Format : Study Score / Miniature
SKU: HL.50580707
SKU: HH.HH571-FSP
ISBN 9790708185864.
Giuseppe Valentini (1681–1753) was one of the few Italian composers contemporary with Vivaldi who wrote concertos featuring wind instruments. Two oboe concertos by him have been known for a long time. In 2022 Michael Talbot discovered a hitherto unknown third concerto, in G minor. It is preserved anonymously in a Swedish collection, but Valentini’s authorship is evident from the fact that all its movements are skilful adaptations, clearly made by the composer himself, of individual movements from two of his string concertos published in Op. 7 (1710). The concerto is typically Roman in scoring, lacking a viola part, and is equally suitable for performance in ‘chamber’ fashion, with one instrument to a part, or in ‘orchestral, fashion, with doubled string parts. It is highly characterful, with moments of great expressive power, and of only moderate difficulty for the soloist.
SKU: BR.EB-7435
ISBN 9790004173961. 9 x 12 inches.
The French-born horn player Henri Kling edited Mozart's horn concertos for Breitkopf & Hartel. He prepared the piano reductions himself and set markings in the solo parts. In subsequent printings the editions were supplemented by a part for horn in F, thus making them ideally suited for the performance practice.
SKU: UT.CSS-34
ISBN 9790215302020. 9 x 12 inches.
SKU: UT.CSS-45
ISBN 9790215302235. 9 x 12 inches.
SKU: UT.CSS-39
ISBN 9790215302181. 9 x 12 inches.
SKU: UT.CSS-40
ISBN 9790215302198. 9 x 12 inches.
SKU: UT.CSS-24
ISBN 9790215301221. 9 x 12 inches.
SKU: UT.CSS-37
ISBN 9790215302167. 9 x 12 inches.
SKU: BR.MR-2201
ISBN 9790004487518. 9 x 12 inches.
SKU: BR.EB-8912
World premiere: Stockholm, May 4, 1974
ISBN 9790004185780. 9 x 12 inches.
The flute concerto 'Dances with the Winds' was composed in 1974 for the Swedish flautist Gunilla von Bohr, a specialist in all members of the flute family. The ordinary flute thus alternates with a bass flute at the beginning and end of the four-movement concerto, the second movement is assigned to the shrill piccolo and the third to the sensuous alto flute. The last movement is a summary of all the musical events in the concerto. At the end the bass flute soars to the top of its register, the note D acting as the pivot to many of the symmetries in the work, against a resigned B flat minor chord on the orchestra. (Einojuhani Rautavaara) CD: Patrick Gallois (flute), Helsinki Philharmonic Orchestra, cond. Leif Segerstam ODE 921-2World premiere: Stockholm, May 4, 1974 Additional to the original scoring for flute, piccolo, alto flute, and bass flute, the flute part in the piano reduction contains ossias for alto flute instead of the bass flute.
SKU: BR.PB-15135-07
In Cooperation with G. Henle Verlag
ISBN 9790004214718. 6.5 x 9 inches.
Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin.
SKU: HL.48024627
ISBN 9781784545208. UPC: 888680940812.
One of MacMillan's earliest successes was his first percussion concerto, Veni, Veni, Emmanuel (1992), firmly established with hundreds of performances to date. Percussion Concerto no 2 was therefore received with great excitement at its premiere in 2014 by Colin Currie and the Netherlands Radio Philharmonic. Like its predecessor, the second concerto is formed in a single, c25-minute span, albeit with contrasting sections, but with full orchestra scoring. The significant array of solo percussion is complemented by two orchestral percussion sections; notably the soloist makes use of a recently invented instrument, the aluphone. This edition doesn't include the solo part as a single edition.
SKU: BR.PB-15134
ISBN 9790004214701. 10 x 12.5 inches.
SKU: AP.36-A201248
ISBN 9798892700283. UPC: 659359929090. English.
Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided to publish it. He stressed the point that it would probably sell because cello concerti were few and far between. Never performed in the composer's lifetime, it received its premiere in Oldenburg on April 23, 1860, with Ludwig Ebert playing the solo part. The unique charm of the concerto lies in its structure and scoring, without movement breaks, and written so that the cello part almost never strays from its middle and upper registers. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Cello. Reprint edition. Solo part edited by Rudolf Metzmacher.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: BR.EB-10768
ISBN 9790201807683. 9.5 x 12 inches.
SKU: BR.OB-15134-30
ISBN 9790004341513. 10 x 12.5 inches.
SKU: BR.OB-15134-15
ISBN 9790004341476. 10 x 12.5 inches.
SKU: BR.OB-15134-26
ISBN 9790004341506. 10 x 12.5 inches.
SKU: BR.OB-15134-16
ISBN 9790004341483. 10 x 12.5 inches.
SKU: BR.OB-15134-19
ISBN 9790004341490. 10 x 12.5 inches.
SKU: BT.SINF315
ISBN 9788884002471.
Corde vuote in concerto 44 piccoli pezzi per violino ed altri strumenti Due violini a corde vuote - violino a corde vuote e chitarra, e strumento melodico, e pianoforte, e percussioni, e altri strumenti in diverse combinazioni.