Classic Guitar Method Volume 2

This premier method for the beginning classical guitarist by one of the world's pre-eminent virtuosos and the recognized heir to the legacy of Andrés Segovia is now available with a CD! Guitarists will learn basicclassical technique by playing over 50 beautiful classical pieces 26 exercises and 14 duets and through numerous photos and illustrations. The method covers: rudiments of classical technique note reading and music theory selection and care of guitars strategies for effective practicing and much more! The CD includes 99 demonstration tracks.

La méthode Hal Leonard Classical Guitar est conçue pour tous ceux qui apprennent à jouer de la guitare classique. Ce guide complet et facile à utiliser, rédigé par le célèbre guitariste classique et professeur Paul Henry, utilise la musique des maîtres compositeurs pour approfondir votre compréhension du style et de la technique classiques. Le 2e volume comprend : la sonorité; la dynamique ; l\'étouffement ; la sixième corde accordée en ré ; les notes au-dessus de la position ouverte ; le déplacement de la main gauche ; les notes d\'agrément, les glissades et les articulations ; les harmoniques naturelles et artificielles ; les barrés complèts et partiels ; les trilles et les mordants ; les gammes à deux octaves ; le vibrato ; le contrepoint ; la révision de la technique de la main gauche et de la main droite ; les exercices de liaisons ; et plus encore ! Ce recueil comprend également l\'accès à plus de 50 pistes audio pour la démonstration et l\'accompagnement. L\'accès aux fichiers audio se fait en ligne à l\'aide du code unique qui se trouve dans le livre et peut être écouté en continu ou téléchargé. Les fichiers audio comprennent PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l\'audio sans modifier la hauteur, de définir des points de boucle, de changer de tonalité et d\'effectuer un panoramique à gauche ou à droite. / Méthodes et pédagogie / Guitare / Guitare acoustique / HAL LEONARD

Par BAY MEL. Complète en trois volumes, ce texte largement utilisé présente instruction de guitare classique d'une manière claire et logique. L'étudiant est fondée sur fond à gauche et à droite des études techniques et connaît les oeuvres des maîtres. Dans la notation. / Niveau : Débutant / Classic - Methods / Méthode / Guitare Classique

The art and technique of the Classical Guitar. Learn the art of Classical Guitar playing from one of the world's preeminent virtuosos and the recognised heir to the legacy of Andres Segovia.32 previously unpublished Parkening edition pieces by composers including Bach Dowland Scarlatti Sor and Tarrega - plus three Guitar duets.Performance notes and stylistic interpretation.Techniques including tone production tremolo harmonics vibrato pizzicato slurs and more.Strategies for effective practicing.

for Teaching and Private Study Content : Contents of the book: - Preface - The Author - Text Styles Used in This Book - About this CD - Posture - The Sound of the Flamenco Guitar - Gingerlabelling - Rasgueo - One-Finger-Rasgueo - 3-Finger-Rasgueo - 4-Finger-Rasgueo - Continuing Rasgueo - Pulgar - Pulgar and ima-Downstroke - Pulgar and Rasgueo - Remate - Pulgar-Downstroke - Ayudado - Golpe - Golpeador - i- and p-Downstroke with Golpe - m-Golpe with Downstroke - The Rumba-Stroke - Tresillos - a-m-i-p-Rasgueo - Guitarra Flamenca - Guitarreros - Guitarreros actual - La Cejilla - Guitarristas actual - Unas - Palmas - Compás - Modo Dórico - Glossary - Contents of Volume 2 - Adresses - . - Contents of the DVD: - Lesson 1: - Rasgueado - Punteado - Sencillos I (Tangos) - 3-Finger-Rasgueado - Estudio por Soleá - 4-Finger Rasgueado - Sencillos II (Tangos) - a-m-i-i-Rasgueo - Naino I (Tangos) - . - Lesson 2: - Pulgar - Naino II (Tangos) - Naino III (Tangos) - Naino IV (Tangos) - Remate - Mantón (Soleá) - Ayudado - Caí (Alegrías en Do) - Ayudado I - Ayudado II - Rumbita I (Rumba) - . - Lesson 3: - Golpe - a-Golpe - Mantón II (Soleá) - i- and p-Downstroke with Golpe - i-Downstroke with Golpe (Garrotín) - p-Downstroke with Golpe and p-Upstroke (Garrotín) - Naino V (Tangos) - m-Golpe - Quejío I (Taranto) - m-Golpe with Downstroke - The Rumba-Stroke - Rumba-Compás I - Rumba-Compás II - Rumba-Compás III - Rumba-Compás IV - Rumba-Compás V - Rumba-Compás VI - . - Lesson 4: - Tresillo I - Tresillo II - Tresillo III - Tresillo IV - Tangos-Compás with Tresillos - Soleá-Compás with Tresillos I - Soleá-Compás with Tresillos II - Soleá-Compás with Tresillos III - Soleá-Compás with Tresillos IV - Fandango de Huelva (Intro) - Fandango de Huelva (Copla) - Sevillanas (Intro) - Sevillanas - Paso Lento (Alegrías) - Mantón III (Soleá) - . - El Compas: - Menu - Alegrías - Soleares - Bulerías - Fandangos - Guajiras - Petenera - Siguiriyas

Pour ce deuxième volume, nous consacrerons deux chapittres à des styles “por medio”, c’est-à-dire en mode flamenco de la (siguiriya, tientos et tangos) et un chapitre aux alegrias en tonalité de la majeur et la mineur, qui sera aussi l’occasion d’analyser quelques aspects de l’accompagnement de la danse.Nous développerons les techniques de main droite abordées dans le volume 1 (picado, alzapúa, arpèges et rasgueados complexes) et en dècouvrirons de nouvelles (trémolo, etc.).Nous travailleros aussi la mobilité et l’endurance de la main gauche (barrés, extensions, liaisons, sur tout le manche).Les analyses harmoniques et rythmiques sont essentiellement conçues comme une approche de la guitare flamenca contemporaine.Le CD, quant à lui, reprend la totalité des exemples musicaux de la méthode pour en faciliter la compréhension et donc aussi l’assimilation. Collection : Connection Methodes Divers Support média : Compact disc Langue : en français

This multi-volume method was developed to allow students to study the art of classical guitar within a new more contemporary framework. For private class or self-instruction. Book One features chord frames and symbols as well as audio to assist in tuning and to provide accompaniments for at-home practice. Book One also introduces beginning fingerboard technique and music theory. Book Two and Three build upon the techniques learned in Book One.

Méthode progressive, vol. 1 (franCais / english / español)64 p., Niveau 1Une nouveauté aux Productions d'Oz, forts actives dans le domaine de la pédagogie pour guitare. ConCue pour être utilisée avec un professeur, la Méthode progressive pour guitare de Claudio Camisassa se démarque des autres ouvrages pour guitaristes débutants. De très nombreux morceaux sur les cordes à vides (une quinzaine de pages) permettent à l'élève de se concentrer sur l'acquisition d'un bonne technique de main droite, seul le pincé étant abordé dans ce premier volume. La méthode qui s'appuie sur un répertoire original écrit par Claudio Camisassa, comporte de nombreux duos pour l'éléve et le professeur et, surtout pour l'éléve, un accompagnement optionnel en accord ou en arpèges des mélodies travaillées. Deux pages d'exercices journaliers simples mais réellement efficaces, accompagnées d'indications précises sur Ies techniques de jeu, complètent cette méthode au chemin pédagogique efficace et rigoureux.(FranCois Nicolas, Guitare Classique, 2e trimestre 2002)This well-presented volume takes students from the very beginning with four main objectives of Classical Guitar Magazine developing technique, sight-reading, basic chord accompaniments and duo playing, and assumes the student is working with a teacher. It is very methodical, beginning with photographs of hand positions etc, and gives explanations of both rest and free stroke from the start. The first musical examples are open string melodies with added chord symbols with plenty of varied exampIes, and blank staves are given for note-writing exercises and also for aural tests, both of which are useful ideas for reinforcing general musical understanding. Apart from chord symbols, the left hand is first introduced with natural harmonics at the twelfth fret in an effective two-part exercise Carillon, which requires right fingers and thumb. Combinations of open strings and right-hand arpeggios follow and the opening section is brought to a natural close with Valse des Harmoniques - nicely shaped and quite complex with its use of natural harmonics, but a bit over-long. Camisassa now introduces notes on each string, in turn, in first position, and more complex arpeggio patterns, illustrated by pieces utilising each new group of notes. 2-guitar arrangements of tunes including Frere Jacques and Au Clair de la lune and Alouette, gentille alouette work quite weIl with straightforward accompaniments. I liked Camisassa's Tango, and Recuerdo de mi infanta, a two-part milonga reminiscent of Cardoso. Favourites such as Greensleeves and Malaguena are also included, and there are many pieces by Camisassa included which aim to enforce musical ideas. I found the way this book progresses, and the technical and musical aspects it teaches, very good and very thorough. I found myself using it a lot as supplementary material to demonstrate technical points and for sight-reading. However, the majority of pieces written by Camisassa did not inspire me musically and would need to be supplemented with pieces of more characterful musical interest, particularly for young players, but this volume does have much to offer.(Linda Kelsall Barnett, Classical Guitar Magazine, June 2002) / Guitare

Volumes 1 2 and 3 with 14 Hours of Video and 123 Audio Tracks-The William Leavitt Modern Method for Guitar used as the basic text for the Berklee College of Music guitar program has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors. By popular demand Berklee Press has created a compilation of the original volumes 1 2 and 3 including all audio and video tracks. Now serious guitar students and instructors from beginning through advanced have the convenience of progressing through all three volumes of this classic guitar method in one comprehensive book. Innovative solos duets and exercises progressively teach melody harmony and rhythm. This edition contains audio andvideo produced by William Leavitt's students Charles Chapman and Larry Baione (who was his successor as chair of the Berklee Guitar Department) demonstrating the examples and providing play-along tracks for the ensemble exercises.

This handbook is the second volume in a series compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the material needed for the London College of Music Step Two examinations in classical guitar playing enabling you to study for an internationally recognized qualification. However even if you do not intend to take an examination studying this book will help you to: learn appealing and inspiring pieces from a wide range of styles and periods; develop your technical ability and musical understanding and so achieve your full potential as a guitarist. This volume includes simple yet attractive melodies and pieces by a wide range of composers including Vivaldi’s ‘Spring’ Rossini’s ‘William Tell Overture’ and melodies by Bach and Mozart – making it ideal for both children and adult beginners.

This handbook is part of a series compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Two classical guitar examination including: all the set pieces; all scales arpeggios and chords; sight reading; ear tests; and spoken tests. In addition there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination studying this handbook willhelp you to: learn appealing and inspiring pieces from a wide range of styles and periods; improve your sight reading and aural abilities so that you can learn new pieces more easily; develop your technical ability and musical understanding and so achieve your full potential as a guitarist. This volume includes well-known melodies by Elgar Handel and Beethoven as well as attractive pieces by a wide range of composers including Nuttall Calvi Sor Giuliani and Carulli – making it ideal for any players whether children or adults in the early stages of learning.

This handbook is part of a series compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Four classical guitar examination including: all the set pieces; all scales arpeggios and chords; sight reading; ear tests; and spoken tests. In addition there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination studying this handbookwill help you to: learn appealing and inspiring pieces from a wide range of styles and periods; improve your sight reading and aural abilities so that you can learn new pieces more easily; develop your technical ability and musical understanding and so achieve your full potential as a guitarist. This volume includes attractive pieces by a wide range of composers including Lindsay-Clark Tarrega Kellner Sor and Carcassi – making it ideal for intermediate level players who wish to improve their playing and extend their musical range.

This handbook is part of a series compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Six classical guitar examination including: all the set pieces; all scales arpeggios and chords; sight reading; ear tests; and spoken tests. In addition there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination studying this handbook willhelp you to: learn appealing and inspiring pieces from a wide range of styles and periods; improve your sight reading and aural abilities so that you can learn new pieces more easily; develop your technical ability and musical understanding and so achieve your full potential as a guitarist. This volume includes attractive pieces by a wide range of composers including Dowland Sanz Bach Giuliani Carcassi Tarrega and Pujol – making it ideal for intermediate level players with some playing experience who wish to improve their playing and extend their musical range and knowledge.