SKU: HL.50491978
PER VIOLONCELLO SOLO, 2 OBOI, 2 TROMBE, ORCHESTRA D'ARCHI - PARTITURA (SCORE).
SKU: BO.B.3651
Concerto Omaggio to Franz Liszt by Manuel Blancafort, for piano and orchestra. It is the first work that the composer undertook after the blow that supposed the Spanish civil war. In words of the same Blancafort, Finished the war, my first composition, once installed in Sarria, was the Omaggio Concert, finished and released in 1944. It is the most spectacular success in situ that has obtained a work of mine .The work was released day 1 of December of the 1944 by Maria Canals (piano) and the Barcelona Municipal Orchestra, conducted by Eduard Toldra. The composer and music critic Xavier Montsalvatge wrote in La Vanguardia: Blancafort, unconsciously, has been surrended by melody avoiding preciosities, giving free rein to the sincerity and to the simplicity of his feelings, and has created this magnificent concert, in which subjects and harmonization are impregnated of a deep elegance.It requires a group of complete symphony orchestra with soloist piano and it is 40 minutes long.
SKU: UT.NAP-4
ISBN 9790215318373. 9 x 12 inches.
Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e CembaloNicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas. Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.
SKU: BT.SONZ3083
Antologia a cura di Andrea Griminelli, trascrizioni di Andrea Griminelli e Luigi Verrini. La maggior parte delle composizioni presentate in questa raccolta sono state scelte per il carattere brillante e virtuosistico, sempre molto apprezzato nelle pubbliche esecuzioni. Accanto sono stati inseriti brani più meditativi per mettere in risalto le capacit espressive degli interpreti. Le varie esperienze concertistiche e televisive hanno dato conferma agli autori sia sulla resa della parte della chitarra che sullequilibrio delle due sonorit . Contenuto: 1. Ave Maria (C. Gounod) 2. Badinerie (J.S. Bach) 3. Fantasia su temi della Carmen di G. Bizet (F. Borne) 4. Czardas (V. Monti) 5. Andante con variazioni (G. Rossini) 6. Sonata in do magg. K 545 (W.A. Mozart) 7. Il volo del calabrone (N. Rimskij-Korsakov) 8. La Basque (M. Marais).
SKU: BT.GZ-00607600
SKU: BT.GZ-00607900
SKU: HL.50494450
F.VI/14 - PARTI.
SKU: BT.GZ-00607700
SKU: HL.50496357
F I/170 - TOMO 377.
SKU: HL.49044499
ISBN 9790001195874. 9.0x12.0x0.218 inches.
With his 'Omaggio a Vivaldi' Enjott Schneider drew a musical portrait of the Italian Baroque master. Whereas the first movement illuminates the topic of Vivaldi's scandalous relationship with the prima donna Anna who was his junior by 25 years, the second movement focuses on the composer of magical dream worlds who was far ahead of his time. The final virtuoso picture characterizes Vivaldi in the way that many of his contemporaries saw him: as a manically composing eccentric.The Concerto for recorder, strings and harpsichord is dedicated to the virtuoso flutist Stefan Temmingh. Created by the composer himself, the piano score now makes this interesting piece accessible for chamber music purposes.
SKU: HL.4008509
UPC: 196288176275.
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concertband premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de música de Málaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the piano, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The thirdmovement, THE KING TRIUMPHANT, pays homage to Steven’s late father, Rex, and its title alludes both to Rex's name ('Rex' being Latinfor 'king') as well as his love of Eric Ball’s Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
SKU: BT.AMP-524-010
English-German-French-Dutch.
SKU: BT.AMP-524-030
SKU: BT.AMP-524-140
SKU: BT.AMP-524-130
SKU: HL.50499088
SKU: HL.50491988
ED. A. PAIS.
SKU: HL.50577319
SKU: HL.50491983
PER VIOLONCELLO, CORNI, ARCHI - PARTITURA.
SKU: HL.50491989
SKU: HL.50577317
SKU: HL.50595612
UPC: 888680064488. 8.75x12.0x0.112 inches.
SKU: BT.ESZ-00801100
SKU: HL.50491972
SKU: BT.GZ-00607800
SKU: BT.GZ-00608700
SKU: HL.50577322
SKU: BT.SONZ3353
Italian.
SKU: HL.50491984