Come And Thank Him!

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit however it was her love of composition thatremained her focus. Self-taught she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet The Dutch Brass Ensemble The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is n

30 blended selections, perfect for the church pianist. Songs include: All Creatures of Our God and King · All Hail the Power of Jesus' Name · Ancient of Days · Be Thou My Vision · Blessed Assurance · Come into His Presence · Come, Now Is the Time to Worship · Crown Him with Many Crowns · Give Thanks · Great Is the Lord · He Is Exalted · Here I Am to Worship · Holy, Holy, Holy! Lord God Almighty · I Can Only Imagine · I Love to Tell the Story · I Sing the Mighty Power of God · I Worship You, Almighty God · Majesty · A Mighty Fortress Is Our God · More Precious Than Silver · My Tribute · Open the Eyes of My Heart · People Need the Lord · Shine, Jesus, Shine · Shine on Us · Spirit ofGod, Descend upon My Heart · To God Be the Glory · Via Dolorosa · When Morning Gilds the Skies · Word of God Speak.

Canadian Brass-Ideal hymn accompaniments for festive congregational singing and for performances by brass alone. Flexible instrumentation with optional keyboard accompaniment makes the arrangements adaptable to many situations. There are twoversions of each hymn: the standard version found in hymnals in the common key and a “variation verse ” with a free and interesting arrangement. There is also a trumpet descant book available separately that matchesthe arrangements. Songs include: All Creatures of Our God and King • All Glory Laud and Honor • Blessed Assurance • Christ the Lord Is Risen Today • Come Ye Thankful People Come • Crown Him with ManyCrowns • Fairest Lord Jesus • and many more.

Canadian Brass-Ideal hymn accompaniments for festive congregational singing and for performances by brass alone. Flexible instrumentation with optional keyboard accompaniment makes the arrangements adaptable to many situations. There are twoversions of each hymn: the standard version found in hymnals in the common key and a “variation verse ” with a free and interesting arrangement. There is also a trumpet descant book available separately that matchesthe arrangements. Songs include: All Creatures of Our God and King • All Glory Laud and Honor • Blessed Assurance • Christ the Lord Is Risen Today • Come Ye Thankful People Come • Crown Him with ManyCrowns • Fairest Lord Jesus • and many more.

Now a staple in church literature Henry Smith's praise song is effectively paired with the perennial O Come Let Us Adore Him in this warm and worshipful arrangement by Phillip Keveren. The optional flute skillfully weavesa recurring motif throughout the piece tying up this package like a beautiful bow! Duration: 4:50. Available separately: SATB SAB 2-Part Mixed BonusTrax CD.

À travers plus de mille pages, l’intégralité des musiques et des textes, entièrement transcrits dans leur version `Rock` des 203 chansons qu’ils ont écrites et enregistrées en tant que Beatles ainsi que neuf autres écrites par d’autres auteurs et qu’ils ont interprétées à leurs débuts. Toutes sont transcrites avec des portées séparées pour les parties vocales, chaque guitare (en tablature et notation standard) et tous les autres instruments...Une collection essentielle des Beatles. A Day In The Life A Hard Days Night A Taste Of Honey Across The Universe Act Naturally All I've Got To Do All My Loving All Together Now All You Need Is Love And I Love Her And Your Bird Can Sing Anna (Go To Him) Another Girl Anytime At All Ask Me Why Baby It's You Baby You're A Rich Man Baby's In Black Back In The Ussr Bad Boy Ballad Of John And Yoko Because Being For The Benefit Of Mr Kite Birthday Blackbird Blue Jay Way Boys Can't Buy Me Love Carry That Weight Chains Come Together Continuing Story Of Bungalow Bill Cry Baby Cry Day Tripper Dear Prudence Devil In Her Heart Dig A Pony Dig It Dizzy Miss Lizzy Do You Want To Know A Secret Don't Bother Me Don't Let Me Down Don't Pass Me By Dr Robert Drive My Car Eight Days A Week Eleanor Rigby End Every Little Thing Everybody's Trying To Be My Baby Evrybdoy Got Somethng To Hide Expt Me And My Baby Fixing A Hole Flying For No One For You Blue From Me To You Get Back Getting Better Girl Glass Onion Golden Slumbers Good Day Sunshine Good Morning Good Morning Goodnight Got To Get You Into My Life Happiness Is A Warm Gun Hello Goodbye Help Helter Skelter Her Majesty Here Comes The Sun Here There And Everywhere Hey Bulldog Hey Jude Hold Me Tight Honey Don't Honey Pie I Am The Walrus I Call Your Name I Don't Want To Spoil The Party I Feel Fine I Me Mine I Need You I Saw Her Standing There I Should Have Known Better I Wanna Be Your Man I Want To Hold Your Hand I Want To Tell You I Want You (She's So Heavy) I Will If I Fell If I Needed Someone I'll Be Back I'll Cry Instead I'll Follow The Sun I'll Get You I'm A Loser I'm Down I'm Happy Just To Dance With You I'm Looking Through You I'm Only Sleeping I'm So Tired In My Life Inner Light It Won't Be Long It's All Too Much It's Only Love I've Got A Feeling I've Just Seen A Face Julia Kansas City Lady Madonna Let It Be Little Child Long Long Long Long Tall Sally Love Me Do Love You To Lovely Rita Lucy In The Sky With Diamonds Maggie Mae Magical Mystery Tour Martha My Dear Matchbox Maxwells Silver Hammer Mean Mr Mustard Michelle Misery Money (That's What I Want) Mother Natures Son Mr Moonlight Night Before No Reply Norwegian Wood Not A Second Time Nowhere Man Ob-la-di Ob-la-da Octopus's Garden Oh! Darling Old Brown Shoe One After 909 Only A Northern Song Paperback Writer Penny Lane Piggies Please Mr Postman Please Please Me Polythene Pam Ps I Love You Rain Revolution Revolution 1 Revolution 9 Rock And Roll Music Rocky Raccoon Roll Over Beethoven Run For Your Life Savoy Truffle Sexy Sady Sgt. Pepper's Lonely Hearts Club Band Sgt. Pepper's Lonely Hearts Club Band (Reprise) She Came In Through The Bathroom Window She Loves You She Said She Said She's A Woman She's Leaving Home Slow Down Something Strawberry Fields For Ever Sun King Taxman Tell Me What You See Tell Me Why Thank You Girl The Fool On The Hill The Long Andwinding Road The Word There's A Place Things We Said Today Think For Yourself This Boy (Ringo's Theme) Ticket To Ride Till There Was You Tomorrow Never Knows Twist And Shout Two Of Us Wait We Can Work It Out What Goes On What You're Doing When I Get Home When I'm Sixty Four While My Guitar Gently Weeps Why Don't We Do It In The Road Wild Honey Pie With A Little Help From My Friends Within You Without You Words Of Love Yellow Submarine Yer Blues Yes It Is Yesterday You Can't Do That You Know My Name (Look Up The Number) You Like Me Too Much You Never Give Me Your Money You Won't See Me Your Mother Should Know You're Going To Lose That Girl You've Got To Hide Your Love Away You've Really Got A Hold On Me

Soliloquy for a Passing Century - Score-'All music be it 'abstract' or 'descriptive ' or 'popular' or 'serious ' must speak for itself. Words about it are irrelevant unless they be lyrics or narration. That being said I will attempt a few words about my piece because I was asked to do so and the very special nature of the event in which this first performance takes place. Therefore I offer a guide to the musical gestures and terrain that make up the work and hopefully helpcommunicate my music to the listener.'Remembrance Day' opens softly with a prologue evoking a distant nostalgic Lullaby. As it fades a sudden loud chime combines with high Clarinets in an anguishedsequence that cries out a musical pattern establishing and shaping the body of the work. The music alternates between elegiac thematic references and the pulsations and accents of chimes and tolling bells. A slight pause-thensubdued but menacing sounds from muted Trombones Tuba and Percussion. Over this is a variant of the Clarinets initial 'cry of anguish'- but this time in quiet grief-turning into a funeral cortege. The cortege proceeds to chantsand responses that grow in intensity changing to hymn-like swelling and embellishments. A sudden explosive interruption brutal and violent-the previous menacing muted trombone motif now unleashed. This leads to a full-blown andaffirmative chorale. Following this climax the work winds down diminishing in intensity. There are passing references to what was heard before. Now comes a last variation on the chant and a pianissimo echo variant in mutedTrumpets and then Woodwinds of the hymns and chorales. As this recedes comes the plaintive cry of anguish again-unresolved. Once again quiet pulsations a short silence-and the epilogue-a few fragments of the opening lullaby-somefinal pulsings-a few timpani beats-silence.I am honored to have been asked to write this work and I thank the Raymond and Beverly Sackler Foundation for making this possible. I also hope that our children's