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VIOLONCELLO - CELLO
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Cello Sonata C Maj Op. 43 #2
21.34 EUR
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Cello Sonata C Maj Op. 43 #2
21.34 EUR
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Romberg Bernhard-Heinrich
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Cello Music Part 1: Baroque and Classical (Version 2.0)
Cello, Piano
[CD Sheet Music]
Subito Music
For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Pu...
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For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.
(8)
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Sonata Op 28 Vlc Solo Urtext
Cello
G. Henle
Cello SKU: HU.HN780 Composed by Eugene Ysaye. Edited by Christian Bellisario. C...
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Cello SKU: HU.HN780 Composed by Eugene Ysaye. Edited by Christian Bellisario. Cello Solo, Strings, Repertoire, Solos. Sonata for Violoncello solo Op. 28. 20th Century, Classical. Softcover Book. 14 pages. G. Henle #HN780. Published by G. Henle (HU.HN780). 12.2 x 9.3 inches.
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Cello Sonata D Major Op. 102, No. 2
Cello, Piano
G. Henle
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...
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Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 50 pages. G. Henle #HN1475. Published by G. Henle
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Cello Sonata C Major Op. 102 No. 1
Cello, Piano
G. Henle
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...
(+)
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 43 pages. G. Henle #HN1474. Published by G. Henle
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Three 18th Century Sonatas
Cello
Faber Music Limited
Three 18th Century Sonatas by Breval, Chinzer and Porta. For Cello. Book; Solo; ...
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Three 18th Century Sonatas by Breval, Chinzer and Porta. For Cello. Book; Solo; String - Cello Studies or Collection. Faber Edition. Masterwork. Published by Faber Music
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Sonata no. 3 for Cello and Piano
Cello, Piano
Praha
By Martino Bohuslav. Czech title: Sonata . 3 pro violoncello a klavir (rev. Vyd....
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By Martino Bohuslav. Czech title: Sonata . 3 pro violoncello a klavir (rev. Vyd., ed. A. BYezina). Published by Praha.
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Ludwig van Beethoven: Complete Sonatas And Variations For Cello And Piano
Cello, Piano
[Study Score / Miniature]
Dover Publications
Composed by Ludwig van Beethoven (1770-1827). For cello and piano. Format: piano...
(+)
Composed by Ludwig van Beethoven (1770-1827). For cello and piano. Format: piano/cello book (two editions needed for performance). With full score notation. Classical Period and Romantic Period. 162 pages. 938x1214 inches. Published by Dover Publications.
(1)
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Cello Sonata F Major Op. 5 No. 1
Cello, Piano
G. Henle
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...
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Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 62 pages. G. Henle #HN1471. Published by G. Henle
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Cello Sonata in A Major, Op. 69
Cello, Piano
G. Henle
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...
(+)
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 73 pages. G. Henle #HN1473. Published by G. Henle
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Johannes Brahms : Sonata in F Major Op. 99 for Piano and Violoncello
Cello, Piano
G. Henle
(with marked and unmarked string parts). By Johannes Brahms (1833-1897). Edited ...
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(with marked and unmarked string parts). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Cello, Piano. Henle Music Folios. Softcover. 62 pages. G. Henle #HN1135. Published by G. Henle
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Cello Sonata No. 1 in D minor, Op. 109
Cello, Piano
G. Henle
Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Fabian Kolb....
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Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Fabian Kolb. Henle Music Folios. Classical. Softcover. G. Henle #HN1357. Published by G. Henle
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Violoncello Sonata in E minor, Op. 38
Cello, Piano
G. Henle
(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kann...
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(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kanngiesser, Egon Voss, Johannes Behr, and Klaus Schilde. For Cello, Piano Accompaniment. Henle Music Folios. G. Henle #HN1134. Published by G. Henle
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Sonata for Violoncello and Piano E minor op. 38
Cello, Piano
Barenreiter
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...
(+)
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa / Kate Bennett Wadsworth. For cello and piano. This edition: Urtext edition. Stapled. With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennett Wadsworth; Fingering in the piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa and K. B. Wadsworth. Level 3. Score and part. Text Language: German/English. Opus 38. Published by Baerenreiter Verlag
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BEETHOVEN 'Cello Sonata in A major, op. 69; TELEMANN 'Cello Duet in B-flat
Cello
[Sheet music + CD]
Music Minus One
For Cello. Classical (chamber). Includes complete printed music score on high-qu...
(+)
For Cello. Classical (chamber). Includes complete printed music score on high-quality ivory paper, including both primo and secondo parts for the Telemann Duet; and a compact disc containing a complete performance with soloist, then performed again minus the soloist. An additional version minus first 'cello is provided so you can play either primo or secondo part in the Telemann Duet. Published by Music Minus One.
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Sonata No. 1 in E Minor, Op. 38 (Cello / Piano)
Cello, Piano
[Part]
-
Intermediate
Schirmer
Cello and Piano. By Johannes Brahms. (Cello). String Solo. Size 9x12 inches. 40 ...
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Cello and Piano. By Johannes Brahms. (Cello). String Solo. Size 9x12 inches. 40 pages. Published by Schirmer.
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Camille Saint-Saens - Sonata No. 1 in C minor, Op. 32
Cello, Piano
G. Henle
(Violoncello and Piano With Marked and Unmarked String Parts). By Camille Saint-...
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(Violoncello and Piano With Marked and Unmarked String Parts). By Camille Saint-Saëns. Edited by Peter Jost. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 70 pages. G. Henle #HN1057. Published by G. Henle
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Chamber Music for Violoncellos Volume 16
String Trio: 3 cellos
EMB (Editio Musica Budapest)
(for 3 Cellos - Score and Parts). Composed by Various. Edited by Ã?ÂrpÃ?Â...
(+)
(for 3 Cellos - Score and Parts). Composed by Various. Edited by Ã?ÂrpÃ?¡d Pejtsik. For Cello Trio (Score and Parts). EMB. Softcover. Editio Musica Budapest #Z14930. Published by Editio Musica Budapest
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Beethoven: Sonatas For Piano And Violoncello, Revised Edition
Cello, Piano
G. Henle
(Revised Edition With Marked and Unmarked String Parts). By Ludwig van Beethoven...
(+)
(Revised Edition With Marked and Unmarked String Parts). By Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For cello and piano. Henle Music Folios. Solo part and accompaniment. 266 pages
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Ludwig van Beethoven: Sonate E Variazioni: Cello: Score
Cello, Piano
Dover Publications
Beethoven's five sonatas for cello and piano are basic works of the cello repert...
(+)
Beethoven's five sonatas for cello and piano are basic works of the cello repertoire and his three sets of variations on themes by Mozart and Handel are perennial favorites of chamber-music programs as well. This volume contains all eight works in score format carefully reproduced from the authoritative complete-works edition published by Breitkopf
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Camille Saint-Saëns: Sonata No.1 In C Minor Op.32: Cello: Instrumental Work
Cello, Piano
G. Henle
Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saën...
(+)
Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872 immediately after finishing his first Cello Concerto.The sonata is strongly reminiscent of Beethoven not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding in parts highly virtuosicsonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire.?Henle's Urtext edition takes all surviving sources into account for the first time ever. PascalRogé and David Geringas kindly provided the markings for the Piano and Cello parts.
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Beethoven L.van - Complete Sonatas And Variations - Cello, Piano
Cello
Dover Publications
All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart ...
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All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart and Handel. Basic works of the cello repertoire carefully reproduced from the authoritative complete-works edition published by Breitkopf & Härtel. Inexpensive source for studying 8 major works of the chamber music repertoire. Cello Sonata No. 1 in F Major, Op. 5, No. 1 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto-Allegro II: Allegro vivace Cello Sonata No. 2 in G Minor, Op. 5, No. 2 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto ed espressivo-Allegro molto più tosto presto II: Rondo Cello Sonata No. 3 in A Major, Op. 69 (dedicated to Baron Ignaz von Gleichenstein) I: Allegro, ma non tanto II: Scherzo III: Adagio cantabile-Allegro vivace Cello Sonata No. 4 in C Major, Op. 102, No. 1 (dedicated to Countess Marie von Erdödy) I: Andante-Allegro vivace II: Adagio-Tempo d'Andante-Allegro vivace Cello Sonata No. 5 in D Major, Op. 102, No. 2 (dedicated to Countess Marie von Erdödy) I: Allegro con brio II: Adagio con molto sentimento d'affetto-Allegro-Allegro fugato Twelve Variations on See, the Conqu'ring Hero Comes, from Handel's Judas Maccabaeus, WoO 45 (dedicated to Princess Christiane von Lichnowsky) Twelve Variations on Ein Mädchen oder Weibchen, from Mozart's Die Zauberflöte, Op. 66 Seven Variations on Bei Männern, welche Liebe fühlen, from Mozart's Die Zauberflöte, WoO 46 (dedicated to Count Johann Georg von Browne)
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Camille Saint-Saëns: Allegro appassionato op. 43: Cello: Score
Cello, Piano
G. Henle
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Al...
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für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.
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Camille Saint-Saëns: Sonata no. 2 in F major op. 123: Cello: Score and Parts
Cello, Piano
G. Henle
for Violoncello and Piano-Camille Saint-Saëns' Sonata For Violoncello And Piano...
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for Violoncello and Piano-Camille Saint-Saëns' Sonata For Violoncello And Piano No. 2 In F Op. 123. Henle urtext edition with marked and unmarked string part. After Camille Saint-Saëns' firstCello sonata of 1872 (HN1057) gained fast popularity the publisher requested a second sonata for this scoring. It was only in March 1905 in the mild climate of Algeria that Saint-Saëns finally relented andcomposed a large sonata with four movements. Saint-Saëns personally believed his Sonata For Violoncello And Piano No. 2 In F Op. 123 to be superior to his first and even thought itsthird movement the “Romanza” was an equivalent to the famous “Swan” in the “Carnival of the Animals” (HN943). Despite this the work is still overshadowed by the first sonata not leastbecause the second places greater technical and artistic demands on cellists. This Henle Urtext edition is the first ever text-critical edition of the work and offers cellists a chance to rediscover this composition.
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Eugène Ysaÿe: Sonate Opus 28: Cello: Instrumental Work
Cello
[Sheet music]
G. Henle
Ysaÿe’s Cello Sonata unlike its companion piece for Violin solo has ...
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Ysaÿe’s Cello Sonata unlike its companion piece for Violin solo has remained relatively unknown. All the same it merits special attention as it was written at the same time as the Violin Sonatas andhas the same superior qualities of musicianship. Our edition draws on a previously disregarded autograph manuscript from a private collection that provides interesting insights not found in the original print. To accompany thepublication of Ysaÿe’s violin sonatas which Henle has also issued in 2004 we are now offering the Cello Sonata in an urtext edition prepared by Christian Bellisario with detailed editorial comments. Abrilliant addition to the repertoire for unaccompanied String instruments.
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Ludwig van Beethoven Georg Philipp Telemann: Beethoven - Cello Sonata in A Op.
Cello
[Sheet music + CD]
Music Minus One
Duet for Two Cellos in Bb-Beethoven's sonata for violoncello is a staple of the ...
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Duet for Two Cellos in Bb-Beethoven's sonata for violoncello is a staple of the chamber repertoire Telemann's duet sonata is a feast of 18th-century music at its finest: Includes accompaniments for both primo and secondo parts. Includes complete printed music score on high-quality ivory paper including both primo and secondo parts for the Telemann Duet and a compact disc containing a complete performance with soloist then performed again minus the soloist. An additional version minus first 'cello is provided so you can play either primo or secondo part in the Telemann Duet. Performed by Steven Thomas violoncello Accompaniment: Steve Isaacson piano
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Schott Cello Library
Cello, Piano
Schott
13 pieces of easy to intermediate standard ideal for lessons and concerts. As we...
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13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano
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Johann Sebastian Bach: Complete Suites: Cello: Instrumental Album
Cello
Dover Publications
For Viola Da Gamba-This superbly produced volume brings together nine of Bach's ...
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For Viola Da Gamba-This superbly produced volume brings together nine of Bach's most performed compositions: six Cello Suites and three Sonatas for Viola da Gamba and Harpsichord. Reprinted from the definitive Bach-Gesellschaft edition.
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Gabriel Fauré: Sonata no. 1 in d minor op. 109: Cello: Score and Part
Cello, Piano
G. Henle
Immediately after finishing his second Violin Sonata op. 108 Fauré started wor...
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Immediately after finishing his second Violin Sonata op. 108 Fauré started work on a sonata for Cello and Piano in early 1917 thus realising a long-conceived plan. In their predisposition and attitude both works are very closely related. In the Cello sonata a sombre dramatic opening movement is also followed by a calm relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued but on account of increasing interest in Fauré?s complete late chamber music this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first criticaledition of this work. David Geringas a master of his craft supplied the markings in the Cello part.
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Johannes Brahms: Sonata In E Minor Op. 38 For Cello & Piano: Cello: Instrumental
Cello, Piano
G. Henle
The E minor Cello Sonata is the first work for one solo instrument and Piano whi...
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The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose twoinstruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135) this early sonata is technically less demanding yet musically more striking at the same time sothat it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts besides in-depth comments a musical text revised according to the latest scholarlyfindings; as always the Cello part is enhanced with additional markings.
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André Previn: Cello Sonata: Cello: Instrumental Work
Cello
Chester
André Previn is a German-American pianist conductor and composer. He is consi...
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André Previn is a German-American pianist conductor and composer. He is considered one of the most versatile musicians in the world today and is the winner of four Academy Awards for his film work and ten GrammyAwards for his recordings (and one more for his Lifetime Achievement).Previn wrote Cello Sonata (also known as ?Sonata For Cello And Piano?) for Yo-Yo Ma and it was first performed by thecelebrated cellist and the composer in 1993. The sonata in three movements (I. Vivace - Andante espressivo Allegro; II. Adagio; III. Allegretto Fast) was recorded as part of the album ?From OrdinaryThings?. For advanced (Grade 8+) level players. Total performance time is ca. 30 minutes.
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Sonata in F major for Violoncello and Piano op. 99: Cello: Instrumental Work
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. Th...
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Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the Cello part and the composer himself was his partner at the Piano. Even though the work was generally received positively it took some years until it was fully appreciated and gained its irrevocable place in the Cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata Op.99 by Hugo Becker and Carl Friedberg as well as by Julius Klengel. Both cellists Becker and Klengel had aconnection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such the Barenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation String Instrument fingering String Instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With
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Gabriel Fauré: Sonate Nr. 2 g-moll Opus 117: Cello: Instrumental Work
Cello
G. Henle
Sonata no. 2 in g minor op. 117 for Violoncello and Piano-In contrast to the fir...
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Sonata no. 2 in g minor op. 117 for Violoncello and Piano-In contrast to the first cello sonata (HN 1357) composed four years earlier this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d???Indy wrote to Faur? the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.??? It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings.
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Francis Poulenc: Sonata For Cello And Piano: Cello: Instrumental Work
Français
Cello, Piano
Leduc, Alphonse
Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poul...
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Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier the French cellist. Its four movements mainly ternary are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces Operas ('Dialogues des Carmélites') ballets ('Les Biches') as well as some orchestralworks.
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Sonata in E minor for Violoncello and Piano op. 38: Cello: Instrumental Work
Cello, Piano
Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...
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The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
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Richard Strauss: Sonate F-dur Opus 6 für Violoncello und Klavier: Cello and
Cello, Piano
G. Henle
Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet ...
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Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss? early ?uvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, ?My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.?
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Granville Bantock: Solo Cello Sonata In G Minor: Cello: Instrumental Work
Cello
[Sheet music]
Chester
Sonata in G Minor for Solo Cello was written in 1924 and scored in four movemen...
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Sonata in G Minor for Solo Cello was written in 1924 and scored in four movements: Quasi a Piacere Cantabile Sostenuto Recitativo Liberamente Allegro Con Moto Perpetuo. Apparently inspired bythe seminal Kodaly Sonata for the same instrument it is a challenging piece suitable for any aspiring virtuoso performer. Sir Granville Bantock (1868-1946) was a British composer conductor and educator. Hechannelled his energetic and creative personality into many musical projects championing the works of Jean Sibelius founding the City of Birmingham Symphony Orchestra and composing many splendid classical pieces. Viewed by hiscontemporaries as out-of-date his music is now being appreciated as one of the last great contributions from the English Romantic movement.
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