Chamber Symphony For Viola And Orchestra. (Sonata For Cello And Piano, 1978, Transcribed By Yuri Tkanov)

SKU: CF.SC63

ISBN 9780825868238. UPC: 798408068233. 9 X 12 inches.

A notable work from renowned Ukrainian composer Stankovych, whose Chamber Symphony No. 3 was lauded in 1985 by the judges of the UNESCO International Rostrum of Composers. Full score edition with instrumentation for: seven violins, two violas, two violoncellos, and one contrabass. Performance material available from the Rental Library.

SKU: PR.446410330

UPC: 680160095537.

SKU: IS.GOR14015AEM

ISBN 9790365001545.

Johann Friedrich Fasch (1688 - 1758) was a prolific composer who composed a variety of cantatas, concertos, symphonies and other chamber music. Although none of the music was published during his lifetime, much of his instrumental music was later published and is still frequently performed today. The only known composition of his for lute is this Concerto in D Minor in three movements: Allegro moderato, Andante, and Un poco allegro. This edition includes the full orchestral score, orchestral parts, as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score, Guitar (or Lute) - separate parts included for each instrument, Violin I, Violin II, Viola, Cembalo/Cello/Contrabass.

SKU: CA.2729303

ISBN 9790007171797. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.