Classic Guitar Method, Vol.2 (BAY MEL)

La méthode Hal Leonard Classical Guitar est conçue pour tous ceux qui apprennent à jouer de la guitare classique. Ce guide complet et facile à utiliser, rédigé par le célèbre guitariste classique et professeur Paul Henry, utilise la musique des maîtres compositeurs pour approfondir votre compréhension du style et de la technique classiques. Le 2e volume comprend : la sonorité; la dynamique ; l\'étouffement ; la sixième corde accordée en ré ; les notes au-dessus de la position ouverte ; le déplacement de la main gauche ; les notes d\'agrément, les glissades et les articulations ; les harmoniques naturelles et artificielles ; les barrés complèts et partiels ; les trilles et les mordants ; les gammes à deux octaves ; le vibrato ; le contrepoint ; la révision de la technique de la main gauche et de la main droite ; les exercices de liaisons ; et plus encore ! Ce recueil comprend également l\'accès à plus de 50 pistes audio pour la démonstration et l\'accompagnement. L\'accès aux fichiers audio se fait en ligne à l\'aide du code unique qui se trouve dans le livre et peut être écouté en continu ou téléchargé. Les fichiers audio comprennent PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l\'audio sans modifier la hauteur, de définir des points de boucle, de changer de tonalité et d\'effectuer un panoramique à gauche ou à droite. / Méthodes et pédagogie / Guitare / Guitare acoustique / HAL LEONARD

The art and technique of the Classical Guitar. Learn the art of Classical Guitar playing from one of the world's preeminent virtuosos and the recognised heir to the legacy of Andres Segovia.32 previously unpublished Parkening edition pieces by composers including Bach Dowland Scarlatti Sor and Tarrega - plus three Guitar duets.Performance notes and stylistic interpretation.Techniques including tone production tremolo harmonics vibrato pizzicato slurs and more.Strategies for effective practicing.

Méthode progressive, vol. 1 (franCais / english / español)64 p., Niveau 1Une nouveauté aux Productions d'Oz, forts actives dans le domaine de la pédagogie pour guitare. ConCue pour être utilisée avec un professeur, la Méthode progressive pour guitare de Claudio Camisassa se démarque des autres ouvrages pour guitaristes débutants. De très nombreux morceaux sur les cordes à vides (une quinzaine de pages) permettent à l'élève de se concentrer sur l'acquisition d'un bonne technique de main droite, seul le pincé étant abordé dans ce premier volume. La méthode qui s'appuie sur un répertoire original écrit par Claudio Camisassa, comporte de nombreux duos pour l'éléve et le professeur et, surtout pour l'éléve, un accompagnement optionnel en accord ou en arpèges des mélodies travaillées. Deux pages d'exercices journaliers simples mais réellement efficaces, accompagnées d'indications précises sur Ies techniques de jeu, complètent cette méthode au chemin pédagogique efficace et rigoureux.(FranCois Nicolas, Guitare Classique, 2e trimestre 2002)This well-presented volume takes students from the very beginning with four main objectives of Classical Guitar Magazine developing technique, sight-reading, basic chord accompaniments and duo playing, and assumes the student is working with a teacher. It is very methodical, beginning with photographs of hand positions etc, and gives explanations of both rest and free stroke from the start. The first musical examples are open string melodies with added chord symbols with plenty of varied exampIes, and blank staves are given for note-writing exercises and also for aural tests, both of which are useful ideas for reinforcing general musical understanding. Apart from chord symbols, the left hand is first introduced with natural harmonics at the twelfth fret in an effective two-part exercise Carillon, which requires right fingers and thumb. Combinations of open strings and right-hand arpeggios follow and the opening section is brought to a natural close with Valse des Harmoniques - nicely shaped and quite complex with its use of natural harmonics, but a bit over-long. Camisassa now introduces notes on each string, in turn, in first position, and more complex arpeggio patterns, illustrated by pieces utilising each new group of notes. 2-guitar arrangements of tunes including Frere Jacques and Au Clair de la lune and Alouette, gentille alouette work quite weIl with straightforward accompaniments. I liked Camisassa's Tango, and Recuerdo de mi infanta, a two-part milonga reminiscent of Cardoso. Favourites such as Greensleeves and Malaguena are also included, and there are many pieces by Camisassa included which aim to enforce musical ideas. I found the way this book progresses, and the technical and musical aspects it teaches, very good and very thorough. I found myself using it a lot as supplementary material to demonstrate technical points and for sight-reading. However, the majority of pieces written by Camisassa did not inspire me musically and would need to be supplemented with pieces of more characterful musical interest, particularly for young players, but this volume does have much to offer.(Linda Kelsall Barnett, Classical Guitar Magazine, June 2002) / Guitare

Now guitarists can have all three volumes of this classic guitar method in one convenient book! Created by popular demand this new edition of the method used as the basic text for the renowned Berklee College of Music guitarprogram is a complete compilation of the original Volumes 1 2 and 3. Innovative solos duets and exercises progressively teach melody harmony and rhythm. Perfect for the serious guitar student and instructor alike.

This handbook is the second volume in a series compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the material needed for the London College of Music Step Two examinations in classical guitar playing enabling you to study for an internationally recognized qualification. However even if you do not intend to take an examination studying this book will help you to: learn appealing and inspiring pieces from a wide range of styles and periods; develop your technical ability and musical understanding and so achieve your full potential as a guitarist. This volume includes simple yet attractive melodies and pieces by a wide range of composers including Vivaldi’s ‘Spring’ Rossini’s ‘William Tell Overture’ and melodies by Bach and Mozart – making it ideal for both children and adult beginners.

El Libro Completo de Guitarra Shred. The Complete Book of Shred Guitar focuses on the technical aspects of playing the electric guitar in the shred style. As the guitar plays such an important role in metal, neoclassical and hard rock, much is demanded of lead guitarists. Having precise and effective technique is paramount, and usually the result of disciplined practice and critical listening over a period of years. With this method, however, you will achieve noticeable results within a relatively short period. Includes: alternate and sweep picking, tapping and pedal point technique, scales and chord progressions, bending, vibrato and legato techniques, all types of harmonics, the volume swell technique, use of the whammy bar and effects pedals, 120 downloadable examples plus a bonus track, and much more. This volume is a technical tour de force and clearly one of Mel Bay\'s most advanced rock guitar books. The author, Pablo Pescatore of Buenos Aires, Argentina, is a virtuoso, conservatory-educated guitarist, well-versed in music theory and sight singing - he has written several books on learning styles, recorded numerous projects and taught electric and classical guitar technique for more than 20 years. The book\'s 120 online audio examples are recorded at two speeds: blazing, jaw-dropping fast and then slowly, at half speed for student play-along. Throughout, the author assures the reader that all things are possible with diligent practice. / Niveau : Intermédiaire à Avancé / Pop and rock / Date parution : 2019-05-27/ Tablatures / Guitare Electrique

Volumes 1 2 and 3 with 14 Hours of Video and 123 Audio Tracks-The William Leavitt Modern Method for Guitar used as the basic text for the Berklee College of Music guitar program has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors. By popular demand Berklee Press has created a compilation of the original volumes 1 2 and 3 including all audio and video tracks. Now serious guitar students and instructors from beginning through advanced have the convenience of progressing through all three volumes of this classic guitar method in one comprehensive book. Innovative solos duets and exercises progressively teach melody harmony and rhythm. This edition contains audio andvideo produced by William Leavitt's students Charles Chapman and Larry Baione (who was his successor as chair of the Berklee Guitar Department) demonstrating the examples and providing play-along tracks for the ensemble exercises.

The William Leavitt Modern Method for Guitar, used as the basic text for the Berklee College of Music guitar program, has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors. By popular demand, Berklee Press has created a compilation of the original volumes 1, 2, and 3, including all audio and video tracks. Now, serious guitar students and instructors, from beginning through advanced, have the convenience of progressing through all three volumes of this classic guitar method in one comprehensive book. Innovative solos, duets, and exercises progressively teach melody, harmony, and rhythm. This edition contains audio and video produced by William Leavitt's students Charles Chapman and Larry Baione (who was his successor as chair of the Berklee Guitar Department), demonstrating the examples and providing play-along tracks for the ensemble exercises.

Media Type : Book Level : Intermediate Musical Genre : All Styles Number of pages : 200 Volume 2 of the Guitar Class Method focuses on melodic development and solo playing and provides a vast collection of solos, duets and quartets in multiple styles including rock, blues, classical, Gospel, and folk using flatpick and fingerstyle technique. A special quartet section presents the opportunity for intermediate-level players to experience ensemble playing. Presents individual segments on Chord Strumming Melody; Country style accompaniment; Bluegrass Style Solos; Blues and Contemporary Sounds; Fingerstyle Solos and Country Blues Solos; Note Reading and Melodic Development; Guitar Quartets; Note Reading Solos in Various Styles; and Melody-Chord Solo Playing. Written in standard notation and tablature with chords presented in both diagram and photo format. The individual segments can be used concurrently in any order.