Come, Ye Sons of Art

A Beginner's Guide Featuring Step-By-Step Lessons with Audio Video and Popular Songs! The First 15 Lessons series provides a step-by-step lesson plan for the absolute beginner, complete with audio tracks, video lessons, and real songs! Designed for self-teaching or for use with an instructor, you'll build a solid foundation as you work through each lesson, learning the basics of the instrument and music reading while practicing the many exercises, concepts and song excerpts within. Must-know instruction so you can start playing right away, with a free online tuner and metronome! The electric guitar book features lessons on: guitar fundamentals, music reading, chords, strumming, arpeggios, syncopation, hammer-ons

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Some Reasons For Hesitating (1999) for Ensemble by Juliana Hodkinsons. Some reasons for hesitating was written for Nouvel Ensemble Moderne Montréal. First performance: Adelaide Festival of the Arts March 2000. Programme note: The piece is held together not by the grid of vertical time-coordination (a common metre common barlines) nor with the aid of a conductor but by a network of interdependent local cues such that the elements of each musician’s part – fragmented and incoherent as they are in isolation – serve by design as points of departure for the other musicians’parts. So the organising coherence of the whole is cut up into seemingly inert formless elements containing on their own little information or meaning but gaining sense once put together. The lack of a common framework to hold the sounds and silences results in a particular kind of waiting in which the silent musician is involved in the possibility that the end of that waiting may come a little unpredictably or unexpectedly. One benefit of this kind of communication between musicians is an increased intensity of pauses and waiting; one risk is the danger of missing a cue altogether. These phenomena are welcome as audible signs that (the) performance is a creative act relating hearing and action in a fragile process which requires constant adjustments and readjustments. Parts are available on hire: hire@ewh.dk

Edition c. La popularité de la musique celtique a explosé au cours des dix dernières années en raison de la recrudescence des instruments folk, danse celtique et la culture irlandaise globale. Cette étonnante collection réunit plus de 400 chansons d'Irlande, Ecosse et du pays de Galles - complet, avec des paroles gaéliques, le cas échéant - et un guide de prononciation. Titres comprennent: à travers l'ouest de l'océan o avec mon amour, j'irai o autel Isle o ' la mer o Auld Lang Syne o Avondale o The Band Played On o o Barbara Allen bénédiction de la route o o The Blue Bells of Scotland The Lass Bonniest o o A Bunch of thym The Chanty que captif le o de la sorcière Colomb était un irlandais o o Danny Boy de Duffy bourdes o Erin ! OH Erin ! o o de sillage du père Murphy o Finnegan Galway Piper o la fille j'ai laissé derrière moi o a quelqu'un ici vu Kelly o je sais où je suis Irish Rover Goin ' o o Loch Lomond o o Molly Malone My Bonnie trouve au-dessus de l'océan o mon o Rose irlandais sauvage les rives du Amerikay o The Sons of Liberty o qui est un o berceuse irlandais lorsque irlandais Ey... / Instruments En C / 256 pages / Partition

Purcell composed six of his finest odes to honour the birthdays of Queen Mary in successive years from 1689. Come Ye Sons Of Art (1694) followed recent stage successes and contains some of the composer's most sparkling and memorable instrumental and vocal writing. This authoritative performing edition is prepared by the leading Purcell expert Robert King.

A breakthrough in making music theory come to life! <br> <br>An ideal teaching supplement brings theory to life by explaining a musical principle then showing it at work in an actual song. <br> <br>Using everything from folk songs to Gilbert & Sullivan favourites and pop hits, abstract music theory becomes easy to understand with this unique combination of explanation and demonstration. <br> <br>Ideal for private tuition, school lessons or anyone who wants to understand more about music theory into practice on the National Curriculum to create a truly fun method of learning. <br> <br>Includes a host of theoretical examples such as Ground Bass Syncopation and 12 Bar Blues Riffs. / Méthodes & études instrumentales / Partition /