Blues in Two and More

21st Century Pro Method-A comprehensive tutorial that provides everything you'd ever need to know to develop a strong confident and sensitive Blues Guitar style complete with a full CD of demonstrations.Don Latarski presents a guide that takes you through every nuance of the Blues covering techniques songs local variations and much more. The accompanying CD is packed with examples to help you capture the unique phrasing and characteristics of the Blues.More than 130 music examples in the styles of Blues greatsMore than 20 complete Blues tracks for demonstration and play-alongBlues techniques: hammers pull-offs slides vibrato and bendsSoloing basicsThe blues-rockconnectionExtended fingerings Mixolydian mode and whole-tone soundsIntros endings and turnaroundsUsing the 6th intervalFunk-BluesMinor-key Blues

Tim Richards introduces the harmonic, rhythmic and melodic aspects of the Blues - now for the first time in French! The book features over 30 pieces, including well -known favourites such as 'Blueberry Hill', 'C-Jam Blues', 'Back in the Alley' and 'See See Rider', together with a number of compositions by the author designed to teach:- Authentic patterns and bass lines for the left hand- Professional chord voicings, blues scales, licks and riffs- Exercises in coordination for both hands- Suggestions for further listeningEach chapter is arranged in progressive order of difficulty, with a few more demanding pieces towards the end. Improvisation plays an important part throughout the book, with exercises and guidance. The accompanying CD was recorded by Tim Richards and contains all the pieces and play-along tracks for both volumes. / Piano

The Boogie and Blues Piano Collection contains carefully transcribed boogie-woogie classics by Pinetop Smith, Hersal Thomas and Jimmy Jancey, along with new arrangements by Wolfgang Wierzyk. German boogie experts Axel Zwingenberger and Gottfried Böttger have their say in a fast-paced way. The first 10 pieces are arranged more easily and are suitable for getting started or for refreshing one's skill and knowledge. As you progress, surprises await, including classics like Happy Birthday, Silent Night and Für Elise... / Piano

Pour deux pianistes qui veulent jouer ensemble, les blues là maintenant disponible avec pièces faciles - très efficaces et donc adaptés pour la musique, un livre de nouvel leçons, pour le concours 'Jugend musiziert' ou juste pour le plaisir ! L'auteur est Frank Wunsch : pianiste, compositeur et professeur à l'Académie de musique de Cologne. / Piano 4 Mains

With over 120 pages and thirty-seven of the best known jazz and blues all-time favourites this is the perfect book for the jazz pianist wanting to learn the standards. Specially arranged for intermediate Piano Solo, with chord symbols included, allowing the potential for more advanced players to improvise over the changes and progressions. Includes Ain't Misbehavin', Take Five, So What / Jazz / Partition /

Plus de 200 chansons de blues de la vingtaine d'années à aujourd'hui sont inclus dans cette édition deluxe. De nombreux artistes représentant une grande variété de styles et comprend des photographies rares. / Piano/Vocal/Guitare (PVG) / 192 pages / Partition

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Par BARRETT DAVID. Minor Blues Harmonica includes introductory material for new players on holding the harmonica, achieving a single note, and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keysâ'a challenge for harmonica players, but less difficult in 3rd Position. In this book we'll explore the killer sounds that 3rd Position has to offer, focusing on the following areas: 1) New players will learn to play single notes and movingaround the harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way, even for beginners. 3) Learning 'study” songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand what's technically going on. (This is at the end of the book, so it's not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). You'll need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio. / Niveau : Facile / Pédagogie / Etude / Harmonica Diatonique

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Par DUNCAN CRAIG. 25 blues classics arranged for fiddling solo. Songs are grouped into 12 bar blues, 16 bar blues, early blues songs, minor blues, and more. Designed to acquaint the fiddler with various approaches to the styles in blues fiddling. Stereo recording, with fiddle and guitar, include all twenty five tunes from the book. Each tune is presented with the 'bare bones' melody first, followed by blues solos on the tune. The CD is great for learning blues fiddle styles as well as listening enjoyment. Contains guitar accompaniment/rhythm part. / Niveau : Intermédiaire / Blues - Solos / Recueil / Violon

Instrumental Play-Along-Solo arrangements of a dozen jazz blues tunes are featured in this collection for beginning to intermediate instrumentalists.It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks!Songs include Basin Street Blues C-Jam Blues Freddie Freeloader Night Train One for Daddy-O The Swingin' Shepherd Blues Tenor Madness and more.The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player thatallows you to slow down audio without changing pitch set loop points change keys and pan left or right.