Cadenzas KV 299 (MOZART WOLFGANG AMADEUS)

For The Horn Concertos #3 And 4 By Wolfgang Amadeus Mozart. Par MOZART WOLFGANG AMADEUS. Format: New Edition portrait/ Répertoire / Cor

Mozart, Wolfgang Amadeus Concerto for Pianoforte and Orchestra no. 26 D major K. 537 Coronation Concerto This new piano reduction of Mozart?s ?Coronation Concerto? K. 537 is based on the music text from the New Mozart Edition and is fully compatible with the already existing performance material (BA 5318). A separate Urtext solo piano part is included in this piano reduction edition allowing the soloist not only to play the work as customary in recent decades, but also, for the first time since Mozart?s era, to improvise above the tutti basses and to conduct the ensemble from the piano. The new edition is supplemented by a separate booklet containing cadenzas and selected lead-ins by August Eberhard Müller, Carl Reinecke and Max Reger. ? Urtext edition based on the New Mozart Edition (NMA) ? Separate Urtext solo piano part included ? Enclosed booklet with cadenzas ? Provides new impetus for period performance practice

Arrangeur: Kalevi Aho. Par MOZART WOLFGANG AMADEUS. Langue: English/ Répertoire / Flûte Traversière

[Kadenzen, Eingänge und Auszierungen zu Klavierkonzerten von Wolfgang Amadeus Mozart von Paul Badura-Skoda] / Classique / Editeur : Paul Badura-Skoda / Partition / Agrafé /

These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.

Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.

? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /