SKU: KJ.O1060C
SKU: KJ.GB898
This music was composed in celebration of the hundred-year evolution of the relationship between an American University and its band. The imagery includes a University Chapel, a quiet lecture hall, and a Baccalaureate Procession, alternating with various activities of the band itself. A Centennial Overture was premiered by the University Symphonic Band of the University of Kansas, Robert E, Foster conducting, April 9, 1992, at the Music Educators National Conference annual Convention, New Orleans, Louisiana.
SKU: HL.44000957
UPC: 073999209822.
SKU: PR.416415760
UPC: 680160636532. 9 x 12 inches.
The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.
SKU: PR.41641576L
UPC: 680160636549. 11 x 17 inches.
SKU: KJ.WB129F
Written to commemorate the centennial celebration of the State of Montana, this piece captures the rugged beauty of the Montana landscape. Every section of the band will be challenged and captivated by this energetic overture!
SKU: CL.CTS-7706-00
A terrific short overture written during the nation’s bicentennial and dedicated to Smith’s wife Maureen. Declaration Overture has a five-note motive in an opening slow section, followed by a driving Allegro where the original five-note motive is put through a series of variations. A composition where each musician will be challenged, easily rehearsed, and provide a satisfying musical experience. Declaration Overture is also available for Flex Ensemble.
SKU: CL.CTS-7706-01
SKU: AP.38419S
UPC: 038081439617. English.
Very true to the original yet arranged for string orchestra, this is sure to become a classic. Celebrate the bicentennial of the victory of the Russian army over Napoleon's army with the most recognized themes of the 1812 Overture: the opening hymn, God Preserve Thy People, the Marseillaise, and God Save the Czar.
SKU: SU.00220292
The complete Double Bass parts [CD-ROM] for the 6 orchestral works and 4 operas included in The Orchestra Musician's CD-ROM Library™, Volume 11: Wagner, Part 1 (Orchestral Works & Early Operas). If these parts were purchased separately, this collection could cost $500.00 or more. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: Orchestral Works & Early Operas Symphony in C Major A Faust Overture Rienzi Overture Wesendonck Songs [1. Der Engel (Mottl); 2. Stehe still (Mottl); 3. Im Treibhaus (Mottl); 4. Schmerzen (Mottl); 5. Träume (Wagner)] Siegfried Idyll American Centennial March (Grosser Festmarsch) Der Fliegende Holländer (The Flying Dutchman) Tannhaüser Lohengrin Tristan und Isolde Visit for more information
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: SU.00220281
The complete Flute and Piccolo parts [CD-ROM] for the 6 orchestral works and 4 operas included in The Orchestra Musician's CD-ROM Library™, Volume 11: Wagner, Part 1 (Orchestral Works & Early Operas). If these parts were purchased separately, this collection could cost $500.00 or more. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: Orchestral Works & Early Operas Symphony in C Major A Faust Overture Rienzi Overture Wesendonck Songs [1. Der Engel (Mottl); 2. Stehe still (Mottl); 3. Im Treibhaus (Mottl); 4. Schmerzen (Mottl); 5. Träume (Wagner)] Siegfried Idyll American Centennial March (Grosser Festmarsch) Der Fliegende Holländer (The Flying Dutchman) Tannhaüser Lohengrin Tristan und Isolde Visit for more information
SKU: SU.00220289
The complete Violin I & II parts [CD-ROM] for the 6 orchestral works and 4 operas included in The Orchestra Musician's CD-ROM Library™, Volume 11: Wagner, Part 1 (Orchestral Works & Early Operas). If these parts were purchased separately, this collection could cost $500.00 or more. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: Orchestral Works & Early Operas Symphony in C Major A Faust Overture Rienzi Overture Wesendonck Songs [1. Der Engel (Mottl); 2. Stehe still (Mottl); 3. Im Treibhaus (Mottl); 4. Schmerzen (Mottl); 5. Träume (Wagner)] Siegfried Idyll American Centennial March (Grosser Festmarsch) Der Fliegende Holländer (The Flying Dutchman) Tannhaüser Lohengrin Tristan und Isolde Visit for more information
SKU: SU.00220293
The complete Harp, Keyboard (Piano, Organ, etc.) and auxiliary parts [CD-ROM] for the 6 orchestral works and 4 operas included in The Orchestra Musician's CD-ROM Library™, Volume 11: Wagner, Part 1 (Orchestral Works & Early Operas). If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: Orchestral Works & Early Operas Symphony in C Major A Faust Overture Rienzi Overture Wesendonck Songs [1. Der Engel (Mottl); 2. Stehe still (Mottl); 3. Im Treibhaus (Mottl); 4. Schmerzen (Mottl); 5. Träume (Wagner)] Siegfried Idyll American Centennial March (Grosser Festmarsch) Der Fliegende Holländer (The Flying Dutchman) Tannhaüser Lohengrin Tristan und Isolde Visit for more information
SKU: SU.00220282
The complete Oboe and English Horn parts [CD-ROM] for the 6 orchestral works and 4 operas included in The Orchestra Musician's CD-ROM Library™, Volume 11: Wagner, Part 1 (Orchestral Works & Early Operas). If these parts were purchased separately, this collection could cost $500.00 or more. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: Orchestral Works & Early Operas Symphony in C Major A Faust Overture Rienzi Overture Wesendonck Songs [1. Der Engel (Mottl); 2. Stehe still (Mottl); 3. Im Treibhaus (Mottl); 4. Schmerzen (Mottl); 5. Träume (Wagner)] Siegfried Idyll American Centennial March (Grosser Festmarsch) Der Fliegende Holländer (The Flying Dutchman) Tannhaüser Lohengrin Tristan und Isolde Visit for more information
SKU: SU.00220283
The complete Clarinet (including Eb and Bass Clarinet) parts [CD-ROM] for the 6 orchestral works and 4 operas included in The Orchestra Musician's CD-ROM Library™, Volume 11: Wagner, Part 1 (Orchestral Works & Early Operas). If these parts were purchased separately, this collection could cost $500.00 or more. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: Orchestral Works & Early Operas Symphony in C Major A Faust Overture Rienzi Overture Wesendonck Songs [1. Der Engel (Mottl); 2. Stehe still (Mottl); 3. Im Treibhaus (Mottl); 4. Schmerzen (Mottl); 5. Träume (Wagner)] Siegfried Idyll American Centennial March (Grosser Festmarsch) Der Fliegende Holländer (The Flying Dutchman) Tannhaüser Lohengrin Tristan und Isolde Visit for more information
SKU: HL.1190006
ISBN 9781705192504. UPC: 196288131731.
Forever Free composed at the request of the Wheeling Symphony Orchestra, André Raphel, Music Director, to celebrate the sesquicentennial of the State of West Virginia. Maestro Raphel suggested a work incorporating indigenous elements of the State's musical heritage, capturing in musical sound the robust spirit of West Virginia citizens and the celebratory atmosphere surrounding the year-long commemoration of the State's 150th anniversary, June 20, 2013. Forever Free is cast in one movement in three sections, with the title inspired by the state motto, “Montani semper liberi,†usually translated as “Mountaineers forever free.†Versions for both orchestra and wind band are available.
SKU: HL.4003982
UPC: 888680028220. 9x12 inches.
Commissioned to celebrate the sesquicentennial of the state of West Virginia, Forever Free incorporates indigenous elements of the state's musical heritage, capturing a robust and celebratory spirit. Cast in a single movement in three sections, the title is inspired by the state motto, “Montani semper liberi” (“Mountaineeers forever free”). The work is unified at the outset and closing by a ceremonial fanfare that is based on thematic figures from the state song West Virginia Hills. A contrasting middle section features a lyric variant accompanied by a militaristic snare drum and timpani cadence, before all thematic elements are combined for the buoyant and festive conclusion. Duration: 4:25.