SKU: BA.BA10936
ISBN 9790006567287. 31 x 24.3 cm inches. Preface: Walden, Valerie.
Robert Lindley (1776–1855) was the premier cellist in England for more than 50 years. In 1822 he became the first professor of cello at the Royal Academy of Music in London, where he remained until his retirement in 1851. Lindley, an esteemed and much sought-after teacher, wrote not only the present “Capriccios†but also a cello method, several concertos, and chamber music in which the cello is prominently featured.The “Capriccios and Exercises†contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position and many passages of double stops, all within a melodious framework. Barenreiter’s scholarly performing edition is edited by Valerie Walden, offering cellists and teachers outstanding new material for use in lessons.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: ST.H480
ISBN 9790220223846.
Timed to exploit the centenary of his best pupil, Benjamin Britten, Frank Bridge's reissued Capriccios for Piano Nos.1 and 2 of 1905 come up fresh as paint: Stainer & Bell's front cover alone - reproducing Panini's elaborate 1758 painting Capriccio of Rome - is worth long study. No 1 sounds like Moszkowski; No 2 (a better piece) is more typical, recalling Bridge's own Rosemary and The Sea, and contains some chords silently depressed and exposed by re-pedalling. ***** Showy and effective, and most recommendable.
SKU: HL.14037155
8.25x11.75x0.16 inches.
SKU: HL.49007521
ISBN 9783795702120. German.
Vorwort - Anfange der europaischen Musik. Erste Niederschriften zu einer Musikgeschichte Europas - Agogik als Mittel musiksprachlicher Darstellung. Uber ein Kapitel aus Carl Czernys Vortragslehre - Abstraktion und Archaik: Die Kategorie des Spatwerks - Uber das deutsche Musiktheater im 20. Jahrhundert unter besonderer Berucksichtigung von B.A. Zimmermanns Oper Die Soldaten - Mischgemuss 1630. Spurensuche bei Friedrich Spee - Zum Gesprach zwischen Musikwissenschaft und Musikpadagogik - Gedanken beim Komponieren. Passacaglien, Inventionen, Capriccios - Warum hat Heinrich Bessler das 20. Jahrhundert nicht erwahnt? Horer, Musiker und Musikpadagogik zwischen Museum, Experiment und Tapete - Musikleben. Zur Geschichte und Definitionsproblematik eines Begriffs - Aushalten oder raushalten? Wie Staat und Kunst miteinander umgehen konnen - Erfahrungen mit Johann Sebastian Bach - Richard Jacoby: Lebenslauf und Werdegang, Veroffentlichungen.
SKU: HL.50514025
SKU: BT.EMBZ8005
SKU: SS.50005590
Copyright 2003.
SKU: HL.50485829
ISBN 9780634093463. UPC: 073999858297. 8.25x11.5x0.289 inches.
SKU: HL.49016761
ISBN 9790001145459. UPC: 841886006850. 12.0x8.75x0.161 inches.
SKU: BO.B.3673
It is a work for violin and piano inspired directly by Paganini's Capriccio No. 13, known as La risata del diavolo and one of the most renowned capriccios from the series of twenty-four composed by the celebrated Genovese violinist and composer. In my version for violin and piano, I have singled out the two essential features of the work: the third notes on a double string that emulate the devil's laughter, and the quick eighth notes that follow, all of it within a light and humorous chromaticism.Il diavolo begins with a slow and fragmented but suggestive violin cadenza. It then follows the Allegro deciso, built on the two features mentioned above. In the central part, yet another violin cadenza of a similar character but which recalls the devil's laughter more evidently. The Allegro deciso goes on up to a carefree and virtuosic finale.The work is dedicated to violinist Jesus Reina.
SKU: VD.ED13804
ISBN 9790202028049. 12 x 9 inches.
SKU: HL.14037156
8.25x11.75x0.179 inches.
SKU: RM.HEGE03648-CO
SKU: BR.EB-8773
With the Geigenkasten through the intermediate levelMichael Dartsch has filled his third violin case with 50 works from five centuries for advanced students.
ISBN 9790004182918. 9 x 12 inches. German.
The palette ranges from Corelli to Cage and Stockhausen, from pieces with continuo accompaniment to violin parts from choral works, and from solo capriccios to single movements for violin and piano. Arrangements are also included. The expansion of the performance technique in the realm of virtuosity is in the forefront and, consequently, one or several technical themes are treated in every piece. Intermediate level playing never gets boring with these pieces! Dartsch has arranged many continuo parts for a second violin or viola, and there is also a piano part for all pieces with piano accompaniment. Jazz pieces are also among them! As a special challenge for inquisitive students, there are special research projects in which they must solve various tasks from the fields of music history and theory.With his Violin Case (Der Geigenkasten), Michael Dartsch offers an ideal supplement to every violin method and teaching situation.
SKU: PR.UE031264
UPC: 680160529384.
