Cantabile Et Allegro, Sib Ou Ut

Partition pour Violon et basse continue ou 2 violons et basse continue. X Sonate, VI à violino solo è basso, è IV a trè. Opera Ottava. Edition : Amsterdam, l’Auteur, s.d. (=1744) Présentation de Nicolas Fromageot : Bibliographie – Comparaison des première et seconde éditions – Lecture de la partition. Exemplaire déposé par le compositeur à l'Université de Leiden. La préface apporte la comparaison avec la seconde édition hollandaise et avec l'édition française. Fac-similé de l'exemplaire conservé à la bibliothèque de l'université de Leiden. Edition en parties séparées : partie de premier violon, avec la basse, en partition, pour les six premières sonates et sans la basse pour les sonates VII à X – partie de second violon (sonates VII à X) – basse continue (sonates VII à X) Compositeur : LOCATELLI Pietro Antonio Auteur : FROMAGEOT Nicolas Collection : Dominantes Titres : Sonata I, en Fa Majeur : largo – allegro – allegro - Sonata II, en Ré Majeur : adagio – allegro – presto - Sonata III, en sol mineur : adagio – allegro – vivace – allegro - Sonata IV, en Ut Majeur : cantabile – allegro – vivace – allegro molto - Sonate V, en Sol Majeur : largo – allegro – andante – allegro - Sonata VI, en Mi b Majeur : adagio – allegro – aria di minuetto (avec 8 variations) - Sonata VII (à 3), en La Majeur : andante – [C barré] – adagio – cantabile – allegro - Sonata VIII (à 3), en Ré Majeur : largo andante – vivace – cantabile – allegro molto - Sonata IX (à 3), en fa mineur : largo andante – [C barré] – grave – allegro - Sonata X (à 3), en la mineur : cantabile – allegro – vivace Nombre de pages : 84 Format : 24 x 33 Parution : 06/1997

Description Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these symphonies - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll organ, especially the rich-toned five-keyboard instrument at St-Sulpice in Paris. Presented here in two inexpensive (this being the first), well-made volumes they offer a splendid resource for organists and all music lovers. Songlist Adagio Allegro Allegro Cantabile Allegro Vivace Andante (Sonata G.1) [Torelli, Giuseppe] Andante Cantabile Andantino Quasi Allegretto Finale Fugue Intermezzo Op.1 No.2 [Borodin, Aljeksandr Porfirjevic] Marche Pontificale Marcia Meditation Minuetto Pastorale [Pace] Prelude Scherzo [Goldschmidt, Berthold] Symphony No. 1 In C Minor, Op. 13, No. 1: Symphony No. 2 In D Major Op. 13, No. 2: Symphony No. 3 In E Minor, Op. 13, No. 3: Symphony No. 4 In F Minor, Op. 13, No. 4: Symphony No. 5 In F Minor, Op. 42, No. 1: Toccata

Friedrich August Kummer (1797-1879) venait d'une famille de musiciens, a étudié le violoncelle avec le célèbre violoncelliste solo de Friedrich Dotzauer de la Chapelle de Dresde Cour et a ensuite travaillé comme premier violoncelle à la Royal Opera House, plus tard, à la Chapelle de Dresde Cour. Kummer composé de cours pour 'son' instrument, ainsi, écrit non seulement une méthode de violoncelle, mais aussi un grand nombre de pièces de performance. Pour éviter tout problème avec des oeuvres difficiles, ses oeuvres comprennent également de nombreuses études et des pièces faciles comme '12 Duos pour 2 violoncelles op. 105. Ils sont un mouvement pièces qui exigent cantabile et concertante en jouant à un niveau modéré de difficulté et sont l'introduction idéale à la musique de chambre. / 2 Violoncelles / 28 pages / Partition

Par SHCHEDRIN RODION. The combination of cantabile elements and tight staccato rhythm, typical of Shchedrin's piano music, makes this 'little' sonata an effective, yet quite easily playable piece. It is unmistakable that this music has been written by a pianist who knows how to use the instrument. A virtuoso pianist himself, Shchedrin has often performed his piano works, including concertos, sonatas and 24 preludes and fugues, himself. The 'Sonatina' is dedicated to Shchedrin's wife, the famous prima-ballerina Maya Plisetskaya, and was performed for the first time in Moscow in 2005 as a birthday present./ Répertoire / Piano

For the Easy Concert Pieces series, the experienced piano teacher Monika Twelsiek compiled pleasant, easy piano pieces for beginners and published them in two volumes in progressive order. The third volume is in preparation.The two volumes are intended to complement a piano tutorial method and are particularly suitable for performance at auditions at music schools, for examinations and for competitions. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras.Volume 1 (ED 22547) can already be used by beginners, containing pieces in the five-note range and easy pieces spanning a single octave. Other criteria for selection are simple rhythms and very easy chords. Crossing the thumb underneath, playing several parts together and pedal use are not yet required.Volume 2 (ED 22548) contains pieces with an extended range of two octaves. Crossing the thumb under, pedal use, simple polyphony and three- or four-part chords all feature here, as do simple ornaments, cantabile playing and differentiating between melody and accompaniment. / Piano

Volume 2. Alongside his symphonies, chamber works, songs, and two major piano sonatas, Charles Ives wrote a number of short, groundbreaking works for solo piano. This Volume 2 of The Complete Shorter Works for Piano of Charles Ives isthefirst publication of the complete extant studies for solo piano. CONTENTS: Critical Editions Study No. 2: Andante moderato - Allegro molto Study No. 5: Moderato anima Study No. 6: Andante Study No. 7: Andante cantabile StudyNo.8: Trio (Allegro moderato - Presto) Study No. 9: The Anti-Abolitionist Riots in the 1830's and 1840's Study No. [15]: [Allegro moderato - maestoso] Study No. 20: March (Slow Allegro or Fast Andante) Study No. 21: SomeSouth-PawPitching Study No. 22: Andante maestoso - Allegro vivace Realizations Study No. 1: [Allegro] Study No. [11]: Andante Study No. [16] 19: Andante cantabile Study No. [23]: Allegro Fragments Study No. 4: [Allegro moderato]Study No.[10] Study No. [18]: Sunrise Cadenza

INTRODUCTION The Four Seasons: Sonnet Texts Bibliography Il Cimento dell'armonia e dell'inventione (The Contest of Harmony and Invention) Twelve Concertos for violin, strings, and continuo (Opus 8) THE FOUR SEASONS (OPUS 8, NOS. 1-4) Concerto No. 1 in E Major: La Primavera (Spring) (Op. 8, No. 1 / RV 269) I. Allegro II. Largo III. Allegro Concerto No. 2 in G Minor: L'Estate (Summer) (Op. 8, No. 2 / RV 315) I. Allegro non molto II. Adagio III. Presto Concerto No. 3 in F Major: L'Autunno (Autumn) (Op. 8, No. 3 / RV 293) I. Allegro II. Adagio molto III. Allegro Concerto No. 4 in F Minor: L'Inverno (Winter) (Op. 8, No. 4 / RV 297) I. Allegro non molto II. Largo III. Allegro OTHER VIOLIN CONCERTOS (OPUS 8, NOS. 5-12) Concerto No. 5 in E-flat Major: La Tempesta di Mare (The Storm at Sea) (Op. 8, No. 5 / RV 253) I. Presto II. Largo III. Presto Concerto No. 6 in C Major: Il Piacere (Pleasure) (Op. 8, No. 6 / RV 180) I. Allegro II. Largo e cantabile III. Allegro Concerto No. 7 in D Minor (Op. 8, No. 7 / RV 242) I. Allegro II. Largo III. Allegro Concerto No. 8 in G Minor (Op. 8, No, 8 / RV 332) I. Allegro II. Largo III. Allegro Concerto No. 9 in D Minor (Op. 8, No. 9 / RV 236) I. Allegro II. Largo III. Allegro Concerto No. 10 in B-flat Major: La Caccia (The Hunt) (Op. 8, No. 10 / RV 362) I. Allegro II. Adagio III. Allegro Conceto No. 11 in D Major (Op. 8, No. 11 / RV 210) I. Allegro II. Largo III. Allegro Concerto No. 12 in C Major (Op. 8, No. 12 / RV 178) I. Allegro II. Largo III. Allegro IMPORTANT VARIANTS How to Use the Variants Concerto No. 7 in D Minor (RV 242) Allegro (Movement I) a. Substitute for Bars 50-76 Concerto No. 9 in D Minor (RV (Version for Oboe, Strings and Continuo, RV 454) Allegro (Movement I) a. Substitute for Bars 91-102 Concerto No. 11 in D Major (RV 210) Allegro (Movement I) a. Substitute for Bars 100-112 b. Substitute for Bars 122-132 Allegro (Movement II) c. Substitute for Bars 38-67 d. Substitute for Bars 113-154 e. Substitute for Bars 171-214 f. Substitute for Bars 171-208 CRITICAL NOTES The Sources The Amsterdam Print The Dresden Manuscripts The Manchester Partbooks The Turin Autograph Scores The Dover Edition Text Fonts Used in The Four Seasons