SKU: BA.BA05080-41
ISBN 9790006463893. 24.7 x 17.4 cm inches.
This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
SKU: BR.OB-4521-11
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert.
ISBN 9790004313091. 12 x 9 inches.
The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert.
SKU: BR.PB-4521
ISBN 9790004204191. 9 x 12 inches.
SKU: BR.OB-4521-16
ISBN 9790004313114. 9 x 12 inches.
SKU: BR.OB-4521-15
ISBN 9790004313107. 9 x 12 inches.
SKU: BR.OB-4521-30
ISBN 9790004313145. 9 x 12 inches.
SKU: BR.CHB-4521-02
ISBN 9790004406151. 7.5 x 10.5 inches. German / English.
SKU: BR.OB-4521-19
ISBN 9790004313121. 9 x 12 inches.
SKU: BA.BA05069-01
ISBN 9790006463398. 33.1 x 26 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA05089-41
ISBN 9790006494583. 24.7 x 17.7 cm inches.
SKU: BA.BA05060-41
ISBN 9790006462988. 32.5 x 25.5 cm inches.
SKU: BA.BA05069-41
ISBN 9790006463435. 24.3 x 16.7 cm inches.
SKU: BA.BA05081-41
ISBN 9790006463947. 24.6 x 17.7 cm inches.
SKU: BA.BA05074-41
ISBN 9790006463688. 24.7 x 17.5 cm inches.
SKU: BA.BA05083-41
ISBN 9790006494408. 24.6 x 17.7 cm inches.
SKU: BR.EB-7188
Step by step, Breig reconstructs the entire introductory movement.
ISBN 9790004173428. 7.5 x 10.5 inches.
BWV 188 reconstructed in its entirety for the first time The project of publishing Bach's cantatas in a material that can be purchased completely continues to grow with a new edition of a work that made particular demands on the editor. For Breitkopf, the renowned Bach scholar Werner Breig had already brought out new editions of the well-known B-minor Suite (PB/OB 5397, EB 8737) and of the A-minor Suite on which it was based, but now reconstructed for violin, strings and basso continuo (PB/OB 5398). His interest was particularly sparked by the sinfonia, which has been transmitted in an extremely rudimentary fashion. Step by step, Breig reconstructs the entire introductory movement from the final virtuoso organ passage and the da capo indication with corresponding musical incipit. His model for the reconstruction, which was carried out with enormous stylistic authenticity, is an early D-minor violin concerto which is no longer extant in this form, but which Bach later reworked into the Harpsichord Concerto BWV 1052. Performers will enjoy a Bach cantata that is now restored in its entirety for the first time.Step by step, Breig reconstructs the entire introductory movement.
SKU: CA.3103513
ISBN 9790007205652. Language: German/English.
The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and part available separately - see item CA.3103500.
