O Church Arise

SKU: AU.9781506495392

ISBN 9781506495392. 7 x 10.25 inches.

A festive arrangement of the familiar hymn by David Cherwien is set in classical hymn concertato style. The introduction for organ and trumpet gives way to congregation and choral stanzas with varied accompaniments and descants for voice and trumpet. Stanza three is written for choir only and reflects the text â??let the servant church arise in beautifully ascending passages. An uplifting addition to the Augsburg Choral Hymn Series that highlights the need for social justice and care of neighbors.

SKU: KJ.9158

UPC: 084027046630.

Jerry Weseley Harris brings us an energetic setting of the text from Isaiah 60, Arise, shine for your light has come. The rhythmic vitality of this piece will shine through in the season of Epiphany, and throughout the church year.

SKU: GI.G-008480

UPC: 641151084800. English.

SKU: BR.OB-32093-11

ISBN 9790004351826. 10 x 12.5 inches.

The cantata Es steh Gott auf is intended for Easter. The editor was able to identify a poem by Christian Weise (1642–1708), which has received little attention to date, as the source text. Kuhnau was in close contact with Weise in Zittau, so the cantata could have been written in direct chronological connection with the printing of the original text in 1682. However, the earliest date of performance noted on the title page of the cantata is only 1703 in Grimma, thus already in his time as Thomaskantor (from 1701). On the other hand, no further church music contributions are documented from this early period of his tenure, and such a large gap to the origin of the text seems unlikely.

The cantata is well suited for use in church services because of its short length and not-too-large instrumentation. Through the transmission in the form of a set of parts, the participation of ripieno singers, which can be taken over by a choir, is also proven.

SKU: BR.OB-32093-16

ISBN 9790004351840. 10 x 12.5 inches.

The cantata Es steh Gott auf is intended for Easter. The editor was able to identify a poem by Christian Weise (1642–1708), which has received little attention to date, as the source text. Kuhnau was in close contact with Weise in Zittau, so the cantata could have been written in direct chronological connection with the printing of the original text in 1682. However, the earliest date of performance noted on the title page of the cantata is only 1703 in Grimma, thus already in his time as Thomaskantor (from 1701). On the other hand, no further church music contributions are documented from this early period of his tenure, and such a large gap to the origin of the text seems unlikely.

The cantata is well suited for use in church services because of its short length and not-too-large instrumentation. Through the transmission in the form of a set of parts, the participation of ripieno singers, which can be taken over by a choir, is also proven.