Concert For Quartet (four Saxophones)

1. Entrée - 2. Fugue - 3. Menuet - 4. Passepied - 5. Air - 6. Final-Concert En Quatuor by Jeanine Rueff is a piece for four Saxophones (Bb Soprano Eb Alto Bb Tenor Eb Baritone). This edition features all the scores including the conductor’s. Very difficult it is dedicated to the “Marcel Mule Quartet”. Divided into six parts and lasting 17’30 minutes this work is really melodious and contains a fugue minuet and a passepied: 1. Entr?e – Largo (4/4) 2. Fugue – Allegretto (2/4) 3. Menuet - Andantino (5/4) 4. Passepied – Allegreto (3/8) 5. Air – Largo (4/4) 6. Final en forme de Rondo – Presto (2/4) Jeanine Rueff composed numerous pieces for Saxophones often used in contests as well as many pieces for Saxhorn Clarinet Horn and Cornet.

Music Medals Saxophone Ensemble Pieces are five volumes of enjoyable and accessible repertoire for the developing ensemble progressively graded Copper Bronze Silver Gold and Platinum. They contain original pieces and imaginative arrangements for duets trios and quartets forming a smashing collection of fun pieces and arrangements in various styles to provide much needed diversity and enjoyment. This exciting range is suitable for lessons concerts or as Part of a Music Medal and forms ideal group-teaching material for the development of ensemble playing. For E-flat or B-flat saxophones.

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

A diverse and timeless collection of 66 famous chorales arranged for concert band by Frank Erickson. The chorales are all arranged in four parts (SATB) and, in addition to full band, are playable by a wide variety of smaller groups, from quartet on up. Besides being an excellent warm-up tool, 66 Festive and Famous Chorales for Band provides a perfect opportunity to work on musicianship, phrasing, balance and intonation. / Saxophone

A diverse and timeless collection of 66 famous chorales arranged for concert band by Frank Erickson. The chorales are all arranged in four parts (SATB) and, in addition to full band, are playable by a wide variety of smaller groups, from quartet on up. Besides being an excellent warm-up tool, 66 Festive and Famous Chorales for Band provides a perfect opportunity to work on musicianship, phrasing, balance and intonation. / Saxophone