Concerto for Percussion and Chamber Ensemble

SKU: HL.14018153

Danish.

Chamber Concerto for Oboe, Alto Saxophone, Violin, Cello, Double Bass, Piano and Percussion was composed by Anders Koppel in 2004. Chamber Concerto for Oboe, Alto Saxophone, Violin, Cello, Double Bass, Piano and Percussion was composed by Anders Koppel in 2004.

SKU: PR.11441002S

UPC: 680160014804.

SKU: HL.49014849

ISBN 9790220113734. UPC: 073999802979. 9.0x9.0x0.315 inches.

For flute, 2 clarinets, 2 bass clarinets, 2 trumpets in Bb, tuba, percussion, 2 violins, viola and double bass.

SKU: HL.14021749

ISBN 9788759889817. Danish.

Poul Ruders' MONODRAMA, dedicated to percussion virtuoso Gert Sorensen and commissioned by The Danish Radio, was written in New York in the early winter 1988 and makes the centre as well as the middle of the tri-part opus called The Drama Trilogy. All three works employ the word Drama in their title, Drama in the original meaning of the word: event. No specified event, but a premonition or omen rather, that something is afoot, a free Drama-offer from which anyone may populate the stage of his private, inner theatre.The first piece of the series DRAMAPHONIA for piano and chamber ensemble was premiered in London in the spring of 1988 by Lontano and Poul Rosenbaum. This piece is emotionally and rhythmically unstable as opposed to MONODRAMA (single-event) which is modelled from the archetypal idea of obtaining accomplishment from nothingness. The 31 instruments of the orchestra (no flutes and no violins or violas) are more or less wrapped around the solo-part to become one with that and thus emerge as one, gigantic percussion instrument. The rhythmical patterns of the orchestral part more or less follow those of the percussionpart, a single-event also on the rhythmical level.After 20 minutes climbing toward the peak of rage, the composition casts its slough and is reborn into a chorale-like march and the struggle between totally depopulated sound-scapes and ferociously roaring sub-oceanic storms begin and the piece paces toward the abyss; rage becomes despondency, New Rage as opposed to New Age, the spineless worshipper of beauty without pain.The third instalment of the DRAMA TRILOGY, the cello concerto POLYDRAMA will be premiered in Stockholm May 1990.MONODRAMA lasts aprox. 32 minutes.Poul Ruders.

SKU: HL.14031896

Danish.

Poul Ruders STUDIUM: Concerto for 2 percussionsoloists and OrchestraAs indicated in the Latin title STUDIUM, this concerto is a study or etude for virtuoso percussion and orchestra and a composer's studium of the meticulous and patient building up a huge structure based on a very tight and sparse material. The title originally means and undertaking done with ardour and the wish to strive for the highest possible goal, a natural aim in any artistic endeavour. The orchestra and the soloists work in a body towards the off-centre placed climax, the technical level of the soloists increasing form ensemble status to stupefying virtuosic display, whereas the orchestra maintains its tightly composed surround-sound. What then happens shall remain a surprise.Poul Ruders.

SKU: HL.48024779

UPC: 888680966362.

Angel of Dusk for double bass, two pianos and percussion is a chamber ensemble version of Einojuhani Rautavaara's double bass concerto dating from 1980/1993. The work is dedicated to Olga Koussevitzky, the widow of Sergey Koussevitzky. The Koussevitzky foundation sent Einojuhani Rautavaara to study with Aaron Copland in Tanglewood, and it was Sibelius who chose Rautavaara as the recipient of this scholarship. The solo part has been corrected by the composer in the summer of 2015.

SKU: HL.49045775

ISBN 9783702471132. UPC: 803452068235. 7.0x10.0x0.436 inches.

Kurt Weill developed his creative energies mainly within the world of musical theater, where he proved to be an immensely productiveand imaginative innovator, but he also left behind a small body of work for the concert hall. The Concerto for Violin and Wind Orchestra op. 12 dates from the spring of 1924. Scored for two flutes, clarinets, bassoons, horns, one oboe and trumpet, percussion and four contrabasses, the concerto comprises three movements. While composing the work, Weill informed his publisher: 'I am workingon a concerto for violin and wind orchestra that I hope to finish within two or three weeks. The work is inspired by the idea - one never carried out before - of juxtaposing a single violin with a chorus of winds.' The specific character of Weill's concerto as music written for chamber orchestra (with an often soloistic treatment of instruments) leads to a transparency that requires utmost precision in the ensemble playing. In the quest for an overall sonic balance, the coarser-sounding wind instruments need to explore all dynamic nuances. The solo part is challenging not only from a technical standpoint but also from an acoustic one (it is crucial to make the violin 'sound'). In spite of these challenges - or precisely because of them - critics in the 1920s called the solo parthighly idiomatic and extremely rewarding. Since then the concerto has become a 'modern classic' in concert halls around the world. (Elmar Juchem, August 2010). The score is based on the critical text of the Kurt Weill Edition Ser. II, Vol. 2.

SKU: SU.91410010

Harpsichord, Percussion [1 player: orch chimes, lg susp cymbal, xyl, vib (mallets & string bass bow), tom-toms (4), susp triangle, glock], Strings Duration: 20' Composed: 1992 Published by: Subito Music PublishingFull Score & Parts: available on rental: YouTube:.

SKU: PR.41641422L

UPC: 680160602070. 11 x 17 inches.

SKU: PE.EP66393

ISBN 9790300721798.

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