Format : Sheet music
SKU: HL.48180197
UPC: 888680906016. 9.5x12.0x0.9 inches.
Considered as the practical guide for flute, Complete Flute Method was co-written by Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941). Published in 1923, this method is strongly progressive: helping the beginner from the very start, it should develop and help them to master the necessary theory, technique and tone of this instrument. The 227 pages all contain descriptions and comments written in French, English, German and Spanish, which stand out by their precision and detail. Recognised worldwide thanks to Marcel Moyse, Emmanuel Pahud and Pierre-Yves Arthaud among others, Complete Flute Method demonstrates and confirms the quality and professionalism of these French flautists and their methods. Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941) are both professional flautists who collaborated on different projects together, including this method and the 17 Grands Exercices Journaliers de Mécanisme.
SKU: FZ.5953
ISBN 9790230659536. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in seven books. P. BIGOT - Victor Jean Baptiste COCHE (1) - Louis DROUET - Jacques Hippolyte Aristide FARRENC - Francois Joseph FETIS - Jean Georges KASTNER (1-2) - Pierre VAILLANT - Eugene WALCKIERS. Table of contents: Vaillant Pierre: Nouvelle methode de flute - c. 1826. Douet Louis: Methode pour la flute - c. 1827. Walckiers Eugene : Methode de flute - c. 1829. Bigot P. : Solfege pour la flute - apres 1832. Fetis Francois Joseph: Exposition des produits de l'industrie - 1834. Kastner Jean Georges: Traite General - 1836. Kastner Jean Georges: Supplement Traite General - c. 1837. Coche Victor Jean Baptiste: Examen critique - 1838. Farreng Jacques Hippolyte Aristide: Flute Boehm - 1838. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). - Hector Berlioz Library, National Conservatory of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the flute.
SKU: MB.96332M
ISBN 9780786688760. 8.75 x 11.75 inches.
While the wooden simple-system flute is traditionally used in playing Irish music, a growing number of folk players have adopted the silver flute as a viable alternative. Here for the first time, The Complete Irish Flute Book presents the silver or Boehm flutist with a method for learning authentic Irish ornamentation. This thorough guide provides detailed fingering charts, exercises, and technical essays for learning to execute ornaments in the in the Irish style. Through a wealth of hornpipes, reels, jigs, set dances, and slow airs and songs. This book focuses not only on musical accuracy, but stylistic authenticity as well. Includes access to online audio containing 26 of the 101 tunes from the book.
SKU: BT.DHP-1074385-401
ISBN 9789043128117. 9x12 inches. Dutch.
[algemeen]De succesvolle methode Easy Steps is ontwikkeld vanuit de praktijksituatie. Met name in het begin zijn de stapjes heel klein: geleidelijke progressie is het motto. Zo krijgt de leerling de kans de verworven vaardighedengoed te verwerken - aan de hand van begrijpelijke uitleg, oefeningen, spelletjes, bekende liedjes en medleys. Van alle oefeningen en speelstukken staat de begeleiding op de bijgevoegde cdâ??s. De duidelijke opzet en overzichtelijkeopmaak zorgen voor extra helderheid. Deze complete methode is bedoeld voor gebruik in de muziekles en laat alle ruimte voor een persoonlijke invulling.[deel 1]Naast de twee cdâ??s bevat deel 1 van Easy Steps een dvd metonder andere instructies over speelhouding, embouchure en instrumentonderhoud. [deel 1 trompet]De cdâ??s van Easy Steps voor trompet zijn ingespeeld door niemand minder dan Frits Damrow, solotrompettist van het Concertgebouworkest.[deel 2]In deel 2 wordt toegewerkt naar de eisen die gesteld zijn aan het A-examen van de muziekschool. Achter in het boek zijn een paar voorbeelden van examenstukken opgenomen.[pianobegeleidingsboek]Eenvoudige pianopartijenbij de medleys uit de methodeboeken: hiermee ontstaat de mogelijkheid om al snel leuke live-optredens te verzorgen op school of op een voorspeelavond.
SKU: GI.G-J179
English.
Compositions and arrangements for winds and percussion with optional improvisation! Twelve selections for concert band in one book. Highlights include: • Optional improvisation sections in each selection • Grade levels II–IV • Full score with complete instrumentation • Music for all ages and for all seasons • Recordings (CD or cassette) available, performed by instrumentalists from the Eastman School of Music • Playable with minimal to full instrumentation Part books (specify instrument and catalog number below): Flute (J179) - Oboe (J180) - Clarinet I (J181) - Clarinet II (J182) - Bass Clarinet (J183) - Bassoon (J184) - Alto Saxophone (J185) - Tenor Saxophone (J186) - Baritone Saxophone (J187) - Trumpet I (J188) - Trumpet II (J189) - Horn (J190) - Trombone I (J191) - Trombone II (J192) - Baritone BC (J193) - Baritone TC (J194) - Tuba (J195) - Bells/Xylophone/Piano (J196) - Percussion (J197) - Demonstration compact disc (J198CD).
SKU: FZ.6222
ISBN 9790230662222. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Volume 1: Anonyme - BARTOLOTTI A. M. - BOYVIN J. - BUTERNE J-B. - CARRE A. Sieur de La Grange - CHARPENTIER M-A. - CHAUMONT L. - D'ANGLEBERT J-H. - DE LA BARRE M. - DELAIR D. - FLEURY N. - MARAIS M. - NIVERS G. G. - PERRINE - SAINT-LAMBERT M. de. Volume 2: CAMPION F. - CAMPION T. - CHERON A. - CLERAMBAULT N. - COUPERIN F. - DANDRIEU J-F. - DELAIR D. - LECLAIR J. -M. - RAMEAU J. -P. Volume 3: Anonyme - CAMPION F. - DORNEL A. - FORQUERAY A. - GERVAIS L. - GOUDAT - GUILLEMAIN L. -G. - MONNIER Le Cadet - MONTECLAIR M. P. de - PINGRE A-G. - RAMEAU J. -P. - SERRE DE RIEUX J. - TELEMANN G. P. - TRAVENOL L. A. Volume 4: ALEMBERT J. Le Rond d' - BLAINVILLE C. H. de - CORRETTE M. - DUBUGRARRE - GEMINIANI F S. - LAPORTE C. de. Volume 5: BETHISY J-L. de - BIFERI F. (fils) - CLEMENT C-F. - DUBREUIL J-J. - GARNIER H. - GIANOTTI P. - GOUGELET Madame - LABBET A. J. - LE BOEUF - RAMEAU J. -P. - ROUSSIER P-J. - SIMON S. - TAPRAY J. Volume 6: Anonyme - BEMETZRIEDER A. - CORRETTE M. - FROESTLER B. - GOURNAY B. C. - LANGLE H-F-M. - RODOLPHE J-J. - ROUSSIER P-J. Table of contents: Volume 1: Fleury Nicolas: Methode pour apprendre facilement - 1660. Bartolotti Angelo Michele: Table pour apprendre facilement - 1669. Carre Antoine: Livre de Guitarre Contenant Plusieurs pieces - 1671. Perrine: Livre de Musique pour le Lut - 1680. Anonyme: Petites Reigles Generalles qui peuvent servir de methode - 1680. Nivers Guillaume Gabriel: Motets a voix seule - 1689. D'Anglebert Jean Henry: Pieces de clavecin - 1689. Marais Marin: Basse-continues des pieces a une et a deux Violes - 1689. Anonyme: (traite abrege d'accompagnement) - c. 1690. Anonyme: Regles pour l'Accompagnement - 1690. Delair Denis: Traite d'accompagnement pour le theorbe - 1690. Charpentier Marc Antoine: Abrege des regles de l'accompagnement - c. 1692. Chaumont Lambert: Pieces D'orgue sur les 8 tons - 1695. Buterne Jean-Baptiste: Petites Reigles pour l'accompagnement - 1700. Boyvin Jacques: Second livre d'orgue - 1700. Anonyme: Traite d'accompagnement du Clavecin - c. 1700. De La Barre Michel: Premier livre de pieces pour la flute - 1702. Saint-Lambert Michel de: Nouveau Traite de l'accompagnement - 1707. Volume 2: Couperin Francois: Regles pour l'accompagnement - s. d. Campion Thomas: Traite d'accompagnement et de composition - 1716. Clerambault Nicolas: Regles d'accompagnement - 1716. Clerambault Nicolas: Principes d'accompagnement - 1716. Dandrieu Jean Francois: Principes de l'accompagnement - 1719. Rameau Jean-Philippe: Traite de l'harmonie - 1722. Delair Denis: Nouveau traite d'accompagnement - 1724. Leclair Jean-Marie: Premier livre de sonates - 1723. Rameau Jean-Philippe: Nouveau systeme de musique theorique - 1726. Cheron Andre: Sonates en trio - 1727. Campion Francois: Lettre du sieur Campion a un philosophe - 1729. Campion Thomas: Addition au traite d'accompagnement - 1730. Volume 3: Pingre Alexandre Gui: Traite de l'harmonie - s. d. Rameau Jean-Philippe: Observations sur la Methode d'Accompagnement - 1730. Rameau Jean-Philippe: Plan abrege d'une Methode nouvelle - 1730. Monteclair Michel Pignolet de: Reponse du second Musicien au premier - 1729. Rameau Jean-Philippe: Replique du premier Musicien a la reponse du second - 1730. Monteclair Michel Pignolet de: Reponse du second Musicien au premier Musicien - 1730. Rameau Jean-Philippe: Replique du premier Musicien a l'ecrit du second - 1730. Rameau Jean-Philippe: Dissertation sur les differentes metodes - 1732. Gervais Laurent: Methode pour l'accompagnement - 1733. Campion Francois: Second recueil d'airs - 1734. Serre de Rieux Jean: Les dons des Enfans de Latone - 1734. Telemann Georg Philipp: Nouveaux Quatuors en six Suites - 1738. Goudat: Principes de Laccompagnement - 1738. Travenol Louis Antoine: Premier livre de Sonates a violon seul - 1739. Guillemain Louis Gabriel: Six sonates en quatuors - 1743. Monnier le Cadet: L'art de Toucher le Clavecin dans son propre caractere - c. 1745. Dornel Antoine: le Tour du Clavier - 1745. Forqueray Antoine: Pieces de Viole avec la Basse Continue - 1747. Anonyme: (Methode d'accompagnement) - s. d. Volume 4: Alembert Jean Le Rond d': Elemens de musique - 1752. Blainville Charles Henri de: Essay sur un troisieme mode - 1751. Corrette Michel: Le maitre de Clavecin - 1753. Laporte Claude de: Traite theorique et pratique - 1753. Geminiani Francesco Saverio: L'art de bien accompagner - 1754. Dubugrarre: Methode plus courte et plus facile - 1754. Volume 5: Tapray Jean: Abrege de l'accompagnement - 1755. Labbet Antoine Joseph et Leris Antoine de: Sentiment d'un Harmoniphile - 1756. Clement Charles Francois: Essai sur l'accompagnement - 1758. Gianotti Pietro: Le guide du compositeur - 1759. Rameau Jean-Philippe: Code de musique pratique - 1760. Bethisy Jean-Laurent de: Exposition de la theorie et de la pratique - 1764. Roussier Pierre-Joseph: Traite des accords et de leur succession - 1764. Le Boeuf: Traite d'harmonie et regles d'accompagnement - 1766. Garnier Honore: Nouvelle methode pour l'accompagnement - 1767. Dubreuil Jean-Jacques: Manuel harmonique - 1767. Biferi Francesco Fils: Traite de musique abrege, divise en trois parties - 1770. Simon Simon: Theorie pratique d'accompagnement - s. d. Gougelet Madame: Methode ou abrege des regles - 1771. Volume 6: Roussier Pierre-Joseph: L'harmonie pratique - 1775. Corrette Michel: Prototipes contenant des lecons d'accompagnement - 1775. Anonyme: Abrege des regles de composition - 1777. Bemetzrieder Antoine: Nouvelles lecons de clavecin ou instructions generales - 1782. Rodolphe Jean-Joseph: Theorie d'accompagnement - c. 1785. Gournay B. C. : Lettre a M. l'abbe Roussier - 1785. Langle Honore-Francois-Marie: Traite de la basse sous le chant - 1797. Froestler B. : Traite d'harmonie et de modulation - 1800. Anonyme: Principes de l'accompagnement - s. d. Anonyme: Regles d'accompagnement - s. d. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimiles of copies from: - Conservatory Library of Geneva (Switzerland). - Conservatory Library of Dijon (France). - Royal Conservatory of Liege (Belgique). - Municipal Library of Bordeaux (France). - Municipal Library of Grenoble (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Royal Library of Brussels (Belgium). - Sainte-Genevieve Library of Paris (France). - British Library of London (England). - Nederlands Muziek Instituut of The Hague (Netherlands). - Yale University, Music Library of New Haven (USA). - Zentralbibliothek of Zurich (Switzerland). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the continuo.
SKU: FZ.5994
ISBN 9790230659949. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Anonyme - BARTOLOTTI Angelo Michele - BOYVIN Jacques - BUTERNE Jean-Baptiste - CARRE Antoine Sieur de La Grange - CHARPENTIER Marc-Antoine - CHAUMONT Lambert - D'ANGLEBERT Jean-Henry - DE LA BARRE Michel - DELAIR Denis - FLEURY Nicolas - MARAIS Marin - NIVERS Guillaume Gabriel - PERRINE - SAINT-LAMBERT Michel de. Table of contents: Fleury Nicolas: Methode pour apprendre facilement - 1660. Bartolotti Angelo Michele: Table pour apprendre facilement - 1669. Carre Antoine: Livre de Guitarre Contenant Plusieurs pieces - 1671. Perrine: Livre de Musique pour le Lut - 1680. Anonyme: Petites Reigles Generalles qui peuvent servir de methode - 1680. Nivers Guillaume Gabriel: Motets a voix seule - 1689. D'Anglebert Jean Henry: Pieces de clavecin - 1689. Marais Marin: Basse-continues des pieces a une et a deux Violes - 1689. Anonyme: (traite abrege d'accompagnement) - c. 1690. Anonyme: Regles pour l'Accompagnement - 1690. Delair Denis: Traite d'accompagnement pour le theorbe - 1690. Charpentier Marc Antoine: Abrege des regles de l'accompagnement - c. 1692. Chaumont Lambert: Pieces D'orgue sur les 8 tons - 1695. Buterne Jean-Baptiste: Petites Reigles pour l'accompagnement - 1700. Boyvin Jacques: Second livre d'orgue - 1700. Anonyme: Traite d'accompagnement du Clavecin - c. 1700. De La Barre Michel: Premier livre de pieces pour la flute - 1702. Saint-Lambert Michel de: Nouveau Traite de l'accompagnement - 1707. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). - Sainte-Genevieve Library of Paris (France). - Nederlands Muziek Instituut of The Hague (Netherlands). - Royal Conservatory Library of Liege (Belgium). - Municipal Library of Bordeaux (France). - Municipal Library of Grenoble (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the continuo.
SKU: AP.1-ADV14768
UPC: 805095147681. English.
A new and exciting and unique way for bassists to learn and practice how to play in a jazz rhythm section and how to accompany a jazz soloist.This book/audio set features 15 solo etudes based on blues and standard chord progressions, demonstrated by different soloists along with a world-class rhythm section: Dave Hazeltine, piano; Paul Gill, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the complete rhythm section and one without the piano. Sit in for Paul and comp for Jim Snidero, alto sax; Eric Alexander, tenor sax; Ryan Kisor, trumpet; Slide Hampton, trombone; or Joe Cohn, guitar.Compatible editions are available for alto and baritone, tenor and soprano saxophone, flute, clarinet, trumpet, trombone, violin, guitar, piano comping, and drums making it invaluable for larger ensemble instruction.
SKU: HL.49046725
UPC: 196288019923.
The new method for all who already know how to play the recorder and want to explore the bass recorder. With numerous solo pieces, duos and works with piano or harpsichord accompaniment, the method introduces bass recorder playing and bass clef. Quartets are available for download. Playing tips and interesting facts as well as etudes to promote finger dexterity complete the textbook. The method focusses on music from the 16th to 18th centuries. In both editions the piano part has been adapted to the low bass register.
SKU: M7.APUE-516094
ISBN 9781875516094.
This book of Duets and Trios (Grade 1 - Grade 3 level) makes it easy for students to follow their ensemble part by using colour coded clefs/key signatures. The music covers a wide range of composers, as well as traditional tunes from around the world. There is a selection of festive music, a section of rounds, plus there are warm up exercises, each focusing on one aspect of ensemble technique. The arrangements work well with anything from two players up to a large flute choir/ensemble. Many pieces offer maximum flexibility as they can be played as a trio; OR the blue and red parts are harmonically complete to be played as a duet; OR there are also optional piano parts for some pieces, to be found in Book 3 (accompaniments). There are free recordings of all the duets and trios on The Young Flute Player YouTube channel. These videos can be adjusted to any speed, so are great for students to practise their part at home. This ensemble book can be used either independently, or in conjunction with the tutor/method books in The Young Flute Player series.
SKU: M7.APUE-516087
ISBN 9781875516087.
Young players who are just starting to read music can find it very difficult to follow a duet or trio. This book solves the problem with colour coded music, making it easy for beginners to follow their ensemble part. Students only need to know 4 or 5 notes to start playing the first duets in this book, which covers Beginner and Preliminary levels. The music spans a wide range of composers, as well as traditional tunes from around the world. There is a selection of festive music, a section of rounds, and there are warm up exercises, each focusing on one aspect of ensemble technique. The arrangements work well with anything from two players up to a large flute choir/ensemble. Many pieces offer maximum flexibility as they can be played as a trio; OR the blue and red parts are harmonically complete to be played as a duet; OR there are also optional piano parts for some pieces, to be found in Book 3 (accompaniments). There are free recordings of all the duets and trios on The Young Flute Player YouTube channel. These videos can be adjusted to any speed, so are great for students to practice their part at home.This ensemble book can be used either independently, or in conjunction with the tutor/method books in The Young Flute Player series.