Format : PartLangue : Français
/ Partie Séparée / niveau : Or:4 / Partition
SKU: CF.CM9700
ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂÂÂ.
SKU: BT.DHP-1145564-010
English-German-French-Dutch.
The Gospel Mass -a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including the characteristic clapping and swingrhythms), but also freer gospel styles that have developed over the course of time. As far as we know, The Gospel Mass is the only true gospel mass. Choral parts available separately.The Gospel Mass een mis voor gemengd koor, combo en blaasorkest is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. De ordinariumdelen zoals we die kennen van een mis,zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen de klassieke Amerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijdhebben ontwikkeld. Voor zover bekend is The Gospel Mass de enige echte gospelmis.Koorpartijen apart verkrijgbaar.The Gospel Mass (Die Gospel-Messeâ??) eine Messe für gemischten Chor, Combo und Concert Band basiert auf der Gospelmusik, die sich seit ihren Anfängen in Amerika über die ganze Welt verbreitet hat.Die Sätze der Messe, die wir normalerweise kennen, wurden hier in verschiedenen Popmusik-Richtungen komponiert, die ihre Wurzeln in der Gospelmusik haben.So hören wir nicht nur den klassischen amerikanischen Gospelstil (mit seinem typischen Händeklatschen und den Swing-Rhythmen), sondern auch freiere Gospelrichtungen, die sich im Laufe der Zeit entwickelt haben. The Gospel Mass ist unseresWissens die einzig wahre Gospel-Messe. Chorstimmen separat erhältlich. The Gospel Mass messe pour chÅ?ur mixte, combo et orchestre dâ??harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, sâ??est peu peu étendu dans le monde entier. Les différents mouvements de la composition de Jacob de Haan sâ??articulent selon le déroulement dâ??une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des chants gospels (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté dâ??usage des styles de gospel qui se sont développés au fil dutemps. Pourautant que nous sachions, The Gospel Mass est la seule véritable messe gospel existante pour orchestre dâ??harmonie. Partitions pour chÅ?ur disponibles séparément.The Gospel Mass, una messa per coro misto, combo e banda da concerto, è basata sulla musica gospel che si è diffusa in tutto il mondo sin dalla sua nascita. I movimenti dellâ??ordinario della Messa, come li conosciamo, sono stati composti in vari stilipop che hanno origine nella musica gospel. Ascoltiamo quindi non solo il classico stile gospel americano (incluso il caratteristico battito di mani e ritmi swing), ma anche uno stile gospel piu libero che si è sviluppato nel corso del tempo. Perquanto ne sappiamo The Gospel Mass è lâ??unica autentica messa gospel. Parti per coro disponibili a parte.
SKU: RM.MARL00162-BA
ISBN 9790231001624.
Chant des partisans.
SKU: BT.1388-06-400-S
ISBN 9789043125208. 9x12 inches. French.
Der Schatz an französischen Volksliedern ist endlos! Einfache Strophen, einfache Refrains, einfache Rhythmen - aus einfachen Zutaten ergeben sich unendlich viele Kombinationsmöglichkeiten. Diese 36 französischen Kinderlieder haben schon viele Generationen glücklich gemacht. Einige davon sind auch bei uns bekannt!Mit Klavierbegleitung auf CD. Des mots, quelques strophes, un refrain, une mélodie et un rythme simples. Si peu de choses, au fond, et pourtant, si diverses, toujours actuelles et jamais démodées ! Ainsi, les 36 chansons traditionnelles rassemblées dans ce recueil ont été chantées par plusieurs générations d’enfants.Que du bonheur ! (Avec compact disc et accompagnement de piano) Le 35 canzoni francesci proposte in questo libro sono state suonate da generazioni di bambini in tutto il mondo. La pubblicazione comprende un CD con le registrazioni per suonare assieme alla base, e le parti di accompagnamento del piano.
SKU: RM.MARL00162-CO
SKU: BT.1381-06-400-S
ISBN 9789043125154. 9x12 inches. French.
Der Schatz an französischen Volksliedern ist endlos! Einfache Strophen, einfache Refrains, einfache Rhythmen - aus einfachen Zutaten ergeben sich unendlich viele Kombinationsmöglichkeiten. Diese 36 französischen Kinderlieder haben schon viele Generationen glücklich gemacht. Einige davon sind auch bei uns bekannt!Mit Klavierbegleitung auf CD. Des mots, quelques strophes, un refrain, une mélodie et un rythme simples. Si peu de choses, au fond, et pourtant, si diverses, toujours actuelles et jamais démodées ! Ainsi, les 36 chansons traditionnelles rassemblées dans ce recueil ont été chantées par plusieurs générations d’enfants. Que du bonheur ! (Avec compact disc et accompagnement de piano) Alcune parole, qualche strofa, un refrain, una melodia e un ritmo semplici. In fondo poche cose, ma sempre attuali. Le 36 canzoni tradizionali francesi proposte in questo libro sono state suonate da intere generazioni di bambini. Con CD e accompagnamento del piano.
SKU: BT.1384-06-400-S
ISBN 9789043125185. 9x12 inches. French.
Des mots, quelques strophes, un refrain, une mélodie et un rythme simples. Si peu de choses, au fond, et pourtant, si diverses, toujours actuelles et jamais démodées ! Ainsi, les 36 chansons traditionnelles rassemblées dans ce recueilont été chantées par plusieurs générations d’enfants. Que du bonheur ! (Avec compact disc et accompagnement de piano)Der Schatz an französischen Volksliedern ist endlos! Einfache Strophen, einfache Refrains, einfache Rhythmen - aus einfachen Zutaten ergeben sich unendlich viele Kombinationsmöglichkeiten. Diese 36 französischen Kinderlieder haben schon viele Generationen glücklich gemacht. Einige davon sind auch bei uns bekannt!Mit Klavierbegleitung auf CD. Alcune parole, qualche strofa, un refrain, una melodia e un ritmo semplici. In fondo poche cose, ma sempre attuali. Le 36 canzoni tradizionali francesi proposte in questo libro sono state suonate da intere generazioni di bambini. Con CD e accompagnamento del piano.
SKU: BT.1383-06-400-S
ISBN 9789043125178. 9x12 inches. French.