Concertato on St Thomas

SKU: BR.OB-5287-12

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

ISBN 9790004333303. 9 x 12 inches.

It was long overdue: a complete, source-critical new edition of this ever popular Boccherini Concerto. The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy. All preceding manuscripts are lost. Still available, however, is Friedrich Grutzmacher's pioneer edition (EB 3596, PB/OB 3842), which features a middle movement (the Adagio in G minor) originally found in the Violoncello Concerto in G major No. 7.

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

SKU: BR.PB-5287

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

ISBN 9790004210314. 9 x 12 inches.

It was long overdue: a complete, source-critical new edition of this ever popular Boccherini Concerto. The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy. All preceding manuscripts are lost. Still available, however, is Friedrich Grutzmacher's pioneer edition (EB 3596, PB/OB 3842), which features a middle movement (the Adagio in G minor) originally found in the Violoncello Concerto in G major No. 7.

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

SKU: BR.PB-5297

Haydn's C major Concerto now in a new, up-to-date edition

EB 8634 (edition for violin and piano) with cadenzas by Thomas Zehetmair

ISBN 9790004211755. 10 x 12.5 inches.

Haydn's Violin Concerto in C major has always been closely linked to Breitkopf & Hartel, which began selling copies of the work back in 1769. The first edition came out in 1909 and helped secure the work a broad dissemination and lasting popularity. Strangely enough, this first edition is one of the most important sources today, since its own source a copy of Haydn's autograph, perhaps the autograph itself was lost at the end of World War II. Although other copies from Haydn's time were made, they are textually less reliable. Walter Heinz Bernstein has created an easily playable and pleasant-sounding piano score on the basis of the first edition, whereby he has respected the early classical continuo practice. As he did earlier in the G major Concerto (EB 8606), Thomas Zehetmair has once again accepted the challenging task of embellishing the solo part with stylistically accurate cadenzas and flourishes. This delightful concerto is thus now available in a modern edition.The piano-harpsichord part by Walter Heinz Bernstein features a continuo part in keeping with the late Baroque performing tradition and offers a much cleaner, unfettered realization.(Stringendo)

Haydn's C major Concerto now in a new, up-to-date edition.

SKU: CR.984288

ISBN 9780758661678. 7 x 10.25 inches.

Thomas Keesecker's tuneful setting of the beloved Bianco da Siena text is for mixed two-part voices with a flowing piano accompaniment. This piece is great for smaller choirs and is well placed at services on Pentecost.

SKU: HL.14043812

ISBN 9788759836644. International (more than one language).

Cello Concerto was composed by Thomas Agerfeldt Olesen in 2015. Written to Nicolas Altstaedt on commission from Arhus Symfoniorkester and Die Duisburger Philharmoniker with support from The Danish Arts Foundation First perfomance in Arhus Sept 24, 2015. Programme note: This concerto contains a lot of technical and structural stuff that I have forgotten all about now. Without it though, the piece would have been a big mess of emotions, since it was written while my family and I were taking care of my mother as she was terminally ill. I recognize it having become a kind of rondo. The music wanted a place to return to, and perhaps it is due to the fact that my mother was alwayssomeone I could return to when everything else was exploding. In the end, the rondo dies and the music goes somewhere else, like all mothers.