Complete Songs Volume 2

33 Songs for Voice and Piano - Critical edition-Numbering more than 100 in total and composed across a 60-year period Gabriel Fauré's songs form the single most influential contribution to the field of French art song.Despite their importance the songs have long been riddled with misprints and inconsistencies. This first complete critical edition is based on study of hundreds of manuscript and printed sources along with evidence and interpretative advice from artists who worked with Fauré;. Above all it is a practical edition informed by extensive work with musicians in performances masterclasses and workshops.This second volume comprises the songs of Fauré's creative maturity including popular favourites (Les Roses d'Ispahan Clair de lune) alongside some lesser-known gems together with his three vocal duets and the delightful four-voice Madrigal.

Johannes Brahms's Complete Songs - Volume 1 comes packed with 51 songs from the famous composers impressive repertoire. Includes the works Alte Liebe Op. 72 No. 1 Am Sonntag Morgen Op. 49 No. 1 An den Mond Op. 71

Songs II for Low Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)

The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Fauré’s seventeen settings of the poetry of Paul Verlaine mark the biggest single stylistic leap of his compositional career and arguably one of the high points of the entire art song repertoire. The present edition contains the three individual settings Claire de lune Spleen and Prison together with the Op. 58 “Venetian” Songs and the magnificient cycle La Bonne Chanson. With its focus both practical and scholarly this new Complete Edition of songs aims to encourage creative confident and well informed performance. Founded on study of hundreds of manuscripts and printedsources it has been tested internationally in masterclasses workshops seminars concerts and recordings. In this it takes a lead from the composer who prepared his own editions on the basis fo performing experience. The edition also assimilates interpretative insights from musicians who worked with Fauré as well as from his documented performing preferences.

'Ces chansons sont une source de plaisir sans fin.' - Dictionnaire de Grove. Soixante-quatre chansons, publiés de 1877 à 1886, y compris les favoris tels que Geheimnis, Alte Liebe, et Vergebliches Standchen. Opp. 69, 70, 71, 72, 84, 85, 86, 91, 94, 95, 96, 97. Comprend les traductions anglaises des commentaires de l'éditeur original.Réimpression du volume 25 de Johannes Brahms- Sämtliche Werke: Ausgabe der Gesellschaft der Musikfreunde in Wien, Breitkopf and Härtel, Leipzig, nd / Voix Et Piano

Op. 55-Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet Adolf Heyduk were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter a member of the Vienna Court Opera and the work’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes one for high voice and another for low voice. Third volume from the new five-volume Urtext edition of Dvorák’s complete songs One of the most popular and best-known song cycles of the romantic repertoire Extensive Foreword (Cz/Eng/Ger) andCritical Commentary (Eng) by the editor Vocal texts in three languages (Cz/Eng/Ger)

Complete Works Volume 18ACONTENTSSongs hitherto uncollected:Over the Mountains high (Bjørnson) C sharp - E; Zwei braune Augen (Hans Anderson) B - C sharp; Der Fichtenbaum (Heine) E - F; Hochgebirgsleben (Ibsen) [original version] F - A (C); O schneller mein Ross (Geibel) D sharp - G (B flat); Chanson de Fortunio (de Musset) B flat - F sharp; Mit deinen blaunen Augen (Heine) [draft] E flat - A; Ein schöner Stern (Heine) E sharp - G sharp; Hör ich das Liedchen Klingen (Heine) E dbl-flat - A flat; Aus deinen Augen fliessen meine Lieder (?Heine) E flat - G flat; Nuages (Richepin) E - G; Traum Rosen (Marie Heinitz) B flat -E flat;Five Songs from theNorwegian:Slumber Song (Bjørnson) D - FThe Nightingale (Welhaven) D - GSummer Eve (Paulsen) D sharp - F dbl-sharpLonging (Th. Kjerulf) C flat - F sharpSunset (A. Munch) D - G;Five Songs from the Danish:The Page sat in the lofty Tower (Jacobsen) D - A flatDreamy Nights (Drachmann) C - GSummer Nights (On the Seashore) (Drachmann) C - G flatThrough long long Years (Red Roses) (Jacobsen) B flat - FWine Roses (Jacobsen) C sharp - E shar

This is the first volume in a five-volume set of the complete songs and vocalises of Gabriel Fauré the only complete critical edition. Based on the study of hundreds of manuscript and printed sources Roy Howat and Emily Kilpatrick have tested the edition internationally in masterclasses workshops seminars concerts and recordings with the participation of professional singers students teachers coaches and specialists. This first volume contains all songs written up to 1882 encompassing many of Fauré’s most well-known and loved songs including Après un rêve Le papillon et la fleur and Au bord de l’eau. The volume includesa preface in French English and German and translations into English and German of the original poetry.

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

Complete Songs of Music Express Magazine (23-24)-Enjoy all of the songs from the fourth year of John Jacobson's MUSIC EXPRESS with this complete volume. The song collection features piano/vocal arrangements choreography and reproducible lyric sheets for 30 songs. ThePerformance/Accompaniment 2-CD set is available separately and includes both vocal demonstration and instrumental tracks-only version for each song. Songs include: All Aboard for Broadway Barnyard Baseball Cometo the Harvest Jamboree Destination America Everybody Say Peace Hallelujah Get on Board Making Music All Day Long Pony in the Pumpkin Patch The Spirit of America When We WorkTogether and many more! Available: Song Collection ShowTrax CD (set of 2). For Gr. 1-6.

The Complete Guitar Player is the way for anyone to learn guitar easily quickly enjoyably! The method starts with simplified notation moving on to standard music notation later. Clear diagrams and helpful demonstration photographs keep things simple. Hit songs and specially composed instrumentals make learning fun. A complete 3 volume course in a single handy volume!

Serge Rachmaninoff: Complete Songs For Voice And Piano is a rich collection of 71 compositions including some of the most hauntingly beautiful passages in vocal literature. This songbook is an exciting treasury of glorious songs; Opp. 4 14 21 26 34 and 38 have all been reproduced from authoritative sources in a convenient one-volume edition.Most lyrics are in Russian (Cyrillic) with English translations.