Format : Vocal Score
SKU: BA.BA25151
ISBN 9790006575176. 29.7 x 21 cm inches. Text Language: Latin.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerous gems such as the “Cantique de Jean Racine†or the “Messe basse†are published in performing editions based on the musical text of the “Gabriel Faur – Å’uvres complètesâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.50487339
UPC: 884088247621. 6.5x9.25x0.365 inches.
SKU: BR.CHB-5355-00
ISBN 9790004412855. 7.5 x 10.5 inches. German.
In this vocal quartet for four female voices and piano, Schubert sets a text from the odes of Ewald Christian von Kleist to music, the first four stanzas of his 17-stanza poem hymn. According to tradition, Schubert had written it for the singer Anna Frohlich. It was first performed on 8 March 1827 in the Vienna Musical Society and published posthumously as op. 133 in 1839.
SKU: HL.50610167
This publication is based on volume 9 of the Bela Bartok Complete Critical Edition, published jointly by G. Henle Verlag, Munich, and Editio Musica Budapest Zenemukiado.
SKU: SU.91409193
Modernism Forever Volume 2 - Fulkerson, Boulez, Berio, Seeger, Basart, Kalmar, Humel Disc 1 Christopher Fulkerson 1. At the Mountains of Madness for large orchestra - 13:42 2. A Screaming Comes Across the Sky for two antiphonal quartets - 1:49 3. The Scream That Peaks Past Fear (Live) for eight antiphonal voices - 7:15 Pierre Boulez Le Marteu Sans Maitre for alto voice & six instrumentalists Marcia Gronewold, mezzo & Ken Cramer, alto fulte 4. Avant L'artisanat Furieux (Live) 2:10 5. Commentaire I de Bourreaux de Solitude (Live) - 4:42 6. L'artisanat Furieux (Live) - 3:26 7. Commentaire II de Bourreaux de Solitude (Live) - 4:32 8. Bel Edifice et les Presentiments (Live) - 4:31 9. Bourreaux de Solitude (Live)- 3:57 10. Apres L'artisanat Furieux (Live) - 1:33 11. Commentaire III de Bourreaux de Solitude (Live) - 5:20 12. Bel Edifice et les Presentiments: Double (Live) - 9:40 Luciano Berio Cries of London for eight voices 13. These Are the Cries (Live) - 1:13 14. Where Are Ye Fair Maids (Live) - 1:34 15. Good Garlic (Live) - 2:41 16. Some Go Up (Live) - 1:12 17. These Are the Cries, Variant (Live) - 1:24 18. Money Money Money (Live) - 3:46 19. Cry of Cries (Live) - 4:08 Disc 2 Christopher Fulkerson 1. Moys Icos for orchestra - 9:10 2. Remember the Stars (Live) Cantata #3 for STAB soli, trebles, & quartet - 8:17 3. Night Litany (Live) Recital Aria #1 Marcia Gronewold, soloist for mezzo soprano & trio - 5:18 4. Celestial Sixties II (Fragment) - 1:43 5. Capriccio (Live) for viola & piano - 5:18 6. One Winter Sparrow (Live) Elizabeth Appling & the SF Girls Chorus - 1:39 Ruth Crawford Seeger 7. Chant (Live) for treble solo & chorus Alyssa Kingsbury, soprano - 2:34 Robert Basart 8. Stillness and the Night Become (Live) for eight voices. A Christopher Fulkerson Commission - 9:19 Laszlo Kalmar 9. Hora Eius In Eight Movements for three female voices - 15:51 Gerald Humel 10. Et in Terra Pax (Live) for eight voices, a Christopher Fulkerson Commission - 21:21.
SKU: HL.50605496
ISBN 9781705190616. UPC: 196288126744.
This publication is based on volume 9 of the Béla Bartók Complete Critical Edition, published jointly by G. Henle Verlag, Munich, and Editio Musica Budapest Zenemukiadó.
SKU: HL.50606533
ISBN 9781705190975. UPC: 196288127116.
SKU: CA.1011419
ISBN 9790007302160. English. Text: Broadbridge, Edward.
Danish composer John Høybye enjoys great acclaim at home and abroad, not just for his music but also for his work as a (choral) conductor and arranger.Presenting a medium level of difficulty, Hope. Easter Music is suitable for a good amateur choir. The mix of a beautiful choral sound and rhythmic intensity in jazz-inspired phrases is “trademark Høybyeâ€. Primarily written for four voices (SATB), the choral writing subdivides at certain, particularly expressive passages to create six- or eight-part harmonies. In addition, the male voices are challenged by several excellently scored four-part passages (TTBB without female voices). The short male voice solo can be sung instead by the choir if necessary.The instrumental quartet is given ample scope for improvisation. While each of the eight movements has its own unique character, the work forms a cohesive whole. Based on a text by Edward Broadbridge, the movements are linked by the theme of “hope†as well as by recurring musical motifs and themes. This not only makes the piece easier to rehearse, but also ensures its popularity with audiences.
SKU: JK.01650
Mosiah 2:41.
Peaceful choral anthem for mixed chorus (SATB), with scriptural text from Mosiah 2:41, where we learn the blessings of obedience. The syncopation and tight harmony between the male and female voices add great musical interest. Arranger: Rob Millett Composer: Rob Millett Lyricist: Scriptural text from Mosiah 2:41 Difficulty: Medium Performance time: 2:39Reference: Mosiah 2:41.
SKU: LM.JJ16151
ISBN 9790230816151.
Reveil (1'15) - Sur l'ocean couleur de fer (1'40) - Iris a son brillant mouchoir (1').
SKU: BT.EMBZ14165
Latin.
At an early age Kodály composed several Ave Marias for various ensembles of performers. In its final form this chorus seems the most complete of these. From the manuscript scores we know that the work was written in October 1898, while Kodály was still at school in Nagyszombat. In its original form it requires a three-part female choir, strings and organIn the present arrangement (by Imre Sulyok) the material written for the strings is incorporated into the organ part. First printed edition.
