / Guitare Tablatures Flatpick et Plectre

Eric Thompson teaches the exciting art of crosspicking, which is an exhilarating flatpicking technique that is an essential part of every bluegrass guitarist's arsenal. Utilizing repeated patterns on three-string groups, crosspicking captures the bounce of a fiddler's double shuffle and the drive of three-finger banjo Scruggs-style rolls. Eric instructs you on three full hours of note-by-note, phrase-by-phrase instruction contained on the three companion CDs. The 32-page book contains 12 songs taught in three easy to understand lessons. Eric will help you hone your crosspicking technique in no time 'flat'! / Guitare (Flatpick) Et Plectre / 32 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Anyone interested in learning to play acoustic guitar can pick up this well-paced, comprehensive method and get started right away. Beginning concepts include right- and left-hand technique, reading music, basic improvisation, barre chords, picking technique, playing bass lines, and basic arranging. Intermediate topics include alternate tunings, scales, how to play in upper positions of the fingerboard, and a rundown of styles like acoustic funk, New Orleans, gypsy swing, Celtic, bluegrass, Cajun, and more. This comprehensive book concludes with more advanced techniques, including 'machine gun strums,' right-hand muting, slapping, tapping, slap harmonics, and tremolo---as well as styles like reggae, African/Brazilian, norteño, and conjunto. Whether you are starting to learn acoustic guitar or an advanced player looking to improve your playing, this is the one book on acoustic guitar you will ever need. An MP3 CD for demonstration and play-along is included. / Guitare

Dans cette vidéo de 2 heures de vétéran de la guitare bluegrass Timm Stafford, vous apprendrez les compétences fondamentales qui feront de vous un meilleur joueur de guitare n'importe quel niveau de capacité votre actuel. Tuning, Timing, ton, Technique et goût sont toutes les compétences essentielles que joueurs de guitare de débutants à professionnels doivent adresse sur une base régulière. Présentation magistrale de Tim ces concepts et les méthodes testées pratiques, temps qu'il vous apprend sur cette vidéo auront pas seulement vous aidera à comprendre, améliorer et maintenir ces compétences, mais feront progresser vos compétences de guitare globale considérablement. / Guitare Flatpick Et Fingerpick

Morning Thunder-In The Guitar Artistry Of Chris Proctor the National Fingerstyle Guitar Championship winner talks about his style and influences as well as giving dazzling performances on both 6- and 12- string guitars.Chris Proctor falls squarely into the ?New World? steel-string guitar style. Beginning with pop and rock music Chris was soon drawn to the country blues. After exploring that tradition he studied classical and jazz music the traditional music of the British Isles bluegrass and old-time Appalachian music and finally began to investigate the world of the 12-string guitar.In 1982 Chris won the U.S. National Fingerstyle GuitarChampionship and released his first recording ?Runoff.? That recording and the 8 that followed on the Flying Fish Rounder Windham Hill and Sugarhouse labels over the next 27 years elevated Chris to the top rank in the steel-string world. Chris also wrote articles and books filmed instructional videos of his transcriptions and techniques created the guitar workshop program for Taylor Guitars and designed the Taylor Chris Proctor Signature Model guitar.Beginning in the year 2000 Chris broadened his original focus on new music to include reinterpreting music of his diverse set of original influences. His performances today are a primer on the acoustic guitar music of the ?New World.? They feature original guitar techniques and devices invented and adapted by Chris and they convey a striking array of tones textures and moods.Titles include: Tap Room Hot Spot War Games Ozymandias Beppe Ladybug Stomp Nights in White Satin Bach to Ireland Late Again Interstate Morning Thunder The Last Steam Engine Train Revisiting the Sailor?s Grave Gecko Drive and Medley:A Scarce O? Tatties/The Lyndhurst Jig??? Review: Watching Taylor fingerstylist and original workshop clinician Chris Proctor in his new DVD Morning Thunder is an enlightening exercise. Proctor has

If you're trying to improve your lead guitar playing by studying scales that's only half the picture. The best lead guitarists in rock jazz country bluegrass and R and B base much of their improvisation and soloing on chords -even when they're playing single-note solos. In this one and a half hour lesson Fred Sokolow shows you several chord-based approaches to soloing and backup. Covering several musical genres Fred teaches you to:Play arpeggios country licks and fast flatpicking solos in country/bluegrass tunes like Jambalaya and Wreck of the Old 97. Solo and backup R

Bien qu'initialement considéré comme un instrument de rythme, la guitare a développé une voix solo tous ses propres au monde de Bluegrass - une voix qui est révélé par Scott Nygaard dans ce didacticiel de DVD. Tunes et solos traditionnellement exécutées sur le violon ont été adaptés par une génération de guitaristes comme base pour leurs propres solos dans le son de la musique Bluegrass. Le style est un mélange organique des airs de violon, banjo techniques tels que crosspicking et le Blues. Dans ce DVD, célèbre guitariste Scott Nygaard guides vous par le biais du violon Old-Time tune Little Billy Wilson, un arrangement de cueillette à la Croix de Home Sweet Home, un solo mélodique sur la chanson de blues Trouble dans l'esprit et vous montre comment combiner ces influences lors de la création d'un solo sur une musique bluegrass tune comme East Virginia Blues. Techniques Crosspick, violon et blues sont rigoureusement examinées et expliqués, vous donner la meilleure base possible pour développer votre propre Bluegrass solo sonore. / Guitare

In this one-hour instructional DVD James Alan Shelton and George Shuffler demonstrate and teach the guitar techniques that helped change the role of the guitar in bluegrass music. The music of the Stanley Brothers and Ralph Stanley and the Clinch Mountain Boys has featured lead guitar work since Bill Napier and George Shuffler brought the guitar to the forefront of the Stanley's music in the late 1950s. This video begins with James Alan Shelton, the current lead guitar player for Ralph Stanley and the Clinch Mountain Boys, picking a tune with the legendary George Shuffler. James then interviews George regarding the development of his 'crosspicking? guitar technique. George demonstrates the technique and provides a guitar solo to one of the tunes he helped to make a bluegrass standard, 'Will You Miss Me.? George and James then pick 'Katy Dear? together and demonstrate their crosspicking talents. The instructional portion of the video begins with James Alan Shelton demonstrating the crosspicking roll and providing several exercises which will serve to train your right hand to gain skill with the crosspicking technique. James then teaches a 'turnaround? to 'Rank Stranger? which utilizes the crosspicking technique to 'fill in the gaps? between vocal lines. He then shows how to take the simple melody line of a song, 'Uncloudy Day,? and incorporate the crosspicking technique between the melody notes. Next, James teaches a crosspicking break to 'Bury Me Beneath the Weeping Willow? and follows that tune by demonstrating how to transform a Carter style guitar solo into a crosspicking solo using the song 'Wildwood Flower? as an example. The next section of the video features James teaching two of his original flatpicking tunes 'Road to Coeburn? and 'Tom's Creek.? This is followed by a fingerstyle performance of Ralph Stanley's favorite guitar number, 'Cannonball Blues.? James concludes the instructional portion of the video by talking about his selection of guitar strings, picks, and capos and provides 'tricks of the trade? to help you keep your flatpick in good shape. George and James both talk about their signature model Huss and Dalton guitars and the video concludes with George and James picking 'Banks of the Ohio? together. All of the songs that are taught in the video are transcribed in the accompanying transcription book. / Guitare (Flatpick) Et Plectre

Par WAYNE ERBSEN. Ce livre d\'instruction FUN vous aidera jouant quarante Old-Time et guitare bluegrass tunes en aucun temps plat ! Plusieurs années de Wayne de l\'enseignement de la guitare sont évidentes sur chaque page de ce livre. Le CD audio de l\'instruction est complète avec un énorme 91 pistes et les paroles complètes de toutes les chansons de quarante trouvés dans le livre. 9 \' x 12 \', 80 pages. Cet ouvrage est garanti pour aider le guitariste début et intermédiaire. (Combien de livres viennent avec une garantie personnelle de l\'auteur ? Vous apprendrez également... Comment régler, comment organiser votre choix, comment faire la course reste, comment jouer rythmique solide, comment jouer des accords de recul à 30 morceaux de violon Old-Time, Comment comprendre la théorie musicale indolore, comment d\'improviser, comment lutter contre la peur des écailles et comment jouer à l\'oreille. / Niveau : Débutant / Bluegrass - Methods / Méthode / Guitare Flatpick et Plectre

Si vous essayez d'améliorer votre guitare jouant en étudiant les échelles, ce n'est que la moitié de l'image. Les meilleurs guitaristes de plomb dans le rock, jazz, bluegrass de pays et r et b base une grande partie de leur improvisation et isolation sur cordes - même lorsqu'ils nous jouons solos de single-note. Dans cette leçon d'un an et demi heure, Fred Sokolow vous montre plusieurs approches axées sur la corde d'isolation et de sauvegarde. Couvrant plusieurs genres musicaux, Fred vous apprend à: jouent des arpèges, pays licks et solos de flatpicking rapide dans les pays/bluegrass tunes comme Jambalaya et l'épave de la vieille route 97. Solo et sauvegarde chansons de R

In this new multi-volume series author Joe Carr introduces beginning to intermediate guitarists to classic bluegrass ballads and waltzes. The object of the series is to ground players in good technique and to impart the essentialskills required for continued self-guided development. The tunes are presented in both 'Carter-style' and flatpicking arrangements. Perfect for beginning lead guitarists.