Blues Guitar Made Easy (CHRISTIANSEN COREY)

Exercises, Etudes, Solos, Duets. Par VINITSKY ALEXANDER. Cette musique originale pour guitare solo et le duo présente de belles mélodies et doigté commode et c'est très facile à effectuer. Commentaires de l'auteur expliquent comment déplacer de style classique au jazz. Les morceaux, divisés en deux chapitres, Etudes et pièces, sont écrits dans différents styles de jazz : Swing, Bossa Nova et du Blues. Les mélodies sont parfaits et leurs harmonies raffinées. Sept duos sont inclus qui peut être joué par deux guitares ou par un instrument de la mélodie et de guitare. Ils ont de belles mélodies et sont faciles à effectuer. La première partie peut être jouée par les débutants. Ces duos peuvent être utilisés dans les situations avec les professeurs et étudiants jouant ensemble d'enseignement. Ecrit en notation seulement. / Niveau : Débutant / Jazz - Solos / Recueil / Guitare Classique

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Big Note/Large Print Ed.-A very useful guitar guide to the licks and phrases used by top guitarists. Licks are presented in notation and tablature and are grouped into 'Country ' 'Blues' and 'Rock' categories. Companion audio tracks are available freeonline.

DVD 2 - Playing Chords and Licks in Every Key and Position-Ernie Hawkins continues his detailed exploration of the C-A-G-E-D guitar system using his long experience in country blues fingerpicking as the springboard for this lesson. You’ll start by learning to play the standard blues 12-bar blues chord progression in ever position and in every key the heart of the C-A-G-E-D concept. As in his previous DVD Ernie patiently and thoroughly provides drills exercises practice tips and the basic theory necessary to help you understand the principles behind this important system. You’ll see how licks can be transposed from one key to another; how to link chords with harmonized passing tones; how major and minor arpeggios helpyou find notes everywhere on the neck; and how all the notes intervals and chords work together to form a complete musical picture. Whether you’re playing blues folk jazz or rock this ‘magic key’ to the fingerboard will give you the security and confidence to branch out into any musical genre that interests you.

Par MATHEOS CHRIS. Here is something for everyone, introducing students to many different styles of bass playing: rock 'n roll, blues, swing, funk, reggae, classical, alternative, country, be-bop, ska, bossa nova, heavy metal, gospel, two-hand tapping, etc. Examples focus on basic patterns, chord progressions, and playing with a band. The companion CD features all examples recorded with a professional band. Audio includes band examples with and without bass - students can hear it and play along. 25 examples included, written in bass clef and tab. / Niveau : Débutant / All Styles - Licks and Phrases / Tablatures / Guitare Basse Tablatures

Par MC CABE LARRY. This book/CD set teaches the basics of country bass playing in a fun, 'quick access? format, In a minimum amount of time, you will learn the bass part to 22 popular traditional songs including train songs ('New River Train?), gospel standards ('Amazing Grace?), Waltzes ('Knoxville Girl?), bluegrass songs ('Don't Let Your Deal Go Down?), country blues ('Corrine, Corrina?) and more. All bass parts are written in both tablature and standard notation exactly as played on the companion CD. Extra lyrics are provided for singers. This stereo CD enables you to 'sit in? with a country band that includes a singer, rhythm guitar and bass. To facilitate learning, each of the 22 songs is performed at two tempos: moderate and 'slowpoke.? The stereo format allows you to hear the bass guitar clearly isolated on the right speaker. / Niveau : Débutant / Méthode / Guitare Basse Country

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare

With Online Audio-A popular and easy to understand book which teaches and explores the many aspects of bottleneck/slide guitar techniques developed nearly a century ago and made famous through the recordings of legendary blues greats like RobertJohnson Mississippi Fred McDowell and Muddy Waters.Much of the book is dedicated to teaching you how to use these assorted techniques to make original improvised solos. You will learn to play bottleneck guitar in open Dtuning open E tuning open A tuning and standard tuning. Written in notation and tablature. Includes access to online audio.