Circle Dance

SKU: AI.AMC-WB-003SSC

8.5 x 11 inches.

The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.

The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.

This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.

SKU: AI.AMC-WB-003SCO

11 x 17 inches.

The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.

The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.

This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.

SKU: KJ.GB852

Circle Dance is a setting of two playful melodies from Bartok's collection of Hungarian children songs. The accents and dynamic contrasts found in these melodies emphasize the dance steps performed by the children who sang them. Lively and fun for performers and audiences alike!

SKU: BT.DHP-1084423-010

9x12 inches. English-German-French-Dutch.

Arrows of Lightning is a work in four movements by the Luxembourg composer Marco Pütz. American Indian songs and poems, which includes a song that translates as Arrows of Lightning, served as the inspiration for this composition.In this song, the arrows were charmed by means of singing and dancing so that they would go faster - as fast as lightning. The scoring enables this piece to be performed by a band without a full contingent of players. A fantasticwild-west adventure for your band. Dur: 10:10 (Grade 2-1/2)

Arrows of Lightning is een werk in vier delen van de hand van de Luxemburgse componist Marco Pütz. Als inspiratie voor deze compositie gebruikte hij een bundel met oude indiaanse liederen en gedichten. Arrows of Lightningis de vertaling van een oud indiaans lied. Hiermee bezwoer men de pijlen die voor de jacht bedoeld waren door middel van zang en dans, zodat ze sneller - zo snel als de bliksem - zouden gaan. De componist meende dat deze titeleen pakkende hoofdtitel zou vormen voor dit geheel van dansen en/of liederen. Met Rocking the Cradle, The Mystical Song, Circle Dance en Battle Dance.

Zu diesem Werk ließ sich der Luxemburger Marco Pütz von einem indianischen Gedichte- und Liederalbum inspirieren. Die vier Sätze Rocking the Cradle, The Mystical Song, Circle Dance und Battle Dance greifen teilweise auf überlieferte indianische Gesänge zurück, teils entsprangen sie der Fantasie des Komponisten. Die Instrumentierung lässt auch eine unvollständige Besetzung zu, nur die Schlaginstrumente sollten vollständig besetzt sein. Ungewöhnlich und kreativ!

Arrows of Lightning (“Les flèches de l’éclair”) est une œuvre en quatre mouvements du compositeur luxembourgeois Marco Pütz. Cette composition puise ses racines dans un recueil de chants et de poèmes améridiens anciens. Le titre de l’œuvre est la traduction d’un vieux chant indien chanté avant la chasse, et généralement accompagné d’une danse, pour ensorceler les flèches afin qu’elles soient rapides comme l’éclair. Séduit par cette histoire, c'est donc tout naturellement que le compositeur décida de reprendre ce titre pour définir son œuvre.1. Rocking the Cradle (“Berceuse”)2. The Mystical Song (“Chant mystique”)3. Circle Dance(“Danse en cercle”)4. Battle Dance (“Danse de combat”)Si les thèmes des différents mouvements émanent pour l’essentiel de danses ou chants amérindiens, ils sont enrichis d’éléments thématiques issus de l’imaginaire du compositeur. Les Indiens d’Amérique, leur grande culture, leur manière de vivre en harmonie avec le milieu naturel ont toujours fasciné Marco Pütz.L’orchestration a été réalisée de manière être également adaptée des ensembles effectif incomplet. Cependant, il est conseillé de couvrir toutes les voix de percussion.