SKU: CU.EC9541B
SKU: OU.9780193683167
ISBN 9780193683167. 13 x 10 inches.
This volume contains newly edited versions of four important later orchestral works by Walton: Capriccio Burlesco, Improvisations on an Impromptu of Benjamin Britten, Prologo e Fantasia, and Varii Capricci. The first three works were written for American orchestras; the last for the opening of the Royal Festival Hall in 1976.VoicingCappricio Burlesco - picc, 2 fl, 2 ob, ca, Ebcl, 2 cl, bcl, 2 bn, cbn, 4 hn, 3 tpt, 2 tbn, btbn, tba, timp, 3 perc (SD, TD, BD, cast, w blk, cym, whip, xylo, tamb, bongo), hp, str Improvisations on an Impromptu of Benjamin Britten - 3 fl (III+picc), 3 ob (III+ca), 3 cl (III+bcl), 3 bn (III+cbn), 4 hn, 3 tpt, 3 tbn, tba, timp, 3 perc (glock, xylo, clash cym, sus cym, BD, tamb, 3 bongos, SD, MD), hp, str Prologo e Fantasia - 3 fl, 3 ob (III+ca), 3 cl, 3 bn (IIII+cbn), 4 hn, 3 tpt, 3tbn, tba, timp, 4 perc (SD, cym, BD, xylo, clash cym), hp, pn, str Varii Capricci - 3 fl (III+picc), 2 ob, ca, 3 cl, 3 bn, 4 hn, 3 tpt, 3 tbn, tba, timp, 3 perc, cel, hp, str.
About William Walton Edition
In March 2014 Oxford University Press published the last volume in its magnificent William Walton Edition, the only complete critical edition of a 20th-century British composer's oeuvre. All 24 volumes are handsomely printed and bound. Walton's entire output is now available to scholars and performers in a definitive and fully practical edition, based on the form in which the composer ultimately wished his music to be performed. The general editor, David Lloyd-Jones - the eminent conductor, English music specialist, and founder of Opera North - invited a world-class expert to edit each volume. Carefully researched introductory essays place the works in their historical context and in the composer's oeuvre, and there are full critical notes.
SKU: BT.MUSM570207367
English.
Jeremy Dale Roberts' Capriccio for Violin and Piano. First performed by Frances Mason and Roger Smalley, first broadcast by Yfrah Neaman and Howard Ferguson. Published in 1965. Revised in October 2016.
SKU: HL.14013121
UPC: 884088455910. 8.25x11.75x0.071 inches.
Capricho Espanol Opus. 39 para piano.
SKU: UT.CH-216
ISBN 9790215323131. 9 x 12 inches.
Pippo Molino: Frammento G (Echi da Cenerentola)Marco Reghezza: Divertimento â??Ai capricci della sorteâ??; Fuga â??Languir per una bellaâ??Alessandro Spazzoli: Sogno: il Barbiere (Omaggio a Rossini)Roberto Tagliamacco: Soirée RossiniennePaolo Ugoletti: Fantasia su un tema di Rossini
SKU: FZ.700
ISBN 9790230607001. 24.00 x 33.00 cm inches.
This facsimile of an original by Friedrich Wilhelm Marpurg is part of our Dominantes collection. Classical music scores - Sheet music - Marpurg - Fughe e capricci pel' clavicembalo o per l'organo Opera primera - Harpsichord organ. Edition : Berlin, (undated = 1777). These fugues and caprices are designed for the keyboard: organ, harpsichord, clavichord. Introduction by Philippe Lescat: I. Edition - II. Hints for performance. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France(Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Central Library of Zurich (Suisse). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FG.55011-467-8
ISBN 9790550114678.
Quattro capricci composed in 2002-04 and revised in 2006 is in four movements which are, as the title of the work suggest, capricious and imaginative in character.
SKU: HL.48024716
UPC: 888680955595.
Quattro capricci was composed in 2002-04 and revised in 2006 and is in four movements. As the title of the work suggests, the pieces are capricious and imaginative in character.
SKU: ST.H480
ISBN 9790220223846.
Timed to exploit the centenary of his best pupil, Benjamin Britten, Frank Bridge's reissued Capriccios for Piano Nos.1 and 2 of 1905 come up fresh as paint: Stainer & Bell's front cover alone - reproducing Panini's elaborate 1758 painting Capriccio of Rome - is worth long study. No 1 sounds like Moszkowski; No 2 (a better piece) is more typical, recalling Bridge's own Rosemary and The Sea, and contains some chords silently depressed and exposed by re-pedalling. ***** Showy and effective, and most recommendable.
SKU: HL.49016761
ISBN 9790001145459. UPC: 841886006850. 12.0x8.75x0.161 inches.
SKU: BA.BA10936
ISBN 9790006567287. 31 x 24.3 cm inches. Preface: Walden, Valerie.
Robert Lindley (1776–1855) was the premier cellist in England for more than 50 years. In 1822 he became the first professor of cello at the Royal Academy of Music in London, where he remained until his retirement in 1851. Lindley, an esteemed and much sought-after teacher, wrote not only the present “Capriccios†but also a cello method, several concertos, and chamber music in which the cello is prominently featured.The “Capriccios and Exercises†contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position and many passages of double stops, all within a melodious framework. Barenreiter’s scholarly performing edition is edited by Valerie Walden, offering cellists and teachers outstanding new material for use in lessons.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.14037155
8.25x11.75x0.16 inches.
SKU: HL.49007521
ISBN 9783795702120. German.
Vorwort - Anfange der europaischen Musik. Erste Niederschriften zu einer Musikgeschichte Europas - Agogik als Mittel musiksprachlicher Darstellung. Uber ein Kapitel aus Carl Czernys Vortragslehre - Abstraktion und Archaik: Die Kategorie des Spatwerks - Uber das deutsche Musiktheater im 20. Jahrhundert unter besonderer Berucksichtigung von B.A. Zimmermanns Oper Die Soldaten - Mischgemuss 1630. Spurensuche bei Friedrich Spee - Zum Gesprach zwischen Musikwissenschaft und Musikpadagogik - Gedanken beim Komponieren. Passacaglien, Inventionen, Capriccios - Warum hat Heinrich Bessler das 20. Jahrhundert nicht erwahnt? Horer, Musiker und Musikpadagogik zwischen Museum, Experiment und Tapete - Musikleben. Zur Geschichte und Definitionsproblematik eines Begriffs - Aushalten oder raushalten? Wie Staat und Kunst miteinander umgehen konnen - Erfahrungen mit Johann Sebastian Bach - Richard Jacoby: Lebenslauf und Werdegang, Veroffentlichungen.
SKU: BR.EB-11238
In Cooperation with G. Henle Verlag
ISBN 9790201812380. 9.5 x 12 inches.
Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.