Complete Piano Works - Volume 5

Complete Piano Works Volume I-Franz Xaver Mozart was W. A. Mozart’s youngest son. Intended for a career in music by his mother from the very beginning he followed in his father’s footsteps but was not able to step out from under his shadow duringhis lifetime.In Henle's urtext edition in two volumes (Volume II HN 959) all of his Piano Works for two and three hands are published for the first time.Volume I contains nine in part veryextensive variation cycles (one of them is a first publication) an expansive Fantasia in A major (also a first publication) and the Sonata op. 10 with four movements. A cycle of variations for three hands bringsthe volume to an original close.

Bartók is regarded as one of the most important composers of the 20th century. He became famous both as a music teacher and as an ethnomusicologist. Being a trained pianist, his relation to the piano certainly was very special and is reflected in numerous piano works.This comprehensive collection of selected piano works by Bartók is a rich source of his most beautiful pieces, including the two complete volumes For Children. / Piano

These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.

Including the Paganini Etudes and Concert Etudes Ed. Busoni-Series II of the Dover republication in two series of the three-volume edition published by Breitkopf

Editée il y a moins de 10 ans par les éditions Henle sous la référence 925, cette partition de musique Complete Piano Works - Volume III du compositeur Schumann Robert a été composée pour Piano. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Piano / Partition

Editée il y a moins de 10 ans par les éditions Henle sous la référence 921, cette partition de musique Complete Piano Works - Volume I du compositeur Schumann Robert a été composée pour Piano. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Piano / Partition

Edition without fingering-The revision of the three-volume edition of Haydn???s piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in pure??? Urtext free from added fingering suggestions will now also find these in the Henle catalogue. Volume III offers the crowning achievement of Haydn???s sonata-writing with these late works including famous works such as the stormy Sonata in e minor Hob. XVI:34 and the grand??? Sonata in E-flat major Hob. XVI:52. Superbly laid-out settings for the piano are combined here with great musical expressivity which is why these sonatas remain firmly anchored in concert life to this day.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings ??? a who???s who??? on the contemporary piano scene. G. Henle Publishers now presents this classic revised and with a new look to all pianists in the certainty that Haydn???s sonatas will further cement their place in the world of music. Volume III offers the crowning achievement of Haydn???s sonata-writing with these late works including famous works such as the stormy Sonata in e minor Hob. XVI:34 and the grand??? Sonata in E-flat major Hob. XVI:52. Superbly laid-out settings for the piano are combined here with great musical expressivity which is why these sonatas remain firmly anchored in concert life to this day.

The Books of 1726-7 and 1741-This is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes.It also includes many new insights into performance practice (e.g. the handling of repeat signs in the original prints) and presents the music entirely in modern clefs. The result is a reliable and unique edition for today’s performers that does full justice to recent findings in historical performance practice.For the first time all accidentals and expression marks are reproduced exactly as they appear in the sources. All ofRameau’s written comments a key source on performance practice are reproduced in the original French with translations into German and English.Rounding off the edition are instructive facsimiles and a detailed preface in which the editor the celebrated harpsichordist and conductor Siegbert Rampe discusses the sources editorial method and important aspects of performance.Complete scholarly-critical Urtext edition in modern clefsIncludes the latest findings in performance practiceIncludes Rameau’s written comments and explanations in the original and in translations in English and GermanIdeal format (24.3 x 31 cm)

Par SCHUMANN ROBERT. À l’occasion du 200é anniversaire de la naissance de Robert Schumann en 2010, un projet dédition ambitieux a été conlcu: pour la première fois après l’édition par Clara Schumann des oeuvres complètes de Schumann en 1879–93, toutes les oeuvres pourpiano solo sont publiées dans le cadre dune même édition. Pendant près de dix ans de travail minutieux, tous les titres de Schumann déjà publiés aux Éditions G. Henle ont été soumis à une révision détaillée. Ernst Herttrich, spécialiste de Schumann, avait passé chaque édition au banc d’essai, se consacrant aussi aux oeuvres jusqu’ici absentes de notre catalogue. La présente collection comprenant six volumes est disponible en version brochéeou reliée et dans la série «Studien-Edition» en coffret. Classée de façon explicite selon les numéros d’opus, cette publication regroupe non seulement toutes les oeuvres pour piano de Schumann conformes à l’état actuel de la recherche, mais elle renferme aussi des textes d’accompagnement informatifs, desversions alternatives et bien d’autres choses. Contents: Faschingsschwank aus Wien op. 26- 3 Romanzen op. 28- Scherzo, Gigue, Romanze und Fughette op. 32- Album für die Jugend op. 68 - Vier Fugen op. 72- Vier Märsche op. 76- Waldszenen op. 82 / Partition reliée / Date parution : 2010-10-15/ Répertoire / Piano

The War Years (1914-1916)-First critical Urtext edition based on all available autograph manuscripts and printed sourcesWith a detailed foreword and critical commentary (both Fr/Eng/Ger) complemented by numerous facsimilesWell-presented layoutWith his Douze Préludes Op.36 and Trois Nocturnes Op.35 composed between 1914 and 1916 Vierne followed in the Romantic piano tradition whilst lending the historic models that special sound between elegance and expressivity as is characteristic for French music of the period. The editor of the volume is the distinguished pianist Olivier Gardon. As a performer and scholar he has researched Louis Vierne?s piano music for over twenty years of which he hasan unparalleled knowledge. This can be convincingly heard on Olivier Gardon?s complete CD recording of 1995.

To mark the Handel Year 2009 Bärenreiter is offering a special set on all Handel’s keyboard music. Up till now all works have been published as individual volumes Keyboard Works I-IV (BA 4221-4224) in the 'Halle Handel Edition'.   These volumes encompass Handel’s output over a long period spanning approx. 1705 to 1750. Volumes I and II include both collections of suites (1720 and 1733) which the composer himself saw to print. These standout in terms of their compositional demands and are a testimony to Handel’s sometimes idiosyncratic treatment of the Baroque form. Volumes III and IV contain all the other individual surviving piecesand miscellaneous suites.   The edition based on the Urtext of the 'Halle Handel Edition' has been edited by the internationally-renowned Handel scholar Terence Best. The music text in each volume which also takes into consideration alternative versions of individual pieces is accompanied by a detailed foreword on the history of the compositions transmission and performance practice.   Urtext based on the 'Halle Handel Edition' Comprehensive edition of Handel’s keyboard works Detailed introductory text with notes on performance practice (German/English) Based on the latest Handel research findings Barenreiter sheet music performing editions present the authentic text and the latest findings of scholarly research enabling players to get as close to the composer's intentions as the surviving sources will allow. There are no arbitrary editorial editions and the quality of the musical text matched by an appearance on the page that satisfies the most discerning eye. Comprehensive edition of Handel's Keyboard works. Detailed introductory text with notes on performance practice (German/English) Based on the latest Handel research findings. 'By using one of Barenreiter's scores I feel confident that I have an edition that has been meticulously prepared to the highest standards and with the latest research. It feels good to have a Barenreiter score in your hand. For many

When Christa Landon presented the first printed version of her edition of Joseph Haydn's Piano sonatas Haydn's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. Since the Haydn anniversary in 2009 this 'legendary' edition has been thoroughly revised for over the course of more than forty years new sources have come to light. Questions of authenticity have also been resolved not least because the editorial principles for 18th-century music havechanged considerably. The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volume 3 of the new edition comprises the 17 sonatas Hob. XVI:21–32 and Hob. XVI:35–39 contained in Vol. 2 of the previous Wiener Urtext edition including popular works for music lessons such as Hob. XVI:27 35 and 37. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn's performance practice and with the help of numerous examples shows possibilities to embellish the pauses frequently used by Haydn.