Format : Score and Parts
SKU: KN.8993
UPC: 822795089936.
Paying homage to Aaron Copland and his famous Hoedown from the ballet Rodeo, this lively grade 2 piece will hold the attention of the audience through its entirety. The driving rhythms, catchy melodies, and strong accents speak excitement! Each set includes three copies of the 3rd Violin/Viola T.C. part and an optional part for piano. Duration 2:30. Available in SmartMusic.
SKU: KN.08993S
SKU: FJ.FJH2252
ISBN 9781619281110. UPC: 674398233038. English.
The beautiful, hazy-blue mountains, flowing rivers, waterfalls, and magnificent vistas of the Smokies are highlighted in this collection. Some titles are: Deer in the Cove, A Peaceful Mountain Trail, The Newfound Gap, and Smokey Mountain Laurel. Other pieces bring to mind traditional Appalachian music: The Happy Fiddler, Autumn Hoedown, and Old Settlers' Waltz. Most of the nine pieces are three pages.
About FJH Composers in Focus
Composers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.
SKU: CF.SC73
ISBN 9780825893353. UPC: 798408093358. 8.5 x 11 inches.
Lively and animated, Missouriana is a classic hoedown for orchestra, rhythmic, toe-tapping music. The score is newly engraved, parts are available on rental. Marshall Fine currently serves as Assistant Principal Violist and Composer/Arranger in Residence for the Memphis Symphony Orchestra, having built an impressive lifetime of solo and chamber performances and conducting. His compositions number over 200, with a large majority concentrating on his own instrument, the viola.
SKU: UT.TME-4
ISBN 9790215319820. 9 x 12 inches.
This series offers the edition of wide interest musics from an historical, stylistic and performing perspective - of them, renowned musicians and musicographers of international notoriety dedicate praise - owed to Emilian composers, Emilian by birth or by adoption, active in the 17th and 18th centuries. In the ample range of the musical genres offered, a special interest is reserved to oratorios and musics for the liturgy: ambit of the most inspired expression by composers like G.P. Colonna, G.B. Bassani, D. Gabrielli, G.A. Perti and G.B. Martini, such genres reserve concrete evidence on the success of the music within fraternal orders and princely courts, and on the fullness and theatricality of the technical and artistic resources in the musical chapels practise.
SKU: HL.40861
UPC: 884088294601. 11.25x17.0x0.356 inches.
SKU: PR.114412490
ISBN 9781491113011. UPC: 680160018048. 8.5 x 11 inches.
SONATA for Viola and Piano was written for Patricia McCarty and premiered by her and the composer in 1987. All three movements are unified by a recurring six-note pattern (C-E(-B(-F-G-B() used throughout as a basis for the repetitive harmonic plan of the Chaconne, as a nostalgic reminiscence in the Interlude, and as a thematic element for a mixed-meter hoedown in the Rondo.Martin Amlin's SONATA for Viola and Piano was written for Patricia McCarty and premiered by her and the composer in 1987. All three movements are unified by a recurring six-note pattern (C-Eb-Bb-F-G-Bb) which is used throughout the piece as a basis for the repetitive harmonic plan of the Chaconne, as a nostalgic reminiscence in the Interlude, and as a thematic element for a mixed-meter hoedown in the Rondo.
SKU: SU.12800086
BachScholar Editions Vol. 86: BACH MEETS RAGTIME: 10 Four-Part Chorales Arranged (Volume 2) (41 pages) was born out of classic ragtime and related style improvisations on selected four-part chorales by J.S. Bach. These arrangements transform Bach’s short chorales into exciting and idiomatic concert pieces for piano while fully retaining the chorales’ original melodies and harmonies. Styles encountered in this collection include two-step rags, cake walk, waltz, etude, cool swing, march macabre, and hoedown. The ten pieces have been assembled in a strategic order so that they may be played in succession as an effective concert cycle. In addition, they may be played singly or in pairs and groups as the performer sees fit. A complete performance lasts approximately 36 minutes. This collection is ideal for piano students, teachers, and concert artists who seek fresh, new, and creative material for study and performance. Keyboard/Theory Published by: BachScholar.
SKU: WE.GMM266SC
Composer Rudgers here draws a delightful fantasy treatment from the mid-1800's folk song about grizzled old mountain man Dan Tucker. Opening aggressively with a short fanfare based on the main melodic motive of the song, the work soon segues into a tender, beautifully harmonized ballad. This lyrical section gives way to a hoedown replete with a foot-stomping, hand-clapping section that is fun for all players. Don't miss this highly creative and entertaining take on a classic piece of Americana!
SKU: KN.8266
UPC: 822795082661.
Based on the classic fiddle tune Goin to Boston, this is a great hoedown number for strings. It comes complete with several special techniques found in all fiddle music, including bluesy note slides, shuffle bowings, hand slaps, and foot stomps (specific performance directions for each are included in Frank's score notes). Some easy double stops are also included, but Frank advises that they be assigned only to advanced students and incorporated gradually as players become more familiar with the music.
SKU: KN.08266S
Based on the classic fiddle tune Goin to Boston, this is a great hoedown number for strings. It comes complete with several special techniques including bluesy note slides, shuffle bowings, hand slaps and foot stomps (specific performance directions for each are included in the score). Some easy double stops are also included, but they should be assigned only to advanced students until players become more familiar with the music. Duration 2:00.
SKU: FJ.ST6046S
English.
The classic tune, Li'l Liza Jane is given a western treatment by veteran composer, Stephen Bulla. The opening hoedown sets the mood for this light concert piece which includes a brief violin solo. Easy to put together and sure to delight your audience.
About FJH Developing Strings
Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5
SKU: BT.MUSM570367085
Sadie Harrison 's A Journey for Double Bass and Piano. Composed in 2015, revised and published in 2016. Duration: 8 minutes. This four movement work was written at the request of bassist Ben Groenevelt for his pupil Alex Gibberd with funds provided by Bristol City Council’s Guild of Guardians in recognition of Alex’s contribution to the musical life of the city. A Journey is a reflection of Bristol’s history as a trading port with routes to the Americas, Northern Europe and the Far East, with movements entitled: I Deep South - ‘lazy, dark blues’ II The Eastern Road - ‘austere theatre’ III Northern Lights -‘a frozen, glittering landscape’ IV Wayout West! - ‘jaunty hoedown&rsquo.
SKU: HL.48024761
ISBN 9781784545246. UPC: 888680962548. 9.0x12.0x0.142 inches.
Seven Pint-Sized Pieces may be performed complete as a seven-movement work. Each piece may also be performed separately, or a selection together in any combination. Includes: Nostalgia * A Merry Jaunt * Song Without Words * Vlad's Vamp * A Birthday Chorale * Hilary's Hoedown * Cleethorpes Chorale.
SKU: BT.CMP-1008-06-010
9x12 inches. English.
Imagine Tchaikovsky on a vacation trip that was arranged by a really, really bad travel agent. That, in a “nutshellâ€, describesThe Nutty Nutcracker. This humorous style parody of what may arguably be some of the best-known melodies on the planetis a certain crowd pleaser. Everybody knows the tunes, but not like THIS! The Arabian Tango; The Chinese Hoedown; TheWaltz of the Mariachi Flowers; The Dance of the Klezmer Clarinets and MORE. You get the idea! Great fun for everyone.You’llwant to use Mike Hannickel’s A Nutty Nutcracker again and again.Whoops! Where are we?Een onderhoudende bewerking van Tsjaikovski's wereldberoemde Notenkraker, Waarin de arrangeur op de humoristische wijze een en ander doorelkaar heeft gehusseld. De meeste van de zeven delen zijn gebaseerd op dansstijlen en-ritmes, bijvoorbeeld de samba, de tango, de trepak, de wals en zelfs reggae. Deze stilistische aspecten kunnen worden overdreven voor een maximaal effect. Veel plezier met deze doldwaze notenkraker!Was wäre, wenn Tschaikowski, von einer schlecht organisierten Reise zurückgekehrt, alle Noten seiner Nussknacker-Suite vollkommen durcheinander vorgefunden hätte und das kurz vor der Premiere? Seltsame Vorstellung - aber genau das ist die Fantasie, die Mike Hannickel seinem amüsanten Stück The Nutty Nutcracker zugrunde legte, in dem die einzelnen Sätze, von Tschaikowskis Reise inspiriert, als Samba oder Klezmer, im chinesischen oder arabischen Stil, als Reggae oder Mariachi-Musik erscheinen.Imaginez quoi ressemblerait Casse-Noisette si Tcha kovski avait accidentellement mélangé les parties instrumentales de cette œuvre sans jamais retrouver le bon ordre ? Cela vous semble improbable et sans doute avez-vous raison. Mike Hannickel, lui, n’exclut pas cette option et nous propose une toute autre version du célèbre ballet, une version que Tcha kovski aurait peut-être réalisée lui-même s’il y avait pensé. Écoutons sans plus attendre l’œuvre d’un Tcha kovski vraiment distrait.
