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| Georg Philipp Telemann:
Viola Concerto In G
Major: Viola: Score
Viola, Piano
G. Henle
Piano reduction-Georg Philipp Telemann's Viola Concerto In G Major. Piano reduct...(+)
Piano reduction-Georg Philipp Telemann's Viola Concerto In G Major. Piano reduction.The Viola is often not credited with being able to take over a soloistic role but this is completely unjust. In 1738 JohannPhilipp Eisel already wrote of the Viola as being the ?very bowels of music? and stressed that it was not only needed to ?flesh out? the Orchestral sound but also as a 'concert voice which is fully proven by the concertos andconcert overtures by the famous Capell-Meister Telemann'.Telemann?s Concerto In G Major is considered to be one of the earliest works for solo Viola and Orchestra and forms part of thecore repertoire for pupils and students. In this Urtext Piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.
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| Wolfgang Amadeus Mozart:
The Violin Concerti &
Sinfonia Concertante
K.364:
Orchestra, Violin - Advanced
Dover Publications
Written in the year 1775, Mozart's lively violin concerti manifest the young com...(+)
Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.
Shipment: (stock) information on site |
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| Clarinet Concerto In B
Flat Major
Parties Orchestrales
Peters
7.02 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time: On order |
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| Cello Concerto In D Major
Parties Orchestrales
Peters
10.24 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time: On order |
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| Jan Krtitel Vanhal:
Concerto for Viola and
Orchestra C major: Viola:
Viola, Piano
Barenreiter
The Bohemian composer Jan K titel Va hal/Johann Baptist Vanhal (1739 1813) settl...(+)
The Bohemian composer Jan K titel Va hal/Johann Baptist Vanhal (1739 1813) settled in Vienna around 1763. There he wrote several concertos for various instruments of which two for Viola have survived. Both are evidently not original compositions but arrangements by Va hal of some of his own works a common practice of that time. The Viola Concerto In C Major is based on Va hal's Cello concerto in the same key.Barenreiter's new revised edition makes this Concerto available once again. The solo part contains cadenzas for each movement.Performance material is available for hire.
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| Incantation. Concerto for
Piano and Orchestra No. 4
H 358 / Fantasia
Concertante. Concerto for
Piano and Orchestra No. 5
in B-flat major H 366
(MARTINU BOHUSLAV)
Orchestra [Sheet music]
Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...(+)
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work.
The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Franz Anton Hoffmeister:
Hoffmeister: Orchestra
and Solo: Instrumental
Album
Viola [Sheet music + CD]
Music Minus One
Performed by Elissaveta Staneva violaAccompaniment: Plovdiv Youth OrchestraCond...(+)
Performed by Elissaveta Staneva violaAccompaniment: Plovdiv Youth OrchestraConductor: Nayden TodorovHoffmeister's viola concerto is one of the first major concerti to feature the viola as a virtuoso soloinstrument. One of the most popular of this prolific composer's works it is a beautiful piece in the classical tradition. Includes a printed music score with informative liner notes; and a compact disc with the concerto performedfirst in stereo with the soloist then again in Stereo minus you the soloist.
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| Telemann G.p - Concerto
In G Major - String
Orchestra
String Orchestra
Schott
G major - Stimmensatz - each 3 violins I+II, 2 violas, 3 cellos/double basses - ...(+)
G major - Stimmensatz - each 3 violins I+II, 2 violas, 3 cellos/double basses - 2 violas, strings and basso continuo editor: Lebermann, Walter composer: Telemann, Georg Philipp Série: Concertino Difficulté: Intermediate pages: 48
Pre-shipment lead time: In Stock |
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| Wolfgang Amadeus Mozart:
Oboe Concerto In C K.314:
Oboe: Score
OB/ORCH::Oboe, Orchestra [Sheet music]
Barenreiter
Oboe Concerto In C Major K.314 (285d).Oboe Solo Oboe (2) Horn (2) Violin (2) ...(+)
Oboe Concerto In C Major K.314 (285d).Oboe Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians takeall available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No. 13 in
C major K. 415: Piano &
Piano Quintet: piano, 2 violins,
viola, cello
Barenreiter
Edition for piano two violins viola and violoncello-Edition for piano two vio...(+)
Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
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| Johann Pfeiffer: Concerto
in B-flat Major:
Orchestra: Score and
Parts
Orchestra [Score and Parts]
Metropolis Music Publishers
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nurember...(+)
German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
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| Wolfgang Amadeus Mozart:
Piano Concerto No. 12 in
A Major K.414: Piano &
Piano Quintet: piano, 2 violins,
viola, cello
Barenreiter
'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the app...(+)
'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived Piano concertos. These three concertos may be performed not only with a large Orchestra including wind instruments but also a quattro that is with two Violins one Viola and Violoncello. They will be issued early in April of this year (1783).'As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his Piano concertos K.413-5 and as we know from a letter Mozart wrote to his father in K.449 as well. In addition to orchestral forces it is also possible to use achamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with Piano.These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two Pianos the solo part - as well as the strings - are unchanged and thus identical with the version in the NMA. The Piano arrangement adheres to the original orchestral score.Chamber music editions available for:Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
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| Johann Ludwig Krebs:
Concerto in F Major:
Orchestra: Score and
Parts
Orchestra [Score and Parts]
Metropolis Music Publishers
German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelsted...(+)
German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Additionally the solo parts feature two versions/interpretations. Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
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| Adam Falckenhagen:
Concerto in F Major:
Orchestra: Score and
Parts
Orchestra [Score and Parts]
Metropolis Music Publishers
Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late B...(+)
Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late Baroque period travelling from court to court throughout his life eventually settling in Bayreuth. It was there that he won the favour of Wilhelmine of Prussia Margravine of Bayreuth a lutenist herself and the sister of Frederick the Great. He composed a variety of music for lute including this Concerto in F Major in three movements: Allegro Andante and Vivace. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adaptedfrom lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late Baroque period travelling from court to court throughout his life eventually settling in Bayreuth. It was there that he won the favour of Wilhelmine of Prussia Margravine of Bayreuth a lutenist herself and the sister of Frederick the Great. He composed a variety of music for lute including this Concerto in F Major in three movements: Allegro Andante and Vivace. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adaptedfrom lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
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| GRAUN JOHANN GOTTLIEB -
CONCERTO PER LA VIOLA DI
GAMBA D-DUR - PARTIES
SEPAREES
Viola da Gamba
Guntersberg
Johann Gottlieb Graun (1702/3-1771)Concerto per la Viola di Gamba in D major, Gr...(+)
Johann Gottlieb Graun (1702/3-1771)Concerto per la Viola di Gamba in D major, GraunWV A:XIII:4 Editor: Michael O'Loghlin and Günter von Zadow, publication date: 2014-06, source: D-DS Mus.ms 356orchestra parts / Viole de gambe / Guntersberg
Pre-shipment lead time: On order |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Part
Orchestra
Barenreiter
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his tripty...(+)
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Part
Orchestra
Barenreiter
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his tripty...(+)
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
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| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano:
Score
Piano and Orchestra [Sheet music]
Barenreiter
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Pi...(+)
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Chamber
Ensemble:
Piano and Orchestra
Barenreiter
for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 4...(+)
for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been preparedusing clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Georg Friedrich Händel:
Concerto Grosso In G
Major Op.6 No.1:
Orchestra: Part
Viola
Barenreiter
Viola Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Co...(+)
Viola Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.9 In
E-Flat K.271 -
Jeunehomme:
Piano and Orchestra [Sheet music]
Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...(+)
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano:
Parts
Piano and Orchestra
Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...(+)
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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